凯特（Andie MacDowell 饰）是英国小镇上一所女子学校的女校长，年届40岁、事业有成、受人尊敬，却始终独守空闺。每周一她都会和她两个同样叱吒职场的成功女性密友：莫莉（Anna Chancellor 饰）和詹宁（Imelda Staunton 饰），一起喝琴酒、吃巧克力、聊哪里有好男人，决定谁是他们Sad Fuckers Club当周的「No.1苦情花」（Saddest of the Week）。 　　 　　某天凯特意外邂逅年方25岁的男子小杰（Kenny Doughty 饰），并与他发生关系。她正困惑著究竟该如何告诉她的姐妹淘们，一旦莫莉和詹宁知道她和年纪如此不相称的男人展开姐弟恋，真不晓得她们会作何反应，她们会否觉得她将自此挥别苦情，而离她远去呢？ 纸包不住火，终于莫莉和詹宁还是知道了，她俩怒火中烧地不停揶揄：「老牛吃嫩草」、「简直自取其辱」之类的话语，并对凯特展开激烈的抗拒，不料一切无情的话语和攻击，反而让凯特与阿杰两人爱得更加无悔无惧。直到后来，当这对恋人喜孜孜地宣布他们即将结婚的计画时，凯特竟意外撞见莫莉和阿杰，顷刻间凯特不禁鼻酸，满地都是心碎的声音…

凯特（Andie MacDowell 饰）是英国小镇上一所女子学校的女校长，年届40岁、事业有成、受人尊敬，却始终独守空闺。每周一她都会和她两个同样叱吒职场的成功女性密友：莫莉（Anna Chancellor 饰）和詹宁（Imelda Staunton 饰），一起喝琴酒、吃巧克力、聊哪里有好男人，决定谁是他们Sad Fuckers Club当周的「No.1苦情花」（Saddest of the Week）。 　　 　　某天凯特意外邂逅年方25岁的男子小杰（Kenny Doughty 饰），并与他发生关系。她正困惑著究竟该如何告诉她的姐妹淘们，一旦莫莉和詹宁知道她和年纪如此不相称的男人展开姐弟恋，真不晓得她们会作何反应，她们会否觉得她将自此挥别苦情，而离她远去呢？ 纸包不住火，终于莫莉和詹宁还是知道了，她俩怒火中烧地不停揶揄：「老牛吃嫩草」、「简直自取其辱」之类的话语，并对凯特展开激烈的抗拒，不料一切无情的话语和攻击，反而让凯特与阿杰两人爱得更加无悔无惧。直到后来，当这对恋人喜孜孜地宣布他们即将结婚的计画时，凯特竟意外撞见莫莉和阿杰，顷刻间凯特不禁鼻酸，满地都是心碎的声音…

梁氏掌门人梁泰声对公交售票员童嘉许一见钟情，对其展开猛烈的攻击，不料却遭重重险阻，但童嘉许最终还是被梁泰声的真心感动，此时，暗恋梁泰声已久的金家小姐联合童嘉许前男友联合计划了一个大阴谋

八十年代豫北石洼村，石墩父曾以石磨救秋霞，秋霞遂将女儿小菊与石墩定娃娃亲。长大后小菊与知青后代张建国相恋，建国成村里首个个体户，欲带小菊闯县城。石墩娘死守婚约以死相逼，全村指责小菊家忘恩负义。小菊夹在信义与幸福间两难，最终石墩主动撕毁婚约，成全二人，也打破了陈旧观念。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

童嘉许遇大佬梁泰声纠缠，求未婚夫卫川早婚未果，婚礼上被卖，梁泰声救她并求婚被拒。母病重，梁泰声带钱相助，童嘉许与其结婚一年。婚后梁照顾岳母，保护童嘉许，后意外得知真相是梁泰声当年救了童嘉许，最终两人相守。

Visual artist Klaudia Kemper tries to reconnect with her ageing, aphasic father, a psychoanalyst who remained in Brazil after she left for Chile when she was young. 　　During her youth, Klaudia became distanced from her father, who never visited her in Chile. However, for 21 years he wrote letters to her, until this was no longer possible. On deciding to reconnect with him, she finds an old man who has lost the ability to speak or write. This communication impasse notwithstanding, Klaudia explores ways to deal with her many emotions; from anger and pain, to love and longing, all encompassed by the Portuguese word ‘saudade’. Examining the complexity and limitations of language as a form of communication – its ability to both connect and disconnect people –the filmmaker finds a touching, cinematic voice to express her feelings towards her father. And in his many letters, Klaudia and her film return her father’s voice to him. 　　源自：https://sheffdocfest.com/film/bringing-voice

Released from jail after a term basically served instead of friends he refused to rat out, Charles 'Skip' Cuddy is grateful his gentleman instinct gets him a job with living quarters as handyman on a semi-destitute estate Blessings. Working hard, he wins further confidence from the owner, bitter widow Lydia Blessing, unlike her in-living bitch nurse Jennifer. When a baby is left at the state, Skip takes it in and secretly cares for it. Lydia eventually finds out but sides with him, feeling robbed of grandchildren by her careerist only daughter Meredith. Then Skip's past comes knocking, and the baby's birth parents.

《声声乐尔》是一档以国乐艺术家方锦龙为发起人，与儿子方颂评、徒弟李星星组成的国乐团，一同寻找代表城市中不同的声音并收集，为城市留下音乐作品。

暂无剧情简介