三位年青人在四季交替中经历情感跌宕。在友情与爱情、身份与家庭当中，彼此生命互相交织，道尽成长喜怒哀乐，编写一首青春挽歌。

故事发生在人迹罕至的西伯利亚雅库原始森林之中，谢尔盖（叶甫盖尼·乌尔班斯基 Yevgeni Urbansky 饰）、安德烈（瓦西里·利万诺夫 Vasili Livanov 饰）、丹妮娅（塔吉娅娜·萨莫依洛娃 Tatyana Samojlova 饰）和萨比宁（因诺肯季·斯莫克图诺夫斯基 Innokenti Smoktunovsky 饰）是四名地质勘探队的队员，他们正在此处探索，想要找到珍贵的金刚石矿床。 　　茫茫的原始森林之中，想要找到小小的矿床是何等的困难，四人忙碌数日，却一无所获，纷纷陷入了心灰意冷的情绪之中。然而就在这个节骨眼上，丹妮娅在偶然之中挖到了一块金刚石，这也就以为着，矿床就在不远之处。勘探队绘制了地图准备将其带往总部，此时森林中忽然燃起了熊熊大火，在浓烟和烈焰之中，一行人为了保护地图而付出了惨痛的代价。

英伦影后《黛安娜》（2013）茱丽叶史蒂芬森、《特别响，非常近》麦斯冯西度领衔主演。 　　「假如有一天获封圣人，我将肯定是代表晦暗的一个。我会长期缺席于天堂，为地球上活于黑暗的人们去点灯。」 ──德蕾莎修女。 　　全球最知名的海外宣教士──德蕾莎修女深入印度行善的50年间，她无私的爱帮助 无数困顿灵魂走过生命最后一段路。她放下一切，入世行善，世人称她为「加尔各答的天使」。1979年，她荣获诺贝尔和平奖、2016年，梵蒂冈教宗将为她封圣，她的爱无远弗届。 　　德蕾莎修女27岁时便到加尔各一所修女会中学担任老师，耸立的高牆将这所学校与外围的贫民窟区隔，她不顾自己隐修女不能随意外出的身分，向梵蒂冈教会申请成为自由修女，只为了直接服务贫困的人。然而，在印度每日所见人世间的贫困、苦难、种种灾厄却深深折磨著德蕾莎修女的心灵，这段期间，德蕾莎修女不断写信给她的心灵导师──冯西度神父寻求精神上的救赎，本片从这些尘封的信件出发，诉说德蕾莎修女用爱接纳一切、拯救世人的背后，内心经历的一切挣扎、苦痛，最后臻至解脱，昇华为最坚定的信仰与爱

A remote village in the North-West of Russia. A mental asylum is located in an old wooden house. The place and its inhabitants seem to be untouched by civilization. In this pristine setting no articulate human voice is heard, and pain is muted. Written by Atoms&Void

A remote village in the North-West of Russia. A mental asylum is located in an old wooden house. The place and its inhabitants seem to be untouched by civilization. In this pristine setting no articulate human voice is heard, and pain is muted. Written by Atoms&Void

讲述了1920年代英国海滨小镇的一桩荒诞新闻，当地居民伊迪丝·斯旺和爱尔兰移民罗斯是邻居，当伊迪丝和其他居民开始收到匿名信件时，罗斯被认为是始作俑者。然而，当以警官格拉迪斯·莫斯为首的镇上妇女们开始自行调查这起事件时，她们注意到事情有些不对劲，罗斯可能根本不是罪魁祸首。

讲述了1920年代英国海滨小镇的一桩荒诞新闻，当地居民伊迪丝·斯旺和爱尔兰移民罗斯是邻居，当伊迪丝和其他居民开始收到匿名信件时，罗斯被认为是始作俑者。然而，当以警官格拉迪斯·莫斯为首的镇上妇女们开始自行调查这起事件时，她们注意到事情有些不对劲，罗斯可能根本不是罪魁祸首。

一对恋爱中的男女必须面对两人长期的异地恋带来的紧张和不安。

一对恋爱中的男女必须面对两人长期的异地恋带来的紧张和不安。

A child throws stones at the moon. They say the sun has gone and will only return when anxiety has disappeared. Until then, the stars are there to offer comfort. So the child counts the stars in the night’s endless expanse on the slopes of the Algerian Atlas mountains. Aness, the child, is the companion of Lamine, a young man on the run. Both are being pursued by nameless people carrying arms. Who are these criminals? Why must the two of them hide and sleep at night with weapons in their hands? Is the child merely a figment of Lamine’s imagination? A desire made flesh? Narrated elliptically and associatively, La nuit et l’enfant tells of omnipresent danger and constant threats. The film moves between realism and dream: Almost documentary-like shots alternate with powerful, poetic imagery. In the 90s, the Djelfa region was a terrorist stronghold. Lamine says that life was different before the terrorists came. Without dogma and with plenty of room for interpretation, this film is the account of a young generation’s will to live, a generation which must set boundaries even as it suffers. David Yon has created a dark, atmospheric fable reminiscent of the story of another little prince. berlinale 2015