三位年青人在四季交替中经历情感跌宕。在友情与爱情、身份与家庭当中，彼此生命互相交织，道尽成长喜怒哀乐，编写一首青春挽歌。

一对恋爱中的男女必须面对两人长期的异地恋带来的紧张和不安。

一对恋爱中的男女必须面对两人长期的异地恋带来的紧张和不安。

A child throws stones at the moon. They say the sun has gone and will only return when anxiety has disappeared. Until then, the stars are there to offer comfort. So the child counts the stars in the night’s endless expanse on the slopes of the Algerian Atlas mountains. Aness, the child, is the companion of Lamine, a young man on the run. Both are being pursued by nameless people carrying arms. Who are these criminals? Why must the two of them hide and sleep at night with weapons in their hands? Is the child merely a figment of Lamine’s imagination? A desire made flesh? Narrated elliptically and associatively, La nuit et l’enfant tells of omnipresent danger and constant threats. The film moves between realism and dream: Almost documentary-like shots alternate with powerful, poetic imagery. In the 90s, the Djelfa region was a terrorist stronghold. Lamine says that life was different before the terrorists came. Without dogma and with plenty of room for interpretation, this film is the account of a young generation’s will to live, a generation which must set boundaries even as it suffers. David Yon has created a dark, atmospheric fable reminiscent of the story of another little prince. berlinale 2015

A child throws stones at the moon. They say the sun has gone and will only return when anxiety has disappeared. Until then, the stars are there to offer comfort. So the child counts the stars in the night’s endless expanse on the slopes of the Algerian Atlas mountains. Aness, the child, is the companion of Lamine, a young man on the run. Both are being pursued by nameless people carrying arms. Who are these criminals? Why must the two of them hide and sleep at night with weapons in their hands? Is the child merely a figment of Lamine’s imagination? A desire made flesh? Narrated elliptically and associatively, La nuit et l’enfant tells of omnipresent danger and constant threats. The film moves between realism and dream: Almost documentary-like shots alternate with powerful, poetic imagery. In the 90s, the Djelfa region was a terrorist stronghold. Lamine says that life was different before the terrorists came. Without dogma and with plenty of room for interpretation, this film is the account of a young generation’s will to live, a generation which must set boundaries even as it suffers. David Yon has created a dark, atmospheric fable reminiscent of the story of another little prince. berlinale 2015

菲利普（凯文·斯派塔斯 Kevin Spirtas 饰）和盖伊（Justin Ross 饰）因为一件绿格子衬衫而相识相知，很快就坠入情网的他们搬到了一起，开始了充满了幸福和快乐的同居生活。然而，随着时间的推移，两个人都渐渐暴露出了自己的真实性格，碰撞和摩擦日益增加，最终，盖伊无法抵挡外面花花世界的诱惑，他出轨背叛了菲利普，并且无情的抛弃了他。 　　之后，菲利普一直过着形单影只的生活，当盖伊再度回到菲利普身边时，发现他身患重病命不久矣。良心发现的盖伊决定好好的照顾菲利普，他们的感情在朝夕相处之中再度升温。这场疾病终于让盖伊明白了自己内心里对于菲利普的感情。

菲利普（凯文·斯派塔斯 Kevin Spirtas 饰）和盖伊（Justin Ross 饰）因为一件绿格子衬衫而相识相知，很快就坠入情网的他们搬到了一起，开始了充满了幸福和快乐的同居生活。然而，随着时间的推移，两个人都渐渐暴露出了自己的真实性格，碰撞和摩擦日益增加，最终，盖伊无法抵挡外面花花世界的诱惑，他出轨背叛了菲利普，并且无情的抛弃了他。 　　之后，菲利普一直过着形单影只的生活，当盖伊再度回到菲利普身边时，发现他身患重病命不久矣。良心发现的盖伊决定好好的照顾菲利普，他们的感情在朝夕相处之中再度升温。这场疾病终于让盖伊明白了自己内心里对于菲利普的感情。

暂无剧情简介

苏婉意外穿越到八零年代的小说世界中，成为命运悲惨的女配角，为了改变自己的结局，她拒绝原定的婚姻，决心通过学习和创业来掌控自己的命运。在经历与男主角霍枭寒的误会和冲突后，两人逐渐产生真挚的感情，最终携手共进，打破了命运的桎梏，谱写了一段励志与爱情交织的动人故事