一场雨夜，姜壹被丧心病狂的父亲卖给人贩子，从此与没有血缘关系的哥哥杜孤舟失散。十二年后，姜壹和杜孤舟长大成人。姜壹是一个普普通通的打工人，杜孤舟此时已经成为盛京第一大豪门，杜氏集团的总裁。两人虽然身份地位相差悬殊，但是彼此都想找到对方。经过一番波折，兄妹终于相认。

一场雨夜，姜壹被丧心病狂的父亲卖给人贩子，从此与没有血缘关系的哥哥杜孤舟失散。十二年后，姜壹和杜孤舟长大成人。姜壹是一个普普通通的打工人，杜孤舟此时已经成为盛京第一大豪门，杜氏集团的总裁。两人虽然身份地位相差悬殊，但是彼此都想找到对方。经过一番波折，兄妹终于相认。

一场雨夜，姜壹被丧心病狂的父亲卖给人贩子，从此与没有血缘关系的哥哥杜孤舟失散。十二年后，姜壹和杜孤舟长大成人。姜壹是一个普普通通的打工人，杜孤舟此时已经成为盛京第一大豪门，杜氏集团的总裁。两人虽然身份地位相差悬殊，但是彼此都想找到对方。经过一番波折，兄妹终于相认。

Alberto is a son, father, and grandfather who, upon reaching adulthood, asks questions he was never able to ask his own father and for which he can no longer obtain answers. Along with his brother Fabián and sister Lilián, he embarks on a journey to Poland in search of the hometown of his father, a Jewish immigrant who emigrated as a teenager, escaping the imminent war and leaving part of his family behind. Tal vez nos volvamos a encontrar is a journey that reunites three siblings who lived their lives apart and out of step.

福建晋江的围头村与金门岛隔海相望，今年“七夕”情人节这天，围头村要举办“返亲节”，“返亲节”的内容就是“围头村”嫁到金门岛的新娘回家探亲。为了办好“返亲节”，村长决定由村小学的学生组建一支“啦啦”队在“返亲节”上表演，“啦啦”队由村里的体育老师负责排练，四个顽皮的孩子被选进了“啦啦”队，他们不愿意暑假的玩乐时间被排练占据，想尽办法逃避每天的排练。体育老师终于忍无可忍将四个孩子开除，可四个孩子却觉得被开除很丢人，他们重新回到“啦啦”队认真排练，开始协助体育老师将舞蹈排练成功……

福建晋江的围头村与金门岛隔海相望，今年“七夕”情人节这天，围头村要举办“返亲节”，“返亲节”的内容就是“围头村”嫁到金门岛的新娘回家探亲。为了办好“返亲节”，村长决定由村小学的学生组建一支“啦啦”队在“返亲节”上表演，“啦啦”队由村里的体育老师负责排练，四个顽皮的孩子被选进了“啦啦”队，他们不愿意暑假的玩乐时间被排练占据，想尽办法逃避每天的排练。体育老师终于忍无可忍将四个孩子开除，可四个孩子却觉得被开除很丢人，他们重新回到“啦啦”队认真排练，开始协助体育老师将舞蹈排练成功……

在巴黎留学的索莲回首尔过暑假，而她一直迷恋的在巴黎结识的已婚男子民焕保持着暧昧的态度，萦萦一边际和对她一见钟情的贤宰约会一边等待着民焕的联络。为是见民焕素莲拖着沉重的行礼来往于釜山和首尔间，夏天快结束了，素莲要回巴黎了，可是他们的感情究竟是何去何从呢？ 本片从单纯爱情故事中的女主角入手，她在无名的失落和面对欲望复杂的心情间徘徊，从而细腻的揭示了现代人的爱情观。

在巴黎留学的索莲回首尔过暑假，而她一直迷恋的在巴黎结识的已婚男子民焕保持着暧昧的态度，萦萦一边际和对她一见钟情的贤宰约会一边等待着民焕的联络。为是见民焕素莲拖着沉重的行礼来往于釜山和首尔间，夏天快结束了，素莲要回巴黎了，可是他们的感情究竟是何去何从呢？ 本片从单纯爱情故事中的女主角入手，她在无名的失落和面对欲望复杂的心情间徘徊，从而细腻的揭示了现代人的爱情观。

讲述了原本在高中时期结束的一段缘分在过了10年后通过摄像机重新展现的青春纪录片。

Ki-jun's family moves to a local village with a new town development plan. While going through the transfer process at his new school, Ki-jun's new pair of sneakers disappear. The children suspected of being shoe thieves are brothers from a famous broken family in the neighborhood. 　　In Korean society, “Expediency” often has a different connotation than being “clever” or “wise.” In When This Summer is Over (2024), the protagonist Ki-jun, despite still only being in elementary school, is transferred to a rural school from the city due to his mother's aspirations for the special university admission benefits for students in rural areas. She cannot wait to move into the new apartment being built in the neighborhood, but participates in the local community that demand a higher compensation for the gentrification, just to get in their good graces. The film poses the question of what children’s lives would be like while the grownups are eager to take advantage of the loopholes of laws and systems. Struggling to survive in an unfamiliar neighborhood, Ki-jun catches the eyes of Young-moon, who wields his own power. Even though he suspects that Young-moon is wearing the exact shoes that he lost, he compromises his own ethical conscience to continue the benefits that come with being under Young-moon’s wing. Summer will eventually pass, but comforting breeze would not easily come to their hearts. The landscape of the newly constructed apartments, towering across the rural neighborhood, reminds us of Lee Chang-dong’s Green Fish (1997). (MOON Seok)