潮汕鬼才夏雨来一生行侠仗义，行事作风却得不到女儿夏来碧的认同。因缘际会下父女俩不得不合作对抗奸商恶人，背后的敌人却藉此慢慢浮出水面，让龙湖镇的所有人开始分崩离析。

清朝末年，从不败诉的潮汕第一鬼才状师夏雨来一生都在行侠仗义，但因其“夏狐狸”式的行事作风，屡屡与理想成为大清首位女状师的女儿夏来碧产生矛盾。 　　彼时外国资本势力强势入侵潮汕商业市场，在一连串啼笑皆非的民间案件和商战后，夏家父女逐渐发现到外国势力背后的可怕阴谋。此时，女儿却被污蔑为杀人放火的凶手，父亲为此站上公堂以唇枪舌剑对抗奸商恶官。最后，父女同心，团结潮汕百姓，展开了“胶己人”与外敌的殊死对决……

人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

人工智能专业研三学生蒋苡一，自从双胞胎妹妹去世后一直心怀愧疚，立志要开发一款AI让妹妹“复活”，也因此闯入了“AI大神”顾屿的世界。而顾屿虽在AI界被封神，却有着鲜为人知的心理疾病。为治愈疾病，他一直在寻找儿时曾治愈过自己的“青梅”，却阴差阳错找到了“青梅”的姐姐——蒋苡一。本不应该发生爱情的两个“感情白痴”，在共同研究项目的过程中，因为价值观的契合，早已在不知不觉间向对方越靠越近。在帮彼此解决困难的同时，萌发了爱情的种子......

还记得初恋的味道么？有可能你已经忘记初恋的味道了，或许你已将它埋在心里，也或许此时此刻正经历着初恋，不管如何，初恋呢，是甜蜜的，是羞涩的，是幸福的。曾经是初恋的那个人， 当再次相遇的时候，会擦出什么样的火花呢。《初恋微甜》漫动画，每周一-周五更新全网更新！

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang