第一夜（2010-09-27）駈込み訴え 　　主演：香川照之 　　导演：西川美和 　　第二夜（2010-09-28）カチカチ山 　　主演：満島ひかり 　　导演：高田雅博 　　第三夜（2010-09-29） グッド・バイ 　　朗読：UA 　　导演：福井利佐

第一夜（2010-09-27）駈込み訴え 　　主演：香川照之 　　导演：西川美和 　　第二夜（2010-09-28）カチカチ山 　　主演：満島ひかり 　　导演：高田雅博 　　第三夜（2010-09-29） グッド・バイ 　　朗読：UA 　　导演：福井利佐

Harshu(12), a rebel Indian adolescent is coming of age by questioning and understanding the dynamics of relationships in a middle class family. Every episode sees Harshu, whose voice over breaks the fourth wall, understanding a particular relationship; be that with his mother, father, siblings, friends or his school crush Vidhya. In finale, he realizes the importance of whole family.

Harshu(12), a rebel Indian adolescent is coming of age by questioning and understanding the dynamics of relationships in a middle class family. Every episode sees Harshu, whose voice over breaks the fourth wall, understanding a particular relationship; be that with his mother, father, siblings, friends or his school crush Vidhya. In finale, he realizes the importance of whole family.

小莉和秀秀是经常相互传递纸条的知己，但是却有着截然不同的性格。小莉热情外放，喜欢和校外大男生混在一起，而秀秀却是那种沈默、固执的女孩。这是一所很有趣的学校，古老建筑混合着新建中的大楼，传统观念与现代流行相互撞着。当然，活在阴影中还有一群连校方都避之为恐不及的不良少年大鸟及不良少女李珊对其他同学进行勒索及伤害。学校、家庭各方面的压力，使小莉认为他失去了所有可依赖的，包括秀秀的友谊。于是小莉便离家出走。小莉失踪以后，秀秀跌入极端的颓丧中，他身边的朋友只剩当初追小利的小男生陈金宝，而社局长和李珊竟然成了一对情人，使得他们之间关系更加复杂，不过，最后，秀秀、陈金宝、杜局长和李珊决定去寻找小莉……

小莉和秀秀是经常相互传递纸条的知己，但是却有着截然不同的性格。小莉热情外放，喜欢和校外大男生混在一起，而秀秀却是那种沈默、固执的女孩。这是一所很有趣的学校，古老建筑混合着新建中的大楼，传统观念与现代流行相互撞着。当然，活在阴影中还有一群连校方都避之为恐不及的不良少年大鸟及不良少女李珊对其他同学进行勒索及伤害。学校、家庭各方面的压力，使小莉认为他失去了所有可依赖的，包括秀秀的友谊。于是小莉便离家出走。小莉失踪以后，秀秀跌入极端的颓丧中，他身边的朋友只剩当初追小利的小男生陈金宝，而社局长和李珊竟然成了一对情人，使得他们之间关系更加复杂，不过，最后，秀秀、陈金宝、杜局长和李珊决定去寻找小莉……

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please.

The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch of a novelist. Then, standing in the centre, he causes the living features of his sketch to appear in the place of his own, which is utterly devoid of whiskers. The change is made so mysteriously that the eye cannot notice it until one sees quite another person in the place of the first. Again another sketch is shown on the board, this one being that of a miser; then an English cockney; a comic character; a French policeman, and last of all, the grinning visage of Mephistopheles. It is almost impossible to give this film a more definite description; suffice it to say that it is something entirely new in motion pictures and is sure to please.