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Science is who we are, where we come from and what happens next. But how science established itself as the way for us to understand existence and to take control of our destiny is an integral, and often overlooked part of our nation’s story. 　　In a new three-part series for BBC Two, Professor Brian Cox introduces Britain’s science heroes, taking us to the places they made their discoveries, recreating their experiments and examining the legacy left to their scientific descendants. He will find that the British tradition of innovation and discovery owes everything to the early pioneers and how the business of discovery and innovation is a process of creative inspiration, collaboration and true grit – an endeavour in which Britain has consistently set the pace. 　　Professor Cox begins this intimate portrait of British science with a face to face encounter with Isaac Newton’s death mask. Starting with Newton, Brian investigates the personality of scientists, showing how their greatest achievement is the scientific method – removing personal bias in interest from discovery. He meets one of the few remaining people who worked on the wartime British nuclear bomb programme, whilst discovering the way in which the acquisition of knowledge can sometimes be at odds with public morality. Finally Brian meets the current president of the Royal Society, Professor Sir Paul Nurse, who reveals a new approach to the business of discovery in what he believes will be the most successful British biomedical research initiative ever – the Crick Institute, currently under construction in London’s King’s Cross.

Science is who we are, where we come from and what happens next. But how science established itself as the way for us to understand existence and to take control of our destiny is an integral, and often overlooked part of our nation’s story. 　　In a new three-part series for BBC Two, Professor Brian Cox introduces Britain’s science heroes, taking us to the places they made their discoveries, recreating their experiments and examining the legacy left to their scientific descendants. He will find that the British tradition of innovation and discovery owes everything to the early pioneers and how the business of discovery and innovation is a process of creative inspiration, collaboration and true grit – an endeavour in which Britain has consistently set the pace. 　　Professor Cox begins this intimate portrait of British science with a face to face encounter with Isaac Newton’s death mask. Starting with Newton, Brian investigates the personality of scientists, showing how their greatest achievement is the scientific method – removing personal bias in interest from discovery. He meets one of the few remaining people who worked on the wartime British nuclear bomb programme, whilst discovering the way in which the acquisition of knowledge can sometimes be at odds with public morality. Finally Brian meets the current president of the Royal Society, Professor Sir Paul Nurse, who reveals a new approach to the business of discovery in what he believes will be the most successful British biomedical research initiative ever – the Crick Institute, currently under construction in London’s King’s Cross.

以国内外的科幻作品为指引，讲解其中蕴含的科学原理，启迪想象力与创造力，激发大众对科学的热爱与兴趣。

以国内外科幻作品为线索，介绍科学原理，启发想象力、创造力，激发公众热爱科学的热情和兴趣。

Truman Bradley主持的一个综合类的“未解之谜”节目，主要针对上个世纪五十年代一些报道出来的超自然现象。与其他同类show不太一样，这个节目每期邀请相关方面的专家对一些奇异时间进行分析和解释。所涉及的题材非常广泛，观众可以看到诸如，星球大战、U FO外星来客、心灵感应等很多方面问题的探讨。

Truman Bradley主持的一个综合类的“未解之谜”节目，主要针对上个世纪五十年代一些报道出来的超自然现象。与其他同类show不太一样，这个节目每期邀请相关方面的专家对一些奇异时间进行分析和解释。所涉及的题材非常广泛，观众可以看到诸如，星球大战、U FO外星来客、心灵感应等很多方面问题的探讨。

劇情講述懦弱的男孩哈利經常遭人欺負，直到他發現自己擁有用意念移動物體的超能力。但他強大的超能力卻越來越不受控制，甚至他身邊的人也因此而陸續死去，哈利該怎樣面對這一切？ 　　飯田讓治是一位擅長恐怖驚悚題材的電影導演，曾執導過《午夜兇鈴續》（Spiral）、《另一個天堂之血移魂》等恐怖片，最新作品是根據漫畫改編的科幻災難片《天咒》（DRAGON HEAD）雖然日本的恐怖漫畫並不在少數，但在動畫領域還很少有涉及恐怖題材的，這部類似斯蒂芬京的《魔女嘉麗》的作品風格詭異，值得一看。

亚马逊工作室近日宣布，公司将接手查理兹·塞隆主演、纳什·埃哲顿执导的独立新作《美国运通》(American Express，暂译)。并已招揽了大卫·奥伊罗、阿曼达·塞弗里德、乔尔·埃哲顿等演员加盟本片。亚马逊方面预计本片将于明年年初正式开拍。

该片并非动画片，仅是瑞士动画大师Georges Schwizgebel的一部实验短片。 　　前面约4分钟，镜头慢慢地在一帧接一帧照片上滑过，1980年代上海的风土人情尽收眼底，城市的建筑、市民的衣着装扮、街头正在发生的事情等等，皆被导演细细捕捉；后面约2分钟，一帧静态照片引出一段流动影像，镜头固定在某个人来人往的红绿灯路口，我们可以看出其时上海的主要交通工具是自行车。今天看来，照片或影像中所呈现的日常生活，仅属历史资料一种。有意思的是，影片打片名时，导演赫然在“NAKOUNINE”下面书写上“外国人”三个红色繁体汉字，某种程度上，既将个人看待“外国”的视角说出，又纪念了他1984年在复旦大学的留学生活。