缘起戏话一幕联想，试听不同思维角度。抛却抽象的概念，还原真实的人物。这里有满嘴喷粪的刘邦，还有心狠手辣的吕后；既有明哲保身的张良，还有死于非命的韩信。你知道，刘邦曾经靠ps的画像逃过一劫吗？你知道，吕后曾经赐死自己的亲孙子吗？《袁视角》给你讲述不一样的历史！

缘起戏话一幕联想，试听不同思维角度。抛却抽象的概念，还原真实的人物。这里有满嘴喷粪的刘邦，还有心狠手辣的吕后；既有明哲保身的张良，还有死于非命的韩信。你知道，刘邦曾经靠ps的画像逃过一劫吗？你知道，吕后曾经赐死自己的亲孙子吗？《袁视角》给你讲述不一样的历史！

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

In christmas is typical champagne, roscón, presents... and introduce your partner at Christmas lunches and dinners. But how would you tell your mother and grandmother that you have a polyafective relationship?

这部作品使用生成性AI技术，将几位艺术家创作的原始数据图像改编为电影。他们大多来自神经多样性群体，除了精神上所承受的辛苦，有的甚至还同时经验着来自身体的创痛，他们的艺术想象力与创造力都独具特色。 　　影片的一部分段落满溢着痛苦与焦虑，但在另一些时候，它同样也传达出安定与平和。作品将两者揉汇为一种审美理念的表达。多样性与人类共存且理应被包容，因为正是神经多样性促成了我们对自身认知的迭代，而且最终可能酝酿出人类社会非凡的变革。

影片改编自同名网络小说。　　平凡上班族金独子（安孝燮 饰），唯一嗜好是阅读网络小说《在灭亡的世界中存活的三种方法》，不过在长达十年的连载期间，他却是这个小说的唯一读者。当金独子在地铁车厢读完小说最终话时，小说中的场景却转瞬成为现实。地铁车厢仿佛成为人间炼狱，巨大怪物正践踏着这座城市，以及凭空出现在眼前的讯息：“您收到了第一个主线任务。”紧接着，熟悉的小说角色纷纷登场，而那个无比强大、牵动着整个世界命运的小说主角刘众赫（李敏镐 饰），开始照着剧情一一行动。眼看熟悉的世界将不复返，一个崭新的世界正在诞生，身为唯一知晓这个新世界结局的金独子，将在升级自身能力的同时，打造出与原本小说截然不同的结局。

该影片讲述的是现实像连载了10年的小说一样最终会走向灭亡，唯一知道该结局的金独子(安孝燮饰)和小说中的主人公刘重赫(李敏镐饰)一起拯救世界的大长征。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。