影片讲述的是一位年轻的中学教师罗宾逊（韦斯·本特利饰演）为杀害自己妻子伊丽莎白（埃曼妞·沃吉亚饰演）的赌城恶吉米·多兰（ 克里斯汀·史莱特 饰演）复仇的故事。伊丽莎白死后的灵魂附在罗宾逊身上，导致他变成复仇的机器，丧失了思想，肉体和精神。当罗宾逊和吉米·多兰在沙漠上生死对决之后，吉米·多兰银灰色的卡迪拉克变成多兰自己的葬身之处。

影片讲述的是一位年轻的中学教师罗宾逊（韦斯·本特利饰演）为杀害自己妻子伊丽莎白（埃曼妞·沃吉亚饰演）的赌城恶吉米·多兰（ 克里斯汀·史莱特 饰演）复仇的故事。伊丽莎白死后的灵魂附在罗宾逊身上，导致他变成复仇的机器，丧失了思想，肉体和精神。当罗宾逊和吉米·多兰在沙漠上生死对决之后，吉米·多兰银灰色的卡迪拉克变成多兰自己的葬身之处。

由加拿大Nelvana Limited公司出品的卡迪拉克与恐龙《Cadillacs & Dinosaurs》TV动画剧集于1993年04月播出，改编自漫画家Mark Schultz的作品《Xenozoic Tales》，。 动画故事舞台设定在已经发生了翻天覆地变化的公元26世纪，此时恐龙和人类共存！讲述了主角与人类反派及恐龙三方的殊死纠葛。。场面火爆，扣人心悬。

一位现代的猎人Tommy Nowak，专门追捕警方悬赏缉拿的歹徒。这一次他的盯上了一个个性懦弱的新纳粹主义分子，不料他的同伙竟然把这个新纳粹主义份子的小婴儿绑架了去，婴儿的母亲心急如焚。于是他反过来帮忙这个新纳粹歹徒的妻子救回她的孩子，而片名所指的粉红色凯迪拉克轿车就是故事中主要的道具。

本片根據真實故事改編，一群好友在一家林間的酒吧買醉慶祝，這三個死黨在酒吧裡無意間引起一場爭執，於是三人迅速乘坐他們的Saab牌房車離去。途中他們撞到了查理（藍迪奎德），他是當地的巡警，他的車似乎出了點毛病。 　　這三人的麻煩其實才剛剛開始，有一輛黑色的凱迪拉克向他們挑釁，要來場生死極速的賽車。很快勝負立見，他們的Saab房車駛出路面，黑色凱迪拉克卻安然無事，一副事不關己的模樣。難道他們過去曾有什麼不可告人的秘密？他們最好趕快想起來，否則離死期就不遠了。 　　他們被邪惡的陰影籠罩著，又找不到任何搭便車的機會，這個被命運捉弄的三人組必須跟時間競賽，迅速查出那輛黑色的龐然大物為何想致他們於死。

Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

Otto Muehl 　　Kardinal 　　Perinetkeller Wien 　　Frühjahr 1967 　　http://www.ubu.com/film/muehl.html 　　Kamera Helmut Kronberger 　　Otto Muehl (born June 16, 1925, at Grodnau, Burgenland, Austria) is an Austrian artist. He started painting in his youth and in the 60s was one of the co-founders, and an important member, of Wiener Aktionismus or Viennese Actionism. In 1972 he founded the famous commune Friedrichshof that flourished for several years before falling apart in the 1990s. Muehl himself was sentenced to 7 years imprisonment for having sexual relationships with teenagers. He was released after 7 years and set up a smaller commune in Portugal. 　　In 1943, Otto Muehl served in the German Army and in 1944 he was sent to the Front. After the war, he studied teaching German and History, and Pedagogy of Art at the Wiener Akademie der bildenden Künste. 　　In the sixties his aim was 'to overcome painting on canvas through staging the process of its destruction'. He made rhizomatic structures with scrap iron ("Gerümpelplastiken"), but soon proceeded to the "Aktion" in the vein of the New York Happenings. In 1962, when he was 37, the first "Aktion" "Die Blutorgel" was performed in Muehl's atelier in the Perinetgasse by Muehl himself, Adolf Frohner and Hermann Nitsch. The "Fest des psycho-physischen Naturalismus" and "Versumpfung einer Venus" followed in 1963. From 1964 to 1966 many "Malaktionen" were filmed by Kurt Kren and photographed by Ludwig Hoffenreich. In 1966 a new concept of Aktion was developed with Günter Brus: instead of the canvas, the body became the scene of action. In 1968, Muehl, Brus and Oswald Wiener organised an Aktionsveranstaltung "Kunst und Revolution" in the University of Vienna, which caused a scandal in the press; they were arrested and Brus emigrated to Berlin. 　　Gradually, Muehl began to distance himself from "Aktion". He regarded the "happening as a bourgeois artform, mere art". The "transition from art to life" resulted in the founding of the commune as a kind of anti-society. Inspired by Wilhelm Reich, all members submitted to the so-called Aktionsanalyse. The declared aim was the destruction of bourgeois marriage and private property, free love, and collective education of the children. In 1974 he played a small role as a member of an anarchic/therapy commune in Dusan Makavejev's Sweet Movie. In the eighties, tensions within the commune increased until they culminated in a revolt under the direction of Altenberg. When, on top of that, Muehl was arrested and imprisoned in 1991, the commune fell apart. In 1997 Muehl moved to Faro, Portugal to start a new commune experiment. Despite suffering from Parkinsons disease, Muehl continued his art work, and in 2002 developed "electric painting films", a new technique in which he paints digital photos from actions using a computer tablet and pen and edits the process into films. 　　http://en.wikipedia.org/wiki/Otto_Muehl

艾伦蒂拉（艾琳·帕帕斯 Irene Papas 饰）和奶奶住在拉丁美洲的荒漠地带，过着相依为命的日子。虽然奶奶是艾伦蒂拉唯一的亲人，但是她对待自己的孙女十分的冷漠和粗暴，常常打骂，艾伦蒂娜终日生活在非常压抑的气氛之中。 　　一天，艾伦蒂拉不小心引发了一场火灾，导致整个家都被付之一炬。暴怒的奶奶要艾伦蒂拉赔偿她所造成的的损失，甚至逼迫她去出卖身体，手无缚鸡之力的艾伦蒂拉只得从命。在经历了一段非人的岁月之后，艾伦蒂拉幸运的遇见了一个善良的小伙子，两人之间碰撞出了爱情的火花。小伙子勇敢的带领艾伦蒂拉套出了奶奶的火坑，奔向新的生活。

根据 1975 年发生的真实事件改编。讲述了印度历史上最有权势的女性之一英迪拉·甘地夫人领导下发生的事件。

根据 1975 年发生的真实事件改编。讲述了印度历史上最有权势的女性之一英迪拉·甘地夫人领导下发生的事件。