故事围绕上世纪60年代初的刚果，爱尔兰司令帕特·昆兰领导的驻守部队，将面临法、比派遣的雇佣兵侵袭展开。

导演亲自扮演一位电影导演，他辛苦工作收入菲薄，而且还无法满足自己的妻子。影片中夫妻俩在打架、交谈、修补关系，再谈话、接着打架。

导演亲自扮演一位电影导演，他辛苦工作收入菲薄，而且还无法满足自己的妻子。影片中夫妻俩在打架、交谈、修补关系，再谈话、接着打架。

In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. 　　As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward. 　　Non-Aligned re-traces the birth of the Non-Aligned Movement during the era of decolonization, and the personalities who defined it, examining how cinema gave expression to their political dream. 　　源自：https://www.idfa.nl/en/film/39f5e864-4439-413a-b67c-d3f7e1cf818b/non-aligned-scenes-from-the-labudovi%C4%87-reels

In an unexplored vault in Belgrade, the capital of the former Yugoslavia, lies a collection of films known as “the Labudović Reels.” On them are images of African and Asian liberation movements and revolutionary leaders that defined the era of the 1960s. How is it that the archive of these revolutions lies on another continent, forgotten in a film archive? The answer to this question takes us into the story behind the images, on an intimate voyage with the man who filmed them. 　　As the cameraman of Yugoslav president Tito, Stevan Labudović captured an era of politics, personality and promise, filming the birth of the Non-Aligned Movement. Sent on missions by the President to film liberation wars, he would play a key role in the information battles that defined the era of decolonization. Together with Ciné-Guerillas, this film diptych examines the legacy of these extraordinary archives, seeking to project their political vision forward. 　　Non-Aligned re-traces the birth of the Non-Aligned Movement during the era of decolonization, and the personalities who defined it, examining how cinema gave expression to their political dream. 　　源自：https://www.idfa.nl/en/film/39f5e864-4439-413a-b67c-d3f7e1cf818b/non-aligned-scenes-from-the-labudovi%C4%87-reels

What do the Algerian war of liberation and Yugoslavia have in common? Stevan Labudović. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudović helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. This is a portrait of the man, the mission and the age – as film, ideological and personal history. 　　For three years, until the Democratic Republic of Algeria was proclaimed, Labudović put himself and his camera at the service of the people fighting for independence. Mila Turajlić found the newsreel footage shot at the time in the Filmske Novosti archive in Belgrade, got in touch with the aged pensioner and followed his trail. From a wealth of archive material, diary entries by and interviews with Labudović, with contemporary witnesses from Yugoslavia, Algeria and New York, where the young Maghreb state, like many other former colonies, struggled for admission to the United Nations, she distils the promising origins of an alliance that stood at the beginning of the Non-Aligned Movement, which was to oppose the dichotomy of the superpowers. Thus the bow to her compatriot also gains global political topicality.

What do the Algerian war of liberation and Yugoslavia have in common? Stevan Labudović. In 1959, Tito himself sent his favourite cinematographer to Algeria. The resistance against the French colonial rule needed the eyes of the world, and the experienced partisan Labudović helped open them: His images gave the lie to the propaganda of the occupiers and their Western allies. This is a portrait of the man, the mission and the age – as film, ideological and personal history. 　　For three years, until the Democratic Republic of Algeria was proclaimed, Labudović put himself and his camera at the service of the people fighting for independence. Mila Turajlić found the newsreel footage shot at the time in the Filmske Novosti archive in Belgrade, got in touch with the aged pensioner and followed his trail. From a wealth of archive material, diary entries by and interviews with Labudović, with contemporary witnesses from Yugoslavia, Algeria and New York, where the young Maghreb state, like many other former colonies, struggled for admission to the United Nations, she distils the promising origins of an alliance that stood at the beginning of the Non-Aligned Movement, which was to oppose the dichotomy of the superpowers. Thus the bow to her compatriot also gains global political topicality.

有才华的分析家安德烈-雷宾在联邦安全局打击有组织犯罪和腐败的部门工作。他即将退休，这样他终于可以休息，并有更多时间与他的妻子、成年女儿和心爱的狗在一起。突然，前中央情报局官员多诺万来到瑞宾身边。25年前，他把非法情报员Rybin介绍到俄罗斯，现在他要求履行他的义务。然而，Rybin明白，俄罗斯已经成为他自己的，现在是她，而不是遥远的美国，才是他的祖国，必须得到保护和保障。@游目骋观影

有才华的分析家安德烈-雷宾在联邦安全局打击有组织犯罪和腐败的部门工作。他即将退休，这样他终于可以休息，并有更多时间与他的妻子、成年女儿和心爱的狗在一起。突然，前中央情报局官员多诺万来到瑞宾身边。25年前，他把非法情报员Rybin介绍到俄罗斯，现在他要求履行他的义务。然而，Rybin明白，俄罗斯已经成为他自己的，现在是她，而不是遥远的美国，才是他的祖国，必须得到保护和保障。@游目骋观影

由木村文乃、青木崇高主演的WOWOW连续剧《水晶的跳动 杀人分析班》将于11月13日开始播出，共5集。本剧根据麻见和史的《杀人分析班》系列改编，是去年播出的剧集《石之茧》的续集。 　　在《石之茧》中，女主角、搜查一课刑警如月塔子与连环杀人犯托勒密斗智斗勇，在破案过程中经受了不少身心创伤，在第二部中如月也将继续与搭档鹰野秀昭一起面对新的变态杀人案件。 　　《水晶的跳动》是原作系列中案件最为大胆复杂和有冲击力的故事。某一天，在一间被染成血红色的房间里发生了变态杀人事件。在调查的过程中，如月和鹰野所处的附近竟然发生了爆炸，他们将面临从未有过的危机。 　　对于能够出演下续集，木村文乃感到十分开心，“希望能把如月演得更有人情味儿。这次的故事紧迫感从头贯穿至尾，但这并不是一个单纯的刑侦故事，而是很扎实地展现了人们的生活。”