讲述了一个与布宜诺斯艾利斯郊区地下博彩生意有关的故事。 　　影片由导演罗塞利真实生活中的邻居出演，模糊真实与虚构的边界，曾入围2024年戛纳导演双周。

讲述了一个与布宜诺斯艾利斯郊区地下博彩生意有关的故事。 　　影片由导演罗塞利真实生活中的邻居出演，模糊真实与虚构的边界，曾入围2024年戛纳导演双周。

本剧根据太白文艺出版社出版小说《无声的回响》改编。 　　薄冰冻结的湖水，松树林没有监控的小路，一名男子拖拽六轮行李箱朝湖边走去。次日清晨，一具裸身女尸在市中心的湖边公园被人发现，桥城分局刑警队长马雪松抵达现场，寻找凶手留下的蛛丝马迹。会手语的被害人、鸟笼般的房子、特殊的房间、失踪的少女——一双看不见的手，正伸向无法发声的她们。重重迷雾中，被马雪松调查揭开的，是一段沉默无声的的残酷往事。

When a young woman is dressed like a bride and drowned in a bath, it triggers a spate of ghoulish wedding-themed murders in Great Worthy. The case takes Barnaby and Jones to a donkey sanctuary, a heritage steam railway, and a pub run by an ex-copper and former brothel madam. Could history be repeating itself?

本剧根据太白文艺出版社出版小说《无声的回响》改编。 　　薄冰冻结的湖水，松树林没有监控的小路，一名男子拖拽六轮行李箱朝湖边走去。次日清晨，一具裸身女尸在市中心的湖边公园被人发现，桥城分局刑警队长马雪松抵达现场，寻找凶手留下的蛛丝马迹。会手语的被害人、鸟笼般的房子、特殊的房间、失踪的少女——一双看不见的手，正伸向无法发声的她们。重重迷雾中，被马雪松调查揭开的，是一段沉默无声的的残酷往事。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

西江市女警冉咚咚在庙前街小超市击毙了挟持人质的歹徒，虽然受到了赞扬但对第一次射击真人的冉咚咚还是很大冲击，回到家丈夫慕达夫对她击毙歹徒的行为有些疑问引起了冉咚咚的反感。西江市发生了一起命案，钓友在江边发现一具女尸，警队开始调查被害人的身份，并将案件取名为“大坑案”。

回南天的日子里，小姜总是重复梦到一扇门。一开始，它只在夜晚的梦里出现，后来连午间小憩都能看见，以至于闭眼即会浮现它的样子。这个特别的梦一度让她无法安眠，药物虽然使她正常的入睡，但那扇门在梦中依旧清晰地伫立在她的眼前。慢慢的，小姜开始好奇这扇门的由来，它总不是无端入梦，或许会有些特别的缘由。于是每梦见一次，她就会把这扇门画下来，一个月以后，这扇门已经十分清晰地显现在手帐本上了…

The title says it all. The movements in this black-and-white animation are governed by an echo. The flow of images creates a chain of associations. A pot-bellied creature with a tiny face roams the world. There are also other creatures, similarly pot-bellied, with stilt-like arms. This gives them a mobility which affords them new points of view. The swamp provides shade for their heads, the rhythm of the tambourines makes their bellies sway. The film follows these faceless creatures with minimal movements which focus only on the essentials.

As video technology became more widely available in the early 1970s, many artists were drawn to the medium's immediacy and ease of reproduction, which allowed works to be shown on television or through other modes of distribution that bypassed the walls of museums or commercial galleries. Serra, known primarily for his large lead and steel sculptures, made a number of films and videos in the late 1960s and early 1970s. Holt, a pioneer of land art, also worked with film, video, and photography throughout her career. 　　In Boomerang—which was broadcast live on a TV station in Amarillo, Texas—Holt's words are fed back to her through headphones with a one-second delay. She describes the experience, in which her words are suspended in time and space, as "a world of double reflections and refractions." As her voice echoes back to her, she continues, "words become like things," disconnected from their individual meanings and from their contexts. This interferes with Holt's thought process and establishes a distance between the artist and her sense of self, an effect intensified when pre-recorded sound samples are played or when glitches in the broadcast cause momentary periods of silence.