Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

Massimo Lucantoni (Gianfranco Manfredi) is a film writer in Rome, who is having some trouble with writing his first novel, beacuse he feels too much distraction. There are noisy neighbours and his wife who has actually been seperating from him. He takes the chance to rent a luxurious poolhouse from an excentric but obviously no more so rich as they pretend to be aristocratic couple. Living in that poolhouse he meets Nastienka (Nastassja Kinski), who is waiting for her prince charming in the near of the pool. She obviously beliefs in the supernatural world, as she explains to Massimo that her lover will soon arrive on a horse to take them both to a faraway place. Nastienka also has the ability to talk to animals (at least to her own dogs). Massimo falls in love with Nastienka and tries to win her love.

塞达特的秘密服务代理，夹在工作和私人生活问题，花费相当困扰的日子。前段时间，科长这显然不是谋杀了他爱的女人从心脏矿耶尔德勒姆的破坏是一个神秘的方式连接到中间的消失，他的生活变成了一场噩梦。 　　萨达特被杀害了自己的组织认为耶尔德勒姆耶尔德勒姆被平息组织的承诺，他认为原因。所有这些危机期间，和他的家人在dolduramadığı关闭与一个人的差距。没有学生矿，萨达特的生活已经粘连的唯一依据。但现在有，所有的爱，生命进入了一个接一个。

塞达特的秘密服务代理，夹在工作和私人生活问题，花费相当困扰的日子。前段时间，科长这显然不是谋杀了他爱的女人从心脏矿耶尔德勒姆的破坏是一个神秘的方式连接到中间的消失，他的生活变成了一场噩梦。 　　萨达特被杀害了自己的组织认为耶尔德勒姆耶尔德勒姆被平息组织的承诺，他认为原因。所有这些危机期间，和他的家人在dolduramadığı关闭与一个人的差距。没有学生矿，萨达特的生活已经粘连的唯一依据。但现在有，所有的爱，生命进入了一个接一个。

从父子之间亲密而复杂的关系切入，《梦与父亲》探讨了来自上帝、诸神与幽灵的记忆与幻象，以及它们在家庭生活中的回响。

一个海边的小渔村，一个小男孩与他的唯一的亲人奶奶相依为命。伴随着海浪声和海贝壳长大。在他4岁那年的一天，一件意想不到的事，他的妹妹闯入了他平静的生活。他再也不是大人们的焦点，他和他的妹妹等待着命运的安排……

一个海边的小渔村，一个小男孩与他的唯一的亲人奶奶相依为命。伴随着海浪声和海贝壳长大。在他4岁那年的一天，一件意想不到的事，他的妹妹闯入了他平静的生活。他再也不是大人们的焦点，他和他的妹妹等待着命运的安排……

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus. You hear longing, accusations, doubts, expressions of intimacy and alienation, news of separations and lengthy silences. You sense their struggle for words. What these words trigger can be seen in the faces of those reading them out. It’s not only the text but also its effects that are being performed and occasionally discussed. The intensity of the relationship drama is generated via the fascinating language, the actors’ presence, and the camerawork and editing, which break up the dialogue via changing perspectives and shot sizes. Chats during cigarette breaks, in the stairwell and the canteen, lead into the present. History, which was stronger than love, never slips out of focus. berlinale 2016