绛颦之父打得一颗夜光珠，辗转卖给了富翁刘树山。恶霸李占豪得知后，既夺走了刘的夜光珠，又抢走了绛颦。此案由杜君辉办理，杜得知绛被侠士韩振武救起，又得知了李的巢穴所在。于是，杜、韩联合打败了李，找回了夜光珠，绛颦也回到了父亲身边。

Ya Kwang-ju, and agent of the Korean Independence Army, kidnaps Mieko and takes her place. This gives her access to Japanese military headquarters where she learns information about troop deployment and reports it to her superiors.

A sailor returns from sea to discover that his ex-girlfriend is now a smuggler. She takes his new girlfriend hostage to gain his help with smuggling some stolen jewels out of the country.

纪录片以刁亦男和胡歌为主视角，讲述电影《南方车站的聚会》从缘起、筹备到杀青、上映，在近2年的时间里，演员与制作团队从陌生到熟悉，逐步建立起信任、默契，共渡难关的过程。全组成员在漫长的150多个黑夜里，经历着种种争辩、妥协、坚持与转变，是一场独立电影人向着工业化制作水准的黑夜探险。

Ale, a seventeen-year-old woman, lives in rural Costa Rica with her two younger siblings. Through landscapes fueled by silence, resentment and brief moments of joy, Ale will try to protect them from the seething truth, their mother has left them and is not coming back.

《夜光》的故事围绕着独自在山中生活、准备迎接人生最后时刻的熙泰（宋在龙 饰）展开。他与儿子敏尚（池大韩 饰）初次相见，两人一同度过了 3 天 2 夜，迎来了人生中最为美好的一段时光。这部影片是第 23 届釜山国际电影节“韩国电影的今天 - 展望”单元的放映作品，其摄影导演金宝蓝凭借此片荣获第 44 届首尔独立电影节热心工作人员奖，它还受邀参加了第 4 届蔚州世界登山电影节国际竞赛·NETPAC 部门。在电影节上映期间，该片收获了影评界和观众的热烈好评。

寒假临近尾声，就读初二的田田即将告别在斗六的父亲，前往台北与母亲一同生活。在离别之际，田田心中有千言万语，却不知该如何倾诉。

这是一个夜晚失去了“光”的乌托邦城市，而一小部分的人一夜之间变成了夜光人——他们成为了城市夜晚唯一的光源。主角作为“夜光人”的一员，开始履行为陌生人进行夜间照明的职能。这个的新身份迫使她不得不在黑暗中进行探索，寻找自我的价值和意义。而当夜光人开始被抓捕时，她必须在隐藏自己的同时拯救同类。这是一场孤独的奇幻冒险，而她将独自走向这段黑暗路程的终点。

Salvador Dalí considered Luminous Procuress ‘a work of genius’. Featuring members of legendary San Francisco performance troupe The Cockettes, the film was directed by the artist and filmmaker Steven Arnold, a muse and model of Dalí's. Dalí always referred to Arnold as his 'prince', and allegedly co-produced (or at least partly funded) the film, for which he held an elaborate screening at the St. Regis Hotel in New York. Andy Warhol and numerous luminaries of New York society attended the spectacular event, and Dalí projected the film upside down, backwards and sideways. The Village Voice called the film ‘a tour de force of the imagination – a journey through peekboxes of naked tableaux, theatres of mechanical dreams, feasts of monsters and piles of humanity.’