A great example of this series at its best.

A great example of this series at its best.

《士兵的歌谣》是导演赫尔佐格身临尼加拉瓜东北部米斯基托人领地所拍摄的纪录片。米斯基托人是中美洲的印第安人，其领地从洪都拉斯的卡梅伦角延伸至尼加拉瓜的格兰德河一带。由于历史原因（详见维基百科），米斯基托人从不认为受尼加拉瓜政府的管制，许多米斯基托人至今仍不认为自己是尼加拉瓜人。 　　1970年代和1980年代，桑地诺主义政府企图种族灭绝，包括强制迁移8500米斯基托人，毁坏100多个村落，这促使米斯基托人与苏木（Sumu）部落及拉玛（Rama）部落一起组成一支反政府游击队米苏拉斯塔（MISURASTA），并与（尼加拉瓜桑地诺政府的）反对派（Contras）结盟联合。

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

本片以江南小调《无锡景》为起点，以北京小曲《探清水河》为终点，以民间小调为切口、歌谣的流传变异为叙事线索，以同宗民歌、同母题文本为暗线逻辑，来追寻和探究《无锡景》《照花台》《卖油郎》《探清水河》等民间小调的“前世今生”。 透过一段又一段的歌谣，一窥近代历史的浮沉巨变、城镇乡村的兴衰变迁，以及大人小物的喜怒哀乐。

MOMO是一个死神，手中巨大的散发着淡淡光芒的镰刀证明了她掌管死亡之人的身份，她的使命是取走人类的生命。总是与使魔打DANIEL一起出现夺取人类的魂魄。不过由于她雪白的不同于其他死神的容貌，同伴们都把她叫作“怪人”。不仅如此，他生性爱管闲事善良却又爱哭，完全没有个死神的样子。本作描写的就是小桃与各种各样的人类发生的，充满淡淡悲伤的故事。

动画讲述一个普通的少女在遇到一只黑猫后突然晕倒，醒来后发现自己变成了全身雪白，手持镰刀的死神的故事…… 主人公少女·小桃(因为编号为A-100100，所以也叫百百)是一个死神，手中巨大的散发着淡淡光芒的镰刀，证明了她掌管死亡之人的身份。她的使命是取走人类的生命，总是与使魔·丹尼尔这个长着翅膀的黑猫一起出现，夺取人类的魂魄。不过由于她雪白的不同于其他死神的容貌，同伴们都把她叫做“怪人”。不仅如此，她生性爱管闲事善良却又爱哭，完全没有个死神的样子。本作每话一个故事，描写的就是小桃与各种各样的人类发生的，充满淡淡悲伤的故事

动画讲述一个普通的少女在遇到一只黑猫后突然晕倒，醒来后发现自己变成了全身雪白，手持镰刀的死神的故事…… 主人公少女·小桃(因为编号为A-100100，所以也叫百百)是一个死神，手中巨大的散发着淡淡光芒的镰刀，证明了她掌管死亡之人的身份。她的使命是取走人类的生命，总是与使魔·丹尼尔这个长着翅膀的黑猫一起出现，夺取人类的魂魄。不过由于她雪白的不同于其他死神的容貌，同伴们都把她叫做“怪人”。不仅如此，她生性爱管闲事善良却又爱哭，完全没有个死神的样子。本作每话一个故事，描写的就是小桃与各种各样的人类发生的，充满淡淡悲伤的故事