In this symbolic and philosophically weighty film, all of the inhabitants of a Portuguese mental asylum suffer from religious delusions of one kind or another -- even the cynic who denies the value of any religions at all. One couple re-enacts the story of Adam and Eve in the Garden, and then the woman who played at being Eve plays at being St. Teresa de Avila. Another man thinks he's a character from a Dostoyevsky novel, and yet another claims to have in his possession a fifth gospel from the Bible. Everyone has a point of view and is not shy about stating it, defending it in debate with the others with great sincerity, though (the reviewers claimed) with very little elegance or wit. (Clarke Fountain) 　　What would've happened if Lazarus met Nietzsche? The man who raised from the deads and the man who killed God are but two faces of the same soul. Oliveira let the books talk about human greatness and misery. 　　If you are not interested in the theological debate, don't waste your time here. But if you're not interested, you're already wasting your time. (Dionysis)

改编自乔家小桥在晋江连载的小说《神曲》。

改编自乔家小桥在晋江连载的小说《神曲》。

This documentary shows Arvo Pärt at home with his family and working in his study. He is interviewed/provides voiceover in Estonian/Russian with subtitled English translations. Concert rehearsals (The Hilliard Ensemble/ Western Wind Choir/Paul Hillier) (unknown Finnish choir & orchestra/Eri Klas) and a studio session (Arvo Pärt: Yamaha DX7 keyboard, Jan Garbarek: tenor saxophone & Manfred Eicher: engineer) for the unreleased recording of what is reputedly Aetos are shown. Also a few minutes of the Kremer/Grindenko/Schnittke /Sondeckis Tabula Rasa performance is shown which would lead one to think that there is a complete video recording of that as well as the WDR Radio recording used for the ECM release. The tone of the documentary alternates from serious interviews/work to humorous scenes of Pärt clowning around and German "man on the street" interviews with people being asked "Who is Arvo Pärt?". Overall, a fascinating view into Pärt's work and lifestyle. 　　(Alan Teder)

POLYPHONICA是一个被称为“精灵”的生命也存在的异世界。与地球上存在的世界同属于平行世界，从地球被POLYPHONICA大陆传唤的人类也在这个世界生活。POLYPHONICA大陆的科学水平是地球的现代～近未来的水准，与地球现代科学产物同样的东西也基本存在以外，所谓的未来城市也一样存在。与之平行的是，借助演奏“神曲”的精灵力量这样的技术体系也同时发展着。似乎在这个世界隐藏着极大的秘密，精灵和人类不知不觉就面临着真相揭晓的那个时候……

但丁在黑暗森林中迷失方向，维吉尔现身保护他，并引领他穿越地狱与炼狱。最终，但丁在天堂之门与贝雅特丽齐圆满了他们的爱情。

A TV series of 100 episodes divided into 9 seasons: Dante is lost in a dark forest. Virgil appears to protect him and guide his way through Hell and Purgatory. Dante consummates his love relationship with Beatrice at the Gates of Paradise.

将被称为“精灵”的生命体，当成理所当然的存在的虚构世界— Polyphonica（中译：波利佛尼卡），和我们地球的真实世界有着平行世界般的关连。因此，也有真实世界历史上实际存在过的人（例如：但丁、贝多芬）出现在波利佛尼卡大陆上。波利佛尼卡大陆的科学等级，大致介于地球的现代与近未来之间。跟地球科技产物类似的物品，也大多都存在着。另外，也有着被称为未来都市一般的存在。而借由演奏“神曲”来借用精灵力量的技术体系，则与一般科技并行发展着。这个世界其实还隐藏着某项重大的秘密，而精灵们则一直等待着人类逐步接近真相的时刻到来。 “红”、“黑”、“金”的背景，大致上都是以同个时期的将都“托尔巴斯”为舞台。而在登场人物的部分，也有着实际上的互动。可以这么说，三部作品的角色之间是有着密切的关连性的。 “白”则跟其他作品不同，是以遥远过去的遗迹时代作为舞台。这部作品主要是用来补充其他作品中对于Polyphonica世界的背景及设定解释不足的地方。还有，就是有提到关于精灵们过去的故事。 “蓝”则是只有时代与“红”、“黑”、“金”一样。但是，因为是以另一个都市凰都“碧莲妮丝”为舞台，所……

将被称为“精灵”的生命体，当成理所当然的存在的虚构世界— Polyphonica（中译：波利佛尼卡），和我们地球的真实世界有着平行世界般的关连。因此，也有真实世界历史上实际存在过的人（例如：但丁、贝多芬）出现在波利佛尼卡大陆上。波利佛尼卡大陆的科学等级，大致介于地球的现代与近未来之间。跟地球科技产物类似的物品，也大多都存在着。另外，也有着被称为未来都市一般的存在。而借由演奏“神曲”来借用精灵力量的技术体系，则与一般科技并行发展着。这个世界其实还隐藏着某项重大的秘密，而精灵们则一直等待着人类逐步接近真相的时刻到来。 “红”、“黑”、“金”的背景，大致上都是以同个时期的将都“托尔巴斯”为舞台。而在登场人物的部分，也有着实际上的互动。可以这么说，三部作品的角色之间是有着密切的关连性的。 “白”则跟其他作品不同，是以遥远过去的遗迹时代作为舞台。这部作品主要是用来补充其他作品中对于Polyphonica世界的背景及设定解释不足的地方。还有，就是有提到关于精灵们过去的故事。 “蓝”则是只有时代与“红”、“黑”、“金”一样。但是，因为是以另一个都市凰都“碧莲妮丝”为舞台，所……