铁路已经有几个月没有支付工人工资了，因为怀特.哈比带领他的帮派抢劫了三次运送工资的火车。风琴演奏家格兰特被招募来掩护火车再度运送工资。格兰特这次聪明的将工资放进和他结伴而行的小男孩的鞋盒里，怀特哈比和他的帮派这次的抢劫还能成功吗？

铁路已经有几个月没有支付工人工资了，因为怀特.哈比带领他的帮派抢劫了三次运送工资的火车。风琴演奏家格兰特被招募来掩护火车再度运送工资。格兰特这次聪明的将工资放进和他结伴而行的小男孩的鞋盒里，怀特哈比和他的帮派这次的抢劫还能成功吗？

宁远是县城中无数怀揣梦想的年轻人中普通勤奋的一员，他每天开着自己用面包车改装的冷柜车，在几个城市中来回奔波，想着攒够了钱，买一辆真正的冷柜车，开一家小型的冷链物流公司。一天黄昏，一个临时的业务，让他从笃县运送一批生鲜到一百公里外的丰城，而一个六岁的小女孩成为这趟旅程中意外的不速之客……

宁远是县城中无数怀揣梦想的年轻人中普通勤奋的一员，他每天开着自己用面包车改装的冷柜车，在几个城市中来回奔波，想着攒够了钱，买一辆真正的冷柜车，开一家小型的冷链物流公司。一天黄昏，一个临时的业务，让他从笃县运送一批生鲜到一百公里外的丰城，而一个六岁的小女孩成为这趟旅程中意外的不速之客……

替姐姐嫁给了一个落魄富二代，日子一穷二白，没想到老公其实是厉家掌门人！而自己竟然在三年前救过他一命……

女导演温柔为编剧鱼乐讲述了一个故事，女孩温柔和男朋友小飞如胶似漆的恋爱因为一个事件而改变，故事有多少是真的？有多少是虚构？谁也不知道……

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

In this three-part story by Uzbekistan director Elyer Ishmukhamedov. Two young men meet two young pretty women at a carnival in this coming-of-age drama. The quartet enjoys the festive atmosphere as they try to forget the horrors of the most recent war. On the brink of adulthood, the characters learn valuable lessons about their lives. Made in 1967, this feature won a Special Award at the International Week Of Asian Film Festival in Frankfort as well as a prize from the Locarno Film Festival. 　　Elyer Ishmukhamedov's 1967 film was deeply influenced by and tuned into the French New Wave and the latest currents in Italian cinema, and there are long stretches in this incandescent film where you might think you're watching a lost Fellini classic. It's summertime in Tashkent, and these three intertwined stories of young love (the first sharing the name of the film itself, the other two named after their heroines, Lena and Mamura) seem to float over the screen like gossamer on a warm breeze. TENDERNESS is filled with unforgettable passages and images, and it's a guarantee you'll go home dreaming of its central image of boys and girls happily lounging in their inner tubes as they float down a river.

觉晓 （ 王子文 饰）自幼被母亲遗弃，由小姨抚养长大，戴春 （ 尹昉 饰）年少时遭受父亲的家暴，也历经了与母亲的悲痛分别，原生家庭带来的创伤让两人变得脆弱又敏感，承受着常人无法想象的心理负担。在觉晓人生最艰难的低潮点，戴春的出现像一抹阳光冲破了黑暗。封闭的环境里，两人从相识到相爱，用爱情编织幸福的可能，也将对方从沉重的迷雾中拯救出来。随着美好生活的继续，现实的考验也向他们的爱情暗袭而来，他们需要相互抚慰，一起成为彼此眼中最好的那个人 。