1 テロと難民〜EU共同体の分断〜 　　2 大国復活の野望〜ロシア・プーチンの賭け〜 　　3 超大国なき世界〜アメリカの苦悩と模索〜

Bussan死後三年，Bambi、Ani、Master和Uchi四人各散东西，过着自己的生活。四人一直为没有跟Bussan好好的告别而耿耿于怀。某日，Bambi突然听到一把酷似Bussan的声音由天上传来「If you build it, he will come.」。为了这句说话，四人再次在木更津聚首… 　　《木更津猫眼》原为2002年播出的日剧，由鬼才宫藤官九郎编剧，冈田准一、樱井翔、冢本高史、佐藤隆太和冈田义德主演。故事描写只剩半年寿命的Bussan，与另外四位棒球队的朋友Bambi、Ani、Master和Uchi组成「木更津猫眼」的怪盗团，闹出不少离奇古怪的事。由于剧情荒诞有趣，加上拍摄手法新颖，剧集播出後引起很大的迴响。电视台随即在隔年开拍电影版《木更津猫眼日本系列》。事隔三年，《木更津猫眼》再度复活，由原班人马上阵拍摄系列完结篇《木更津猫眼世界系列》。本片不单是向Bussan说再见，也是大家向《木更津猫眼》系列告别之作。

Bussan死後三年，Bambi、Ani、Master和Uchi四人各散东西，过着自己的生活。四人一直为没有跟Bussan好好的告别而耿耿于怀。某日，Bambi突然听到一把酷似Bussan的声音由天上传来「If you build it, he will come.」。为了这句说话，四人再次在木更津聚首… 　　《木更津猫眼》原为2002年播出的日剧，由鬼才宫藤官九郎编剧，冈田准一、樱井翔、冢本高史、佐藤隆太和冈田义德主演。故事描写只剩半年寿命的Bussan，与另外四位棒球队的朋友Bambi、Ani、Master和Uchi组成「木更津猫眼」的怪盗团，闹出不少离奇古怪的事。由于剧情荒诞有趣，加上拍摄手法新颖，剧集播出後引起很大的迴响。电视台随即在隔年开拍电影版《木更津猫眼日本系列》。事隔三年，《木更津猫眼》再度复活，由原班人马上阵拍摄系列完结篇《木更津猫眼世界系列》。本片不单是向Bussan说再见，也是大家向《木更津猫眼》系列告别之作。

原大世界老板秦世明之子秦孝天在出狱三年后重返大世界，想要查出当年父母惨死的真相。在此过程中，他一一找回自己失散的兄弟姐妹，想要一起为父母报仇。只有三妹雪华认为国家民族危亡之际，应该以大局为重，不能只有个人恩怨。当复仇开始，眼看家人因为仇恨而受到伤害，秦孝天越来越强烈地感觉到自己的初衷错了，弟弟秦孝武等人终究没能放弃仇恨。抗战爆发，秦孝天选择在战场上直面枪口；秦家兄妹终于放下仇恨，与曾经的仇人一起抵御外敌。

原大世界老板秦世明之子秦孝天在出狱三年后重返大世界，想要查出当年父母惨死的真相。在此过程中，他一一找回自己失散的兄弟姐妹，想要一起为父母报仇。只有三妹雪华认为国家民族危亡之际，应该以大局为重，不能只有个人恩怨。当复仇开始，眼看家人因为仇恨而受到伤害，秦孝天越来越强烈地感觉到自己的初衷错了，弟弟秦孝武等人终究没能放弃仇恨。抗战爆发，秦孝天选择在战场上直面枪口；秦家兄妹终于放下仇恨，与曾经的仇人一起抵御外敌。

南方小城，大雨将至。工地司机小张为了挽救和女友的爱情，抢劫了老板的巨款，引发连锁反应。几股势力纷纷对小张展开追逐。原本没有关系的他们，命运产生了交集。在一番阴差阳错、啼笑皆非的交手之后，他们迎来了意想不到的结局，命运和他们开了一个大大的玩笑。

南方小城，大雨将至。工地司机小张为了挽救和女友的爱情，抢劫了老板的巨款，引发连锁反应。几股势力纷纷对小张展开追逐。原本没有关系的他们，命运产生了交集。在一番阴差阳错、啼笑皆非的交手之后，他们迎来了意想不到的结局。

以新加坡家喻户晓的“大世界”游乐园为背景，故事从1940年跨越至21世纪，内容讲述着“大世界”里各个小人物们活着、玩着、唱着、跳着、爱着的温馨故事。 　　《大世界》汇集了新传媒20多位艺人，带领观众走进时光隧道，回到复古年代，道出一个个有情有义的感人故事。

以新加坡家喻户晓的“大世界”游乐园为背景，故事从1940年跨越至21世纪，内容讲述着“大世界”里各个小人物们活着、玩着、唱着、跳着、爱着的温馨故事。 　　《大世界》汇集了新传媒20多位艺人，带领观众走进时光隧道，回到复古年代，道出一个个有情有义的感人故事。

This series was made as a result of the BBC's hugely successful and popular series "The Genius of Mozart". Both series follow the same format, a cross between a drama and a documentary (docudrama), each series is made of three episodes of an hour each, and each is mixed with insightful pieces of narration by the popular conductor/composer/presenter Charles Hazlewood. 　　"The Genius of Mozart" was a big hit for the BBC, attracting masses of enthusiastic viewers of all walks of life. With this in mind you would think that a similar programme based on Beethoven would attract a similarly popular response. However this was not the case. This series was not viewed by a large audience, there have been no repeats or DVD releases and I was shocked to visit it's IMDb page to discover there were absolutely no user comments, (I write this now wondering if it will ever be read). 　　In brief, I remember watching this series and being absolutely blown away, It was so powerful I can still remember it in detail. In my opinion it is amongst the best work the BBC have ever produced and I am extremely saddened that very few people experienced the same joy I did from this series. I think "Beethoven" has become a lost gem and I will use the remainder of this user comment to argue my case. 　　The series was beautifully photographed and directed. The series was filled with a beautifully desaturated palette (with a prominent ochre for interior scenes) which gave a stark, imposing temperament. Along with this there were wonderful intersections with diffuses of aged yet colourful soft focus imagery, giving a romantic yet nostalgic feel, like a lost love. It was a breathtaking contrast of these romantic diffuses with desaturated scenes, to me it evoked Beethoven's isolation and difficulty to keep a grip on reality. 　　The story and dialogue was fantastically well written. It powerfully evoked the turmoil, isolation and despair of Beethoven. It was a highly accurate historical portrayal along with a caliber and sophistication of writing which seemed to transcend it's historical obligations giving a highly emotional, gritty and moving experience.