Most famous for his alter-ego, the ostentatious, androgynous "Ziggy Stardust" during the glam-rock era of the early 1970s, Bowie has continually reinvented his music his image.

Most famous for his alter-ego, the ostentatious, androgynous "Ziggy Stardust" during the glam-rock era of the early 1970s, Bowie has continually reinvented his music his image.

在新晨的青春岁月中，有一段刻骨铭心的回忆，以及一个可以让他时隔五年，也要遵守的承诺。 　　…

该节目由王琳担任红娘，通过不看颜值的“盲选爱情”，节目采用限时一天的全新约会模式，1位女嘉宾与3位各具特点的单身男嘉宾通过GO PRO镜头开展一场虚拟浪漫约会。在此期间，男嘉宾通过三段连线展示自己的一天，而女嘉宾则可通过镜头沉浸式观看男嘉宾的日常，唯独看不到他的脸。通过初步了解、单独相处、亲密互动全天候三个阶段的递进式沟通了解，在为期一天的约会结束后，女嘉宾再于三位候选人中选出1位真命天子。

该节目由王琳担任红娘，通过不看颜值的“盲选爱情”，节目采用限时一天的全新约会模式，1位女嘉宾与3位各具特点的单身男嘉宾通过GO PRO镜头开展一场虚拟浪漫约会。在此期间，男嘉宾通过三段连线展示自己的一天，而女嘉宾则可通过镜头沉浸式观看男嘉宾的日常，唯独看不到他的脸。通过初步了解、单独相处、亲密互动全天候三个阶段的递进式沟通了解，在为期一天的约会结束后，女嘉宾再于三位候选人中选出1位真命天子。

一位年轻的中文老师正在寻找撞死了她母亲的肇事逃逸的司机。当她正在尝试理解她母亲的信仰的时候，佛教的信仰也慢慢的平复了吴玉失去母亲的伤痛，但是，她找寻公正的愿望也使她在生活中被孤立：吴玉的丈夫希望通过交涉得到一些现金的补偿，可佛教信仰要求她放下一切需求，因为命运自有天数，有罪的人也会在下一世收到惩罚。如果能够找到肇事者，吴玉只想和他进行一次面对面的对话……

一位年轻的中文老师正在寻找撞死了她母亲的肇事逃逸的司机。当她正在尝试理解她母亲的信仰的时候，佛教的信仰也慢慢的平复了吴玉失去母亲的伤痛，但是，她找寻公正的愿望也使她在生活中被孤立：吴玉的丈夫希望通过交涉得到一些现金的补偿，可佛教信仰要求她放下一切需求，因为命运自有天数，有罪的人也会在下一世收到惩罚。如果能够找到肇事者，吴玉只想和他进行一次面对面的对话……

The music video for "Blackstar" is a surreal ten-minute short film directed by Johan Renck (the director of The Last Panthers, the show for which the song was composed). It depicts a woman with a tail, played by Elisa Lasowski, discovering a dead astronaut and taking his jewel-encrusted skull to an ancient, otherworldly town. The astronaut's bones float toward an eclipse, while a circle of women perform a ritual with the skull in the town's centre. 　　The film was shot in September 2015 in a studio in Brooklyn. The filmmaking process was highly collaborative, with Bowie making many suggestions and sending Renck sketches of ideas he wanted incorporated. While both men agreed to leave the video open to interpretation (Renck refused to confirm or deny that the astronaut in the video was Major Tom), Renck has offered several details regarding its meaning. It was Bowie who requested that the woman have a tail, his only explanation being "it's kind of sexual". Renck has speculated that Bowie may have been contemplating his own mortality and relevance to history while developing the video, but said that the crucified scarecrows were not intended as a messianic symbol. Renck has also stated that Bowie portrays three distinct characters in the video: the introverted, tormented, blind "Button Eyes"; the "flamboyant trickster" in the song's middle section; and the "priest guy" holding the book embossed with the "★" symbol. Saxophonist Donny McCaslin said that Bowie had told him the song was about ISIS, but a spokesperson for Bowie denied that the song was about the Middle East situation. 　　The choreography, notably that of the three dancers featured in an attic sequence, was drawn from other media, including Max Fleischer's Popeye the Sailor cartoons. "[Bowie] sent me this old Popeye clip on YouTube and said, 'Look at these guys.' When a character is not active, when they’re inactive in these cartoons, they’re sort of created by these two or three frames that are loops so it looks like they’re just standing there, wobbling. It’s typical in those days of animation and stop-motion, you would do that to create life in something that was inactive. So we wanted to see if we could do something like this in the form of dance, we had to do that." The female dancer in the attic sequence also performs a signature movement from the "Fashion" music video. 　　The video won Best Art Direction at the 2016 MTV Video Music Awards.