悟空视频

    在线播放云盘网盘BT下载影视图书

    回到大唐当太子 - 电视剧

    2024
    导演:水蝶芸
    演员:皮昭佩
    当代历史学研究生王昭因经济穷迫被女友分手,后意外被车撞飞,等再次醒来时竟意外发现自己成了太子。原太子不学无术,朝中众臣颇具微词,又有惠王、昌王两兄弟虎视眈眈,王昭为了改变臣民固有印象,保住自己的太子之位,便利用自己所掌握的现代知识治理流民、筹措钱财、清剿马匪、种植粮食等,在王昭的带领下,大炎民众的生活水平大大提高,国家防御体系无比牢固,一派国泰民安的盛景,王昭也有效打压了惠王、昌王,即将成为下一代明君。
    回到大唐当太子
    搜索《回到大唐当太子》
    影视

    回到大唐当太子 - 电视剧

    2024
    导演:水蝶芸
    演员:皮昭佩
    当代历史学研究生王昭因经济穷迫被女友分手,后意外被车撞飞,等再次醒来时竟意外发现自己成了太子。原太子不学无术,朝中众臣颇具微词,又有惠王、昌王两兄弟虎视眈眈,王昭为了改变臣民固有印象,保住自己的太子之位,便利用自己所掌握的现代知识治理流民、筹措钱财、清剿马匪、种植粮食等,在王昭的带领下,大炎民众的生活水平大大提高,国家防御体系无比牢固,一派国泰民安的盛景,王昭也有效打压了惠王、昌王,即将成为下一代明君。
    回到大唐当太子
    搜索《回到大唐当太子》
    影视

    二贼闯黑屋 - 电影

    2011英国剧情·短片·犯罪
    导演:约翰·麦卡伦
    演员:迈克尔·法斯宾德 利亚姆·坎宁安 亚历克斯·麦奎因
    两个盗贼接到了一个特殊任务,目标地点一旦有光就会自动报警,所以二人需要在一片漆黑中行窃,结果……
    二贼闯黑屋
    搜索《二贼闯黑屋》
    影视

    二贼闯黑屋 - 电影

    2011英国剧情·短片·犯罪
    导演:约翰·麦卡伦
    演员:迈克尔·法斯宾德 利亚姆·坎宁安 亚历克斯·麦奎因
    两个盗贼接到了一个特殊任务,目标地点一旦有光就会自动报警,所以二人需要在一片漆黑中行窃,结果……
    二贼闯黑屋
    搜索《二贼闯黑屋》
    影视

    李二嫂改嫁 - 电影

    1957中国大陆
    导演:刘国权
    演员:郎咸芬 杨瑞卿 武韬
    1947年,解放战争时期,鲁中某地。年青寡妇李二嫂(郎咸芬 饰)早年丧夫,孤守空房,偷偷爱上本村青年张小六(张瑞卿 饰)。李二嫂的婆婆“天不怕”(靳惠新 饰)百般刁难、万般阻挠。李二嫂只好整日以泪洗面。“天不怕”怕夜长梦多,让村里的二流子李七(武韬 饰)托人说媒把二嫂嫁出去,她好从中赚一笔彩礼。二嫂的遭遇得到妇女主任(臧美倩 饰)的同情,她上门做“天不怕”的工作,告诉她不准干涉二嫂自由恋爱。“天不怕”心生怨恨,却也敢怒不敢言。小六的母亲张大娘(王俊英 饰)得知儿子和二嫂相好,甚是喜欢,找人帮着撮合。最终,在村政和妇女主任的帮助支持下,李二嫂与支前回来的张小六永结百年之好......
    李二嫂改嫁
    搜索《李二嫂改嫁》
    影视

    李二嫂改嫁 - 电影

    1957中国剧情
    导演:刘国权
    演员:郎咸芬 杨瑞卿 武韬
    寡妇李二嫂早年丧夫,孤守空房,偷偷爱上本村青年张小六。李二嫂的婆婆天不怕百般刁难、万般阻挠。李二嫂只好整日以泪洗面。“天不怕”怕夜长梦多,让村里的二流子李七托人说媒把二嫂嫁出去,她好从中赚一笔彩礼。 二嫂的遭遇得到妇女主任的同情,她上门做“天不怕”的工作,告诉她不准干涉二嫂自由恋爱。“天不怕”心生怨恨,却也敢怒不敢言。小六的母亲张大娘得知儿子和二嫂相好,甚是喜欢,找人帮着撮合。最终,在村政和妇女主任的帮助支持下,李二嫂与支前回来的张小六永结百年之好。
    李二嫂改嫁
    搜索《李二嫂改嫁》
    影视

    贼 - 电影

    1952美国剧情·犯罪·黑色电影
    导演:拉塞尔·劳斯
    演员:雷·米兰德 马丁·加贝尔
    A telephone rings in the dark—three times, pauses, then rings three times again. A fully-clothed figure lights a cigarette before rising from bed, dons a raincoat, then sets out into the night. Another figure emerges from the shadows, lights a cigarette, then discards a crumpled cigarette pack, which the first picks up and carries home. Back in his room, the first man places the refuse on his desk, paces apprehensively about his apartment before he finally removes the inner foil and examines it. After letting what it reveals sink in, he sets it on fire, and a cold look comes over his face...   Thus begins The Thief, a 1952 cold war, espionage thriller—unique in that it is completely without dialogue—directed by Russell Rouse, and produced by Clarence Greene, who co-wrote the screenplay. Allan Fields (Ray Milland) is an award-winning nuclear scientist working at the Atomic Energy Commission research laboratory. He is also a spy, photographing top secret documents, then relaying the miniature film canisters back through an elaborate network to enemy agents in Egypt. His signal is the telephone, and his liaison outlines his assignments through instructions on his cigarette refuse, with nary a word spoken. It is a dangerous business, and one that creates many close calls—too close for comfort. When one of his assignments goes awry, the FBI begins to close in, and the race is on to leave the country before he is caught.   The Thief has all the trappings of classic noir. Produced at the height of the "Red Scare," the film manages to maintain a constant state of tension, relying heavily on reaction shots and Herschel Burke Gilbert's riveting musical score. The cinematography heightens the effect, utilizing lighting and camera angles to convey the unspoken. Milland, who won an Oscar® for his role in Billy Wilder's The Lost Weekend, carries the part off to perfection, letting the audience read his character's thoughts solely through facial expression and body language. The direction also fools the audience into anticipating dialogue, then cleverly avoiding it. Only the Oscar®-nominated score and sound effects break the silence.   This is a fascinating use of visuals to tell a story, and a gripping suspense film, which held my interest throughout, and aside from one sequence where Fields' conscience begins to plague him, the narrative is fairly straight forward, without much in the way of gimmickry. Avoid the back cover text because it gives away the ending, which was the only part that didn't really work for this reviewer. For those interested in cold war-era film noir, this is certainly worth a look, if for no other reason than its uniqueness.
    贼
    搜索《贼》
    影视

    我在大唐当县令 - 电视剧

    2024
    演员:成万川 林初
    秦风本是二十一世纪好青年,一朝穿越到大唐,成为桃花县的县令,他利用先知改善民生却被误会,后秦风展露科学的力量,惊艳众人,大胜楚国!
    我在大唐当县令
    搜索《我在大唐当县令》
    影视

    我把婆婆当亲妈 - 电视剧

    2025
    导演:李强
    演员:王熠星 武梓晴
    婆婆刘美慧被困电梯突发心梗,儿媳薛欣拼尽全力求救,丈夫秦烈却在接到青梅李小婉的车祸求助电话后,选择抛下病危的母亲前去照料。李小婉的刻意伪装与示弱,让秦烈无视妻子的哀求,甚至调走医院全部医生为仅受轻伤的李小婉会诊,直接导致刘美慧因延误救治不幸离世。刘美慧生前视薛欣如己出,早已立下遗嘱将全部财产赠予她,临终前更是将后事全权托付。痛失亲人的薛欣彻底觉醒,看清了秦烈的自私绝情与李小婉的蛇蝎心肠。她毅然扛起后事,凭借遗嘱继承家产,对丈夫与小三,展开硬核复仇。
    我把婆婆当亲妈
    搜索《我把婆婆当亲妈》
    影视

    我把婆婆当亲妈 - 电视剧

    2025
    导演:李强
    演员:王熠星 武梓晴
    婆婆刘美慧被困电梯突发心梗,儿媳薛欣拼尽全力求救,丈夫秦烈却在接到青梅李小婉的车祸求助电话后,选择抛下病危的母亲前去照料。李小婉的刻意伪装与示弱,让秦烈无视妻子的哀求,甚至调走医院全部医生为仅受轻伤的李小婉会诊,直接导致刘美慧因延误救治不幸离世。刘美慧生前视薛欣如己出,早已立下遗嘱将全部财产赠予她,临终前更是将后事全权托付。痛失亲人的薛欣彻底觉醒,看清了秦烈的自私绝情与李小婉的蛇蝎心肠。她毅然扛起后事,凭借遗嘱继承家产,对丈夫与小三,展开硬核复仇。
    我把婆婆当亲妈
    搜索《我把婆婆当亲妈》
    影视
    加载中...