大卫是一位三十多岁的千禧一代，体重超标，是同性恋，并且有飞行恐惧症，他遗憾地回到了自己的祖国阿根廷参加他叔叔的葬礼。在那里，他将与自己的母亲和他的犹太家庭重新建立联系，同时在布宜诺斯艾利斯展开一段旅程，试图通过驾驶课程、廉价医疗保健以及尝试与任何对他表现出一点关注的男性发生关系来缓解他的焦虑。

法国导演léonorePourriat 执导的短片《弱势的多数》，名为Pierre的男性体验身为“女性”的一天以及男女角色对调后的巨大差异

《畢業後的大多數》拍攝的是一幫出生在八零年代的青年們，隨著教育改革，大學的大規模擴招，如今這一龐大的青年文化人群已成為當今社會的主要勞動力。 他們畢業後的生活狀況，以考研、公務員、房子、婚姻等社會熱點為載體，記錄了跨出校門的生活對大學生們意味著什麼。展現大學畢業生們看似不同卻又相同的生活。

The red fist in the foyer marks Vienna’s Chamber of Labour as a historic achievement of the labour movement. The need for legal representation of workers’ interests in the post-migrant era and a digital present marked by the pandemic shows that this idea is hardly obsolete: the reception desk is always bustling. The clients are diverse, and the services on offer varied: there are few barriers to access them. Friendly interaction and a committed attitude are the order of the day. In the style of participatory observation, Für die Vielen offers cleverly assembled glimpses into the institution’s daily activities, ranging from labour law consultations via team meetings and cultural events to the presentation of economic analyses of wealth distribution. The concept of the welfare state is rendered visible here, just as the picture of a society emerges where social discrimination is commonplace. When preparations to celebrate the 100-year anniversary of the chamber’s founding collide with the outbreak of the Covid-19 pandemic in 2020, the internal organisation of crisis mode takes centre stage – and new challenges for the world of work become apparent. The idea must be kept alive, #forever.

本（让-马克·巴尔 Jean-Marc Barr 饰）在一家停尸间工作，长年累月之间，这份诡异的工作让本逐渐变得沉默和寡言。妻子很早之前就离开了本，一无所有的他只能终日与尸体为伴。一次偶然中，少女特雷莎（艾洛迪·布歇 Élodie Bouchez 饰）由于嗑药过量导致了死亡，她的尸体被送往了本处。特雷莎的年轻和美丽让本痴迷，面对着毫无生气的尸体，本发现自己竟然性质勃勃。 　　就当本在特雷莎身上忙活的时候，特雷莎居然起死回生，而对于本的举动，特雷莎和她的家人们非但没有怪罪，反而将本视为救命恩人。就这样，本和特雷莎之间奇怪的关系开始了，他们结伴徘徊在灯红酒绿的欢唱之中，体味着人生的欢愉和绝望，而在喧闹与放纵之间，他们都成为了空虚的俘虏。

作品内核指向人物性格分析，通过自我论,方法论,控制论等。大多数的信息被瓦解成片段。今天的信息通过各种屏幕使我们相视一悦，短暂的快感使得我们缺乏实践的真理。我的作品通过图像的隐喻性表达对外界信息的反思。

在香港光鲜的表面下，来自菲律宾的家政服务人员领着可怜的薪水默默无闻的工作。在一次盛大的选美比赛中，五个家政服务人员给自己进行了一次大变身，并且重拾他们的尊严。导演记录下五位有魅力而且勇敢的菲律宾女性，她们通过举办盛会，成为香港190000菲律宾人的窗口，保持她们的尊严。这部纪录片讲述的是一个令人鼓舞的故事，它让大家开始关注越来越多的移民者群体所发出的声音。 　　Beneath Hong Kong's glittering facade, Filipinas working as domestic helpers work in relative anonymity and for near slave wages. In a beauty pageant like no other in the world, five helpers give themselves makeovers for a day and gleefully reclaim their dignity.

周日早上，小娘受开始了周末男仆的工作，受尽主人冷漠。但事实真的是这样吗？

Sunday night. Alex is an ultras, his team has just lost a match and he is going home empty-headed. In the absence of his parents, he lives with his grandmother and sells Rivotril tablets to make some money. On a night that’s struggling to take off, Alex goes down to the basement and into a cellar where a bunch of people are gathered. A rap battle is in progress. Nemy is a girl with refined bars, who dances confidently and sinuously. She notices Alex and seeks him out. Together they venture into the night, driving in a stolen car. Two solitudes that recognise each other. Their bodies brush against each other in what seems to be the beginning of a story.

Sunday night. Alex is an ultras, his team has just lost a match and he is going home empty-headed. In the absence of his parents, he lives with his grandmother and sells Rivotril tablets to make some money. On a night that’s struggling to take off, Alex goes down to the basement and into a cellar where a bunch of people are gathered. A rap battle is in progress. Nemy is a girl with refined bars, who dances confidently and sinuously. She notices Alex and seeks him out. Together they venture into the night, driving in a stolen car. Two solitudes that recognise each other. Their bodies brush against each other in what seems to be the beginning of a story.