一个花花公子勾引漂亮的家庭主妇，丈夫抓住了他们，一个合理的借口丈夫揍了妻子一顿，但是男人之间有共同的话题，他们成为了朋友一起勾引其他女孩。

一个花花公子勾引漂亮的家庭主妇，丈夫抓住了他们，一个合理的借口丈夫揍了妻子一顿，但是男人之间有共同的话题，他们成为了朋友一起勾引其他女孩。

A group of friends uncover an otherworldly object in a rural field, which they soon discover holds greater secrets than they could imagine.

我Thomas（Ioan Gruffudd饰，年青时期由Billy Gunnion饰演）爱上了一个玫瑰般的女孩。在我们这所蔚蓝海岸的高中里，她，Vinca（Ivanna Sakhno饰），是最受欢迎的女生。二十五年前的一个暴风雪之夜，她消失了。有人看到她和她的秘密情人出现在巴黎的酒店，那是她最后的踪迹。 　　在同一个夜晚，我和好友Maxime（Grégory Fitoussi饰，年青时期由Loyan Pons de Vier饰演）失手犯下一桩杀人案，并将受害人的尸体藏在学校体育馆的墙壁内。二十五年后，背负秘密的我成了一名畅销书作家，Maxime则正在竞选议员。这时传来消息，我们的母校突然决定翻修，旧的体育馆要被拆除，秘密即将败露，我回到镇上，决定接受命运的审判。 　　紧接着，我和Maxime陆续收到匿名恐吓信，学校里我弃用多年的储物柜里发现巨款，我的家人也遭遇意外，我们发现事情绝不是看上去那么简单。当年知晓个中秘密的人几乎都已不在人世，是谁在背后操控这一切？那个黑夜究竟掩埋了怎样的真相？而我们的人生是否行将分崩离析？

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

Glenn and Carlo are in beautiful and exotic island of Bali where they work on writing a photo book. Glenn is in the grip of a mystical crisis, influenced by the magical rituals of the place, converted to Hinduism, attends a holy friend, Tillem and lives as a polygamist with two indigenous wives. Carlo is skeptical, he doesn't believe in anything, only in his work, even if he doesn't disdain the company of a faithful indigenous lover. When his wife Daria joins him in Bali she makes a great friendship with the mystic Glenn and ends up falling in love with him. Daria and Carlo have an open marriage. Despite the love of Daria, Glenn kills himself after having performed a magic ritual that binds him to the Hindu holy man. Carlo returns to Rome alone in the throes of a depressive crisis, after three years he thinks he is seeing his wife again, but it is only a prostitute that he identifies with his wife. Tragic ending with Carlo who kills the alleged wife and commits suicide, after confessing everything to a bewildered police commissioner who is looking for a rational explanation for the story. The photographer has a native mistress, and encounters a missionary with a nymphomaniac daughter.

Nesmluvená setkání is the story of a group of astronauts and their Cyborg worker who are assigned to jump from planet to planet in search of suitable living conditions for future inhabitants. Their mission is side tracked one day when they receive a communiqué from Earth requesting that they search and recover a team that went missing 6 years earlier on that same planet. That space craft had crash landed not too far from their current location with a small crew, including a 5-year-old boy: the pilot's son. 　　They soon find their missing colleagues, dead in the rubble and report back to Earth that all information gathered by the previous crew was lost in the crash. They are given the assignment to carry on with that crew's work before heading to the next planet. One night, over dinner, a strange person wonders on to the space craft's flight deck. An 11-year-old boy (Petr Ricanek), with nothing but magical branches he uses as weapons, and a dirty, shaggy look comparable to a caveman. Through a series of flashback sequences we see that this boy is the dead pilot's son, and survived the crash with only a few cuts. A storm is brewing outside the ship, and nasty space storm at that! Worried for the boy's safety, the crew's captain (Jan Jacer) heads out to find him

我Thomas（Ioan Gruffudd饰，年青时期由Billy Gunnion饰演）爱上了一个玫瑰般的女孩。在我们这所蔚蓝海岸的高中里，她，Vinca（Ivanna Sakhno饰），是最受欢迎的女生。二十五年前的一个暴风雪之夜，她消失了。有人看到她和她的秘密情人出现在巴黎的酒店，那是她最后的踪迹。 　　在同一个夜晚，我和好友Maxime（Grégory Fitoussi饰，年青时期由Loyan Pons de Vier饰演）失手犯下一桩杀人案，并将受害人的尸体藏在学校体育馆的墙壁内。二十五年后，背负秘密的我成了一名畅销书作家，Maxime则正在竞选议员。这时传来消息，我们的母校突然决定翻修，旧的体育馆要被拆除，秘密即将败露，我回到镇上，决定接受命运的审判。 　　紧接着，我和Maxime陆续收到匿名恐吓信，学校里我弃用多年的储物柜里发现巨款，我的家人也遭遇意外，我们发现事情绝不是看上去那么简单。当年知晓个中秘密的人几乎都已不在人世，是谁在背后操控这一切？那个黑夜究竟掩埋了怎样的真相？而我们的人生是否行将分崩离析？

Wickedly funny and observant slice of life NYC gangster pic, that's decidedly Jewish, quirky and anarchistic. The surprise cult comedy/drama hit was shot in 1969 and put on the shelf when no distributor was willing to take a chance on it when test audiences didn't laugh, but it was released in 1989 to play in the NYC Film Festival. Rave reviews gave this pic a new lease on life, and it got its long awaited theatrical release--only twenty years too late to help the splendid aging unknown cast advance their careers. 　　In this low-budget black and white shot indie, writer-director Michael Roemer ("Nothing But A Man") makes good use of location shots in the Big Apple, exhibits a winsome dead-on droll humor and gets a super performance from Max Priest--the washed-up small-time mob leader with a deadpan expression (perhaps equaling Buster Keaton's) that seemingly can absorb all kinds of bad news without letting on he's in pain. It's like a time capsule pic, as it takes us back to the 1960s when mafioso types were riding around the city in big gas-guzzling Cadillacs, stylish dames were sporting bee-hive hairstyles, Go-Go dancers were in vogue and there was liberal John Lindsay's racially changing NYC that altered forever the way urban America was to be from now on. 　　It's a scream as a cutting satire on middle-class Jewish aspirations, their showy bar mitzvah rituals and of the almost tragic downfall of a two-bit gangster who didn't have the heart for the rough business, just the will to lead a soft life. The cinéma-vérité pic looks authentic even if it's covering familiar territory, and has the balls to make such an unsympathetic low-life criminal as Harry as an almost sympathetic heroic one by the end of the day.

抗战末期，许家沃村民许福祥杀牛救了被鬼子围困的苍龙山游击队，并与队长王玉成结为兄弟。 抽大烟的许福祥怕自己的童养媳三闺女跟着自己受苦，将三闺女嫁给自家长工万根根。鬼子搜找游击队，万根根被杀。许福祥找来游击队解救乡亲们，激战中王玉成受重伤。许福祥将王玉成背到三闺女家，三闺女为危在旦夕的王玉成取出了子弹头。养伤中王玉成与三闺女渐渐产生了感情，许福祥发现后心里很不是滋味，他这才意识到自己仍然喜欢三闺女。 王玉成伤好南下参加解放战争，三闺女日夜盼望王玉成回来娶她，但等来的却是王玉成牺牲的消息，她不顾众人的劝阻，带着儿子石蛋，在小木匠的陪护下，去王玉成牺牲的地方祭奠，回来的路上遭遇土匪，三闺女和石蛋被逼下了悬崖。许福祥为王玉成和三闺女设置了灵堂，正当他对着灵牌哭诉的时候，王玉成却突然出现在他面前，原来他被炸埋又被友邻部队救活了。两个男人喝了一夜酒，痛哭了一夜。第二天许福祥送王玉成归队时说，许家沃永远是你的家，等打完仗就回来。 王玉成临逝前，给许福祥和三闺女主持了婚礼。许福祥和三闺女历经磨难之后，终于走到了一起。