“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

轰趴狂嗨电音摇头，听来不过是轻狂少年消磨时光的常见公式，拆解后却是伤痕累累的真实情感。酸，是识透愁滋味的废青宣言，是不顾一切的自毁前程。他们没有不变友情、甜蜜家庭、纯洁初夜、美好未来；他们被正能量好好地隔绝在另一个世界。游离在不见天日的迷幻现实之中，他们吞噬青春，用最狂暴的方式敲开虚假，洞见千禧新世代的生命曙光。本片是初执导筒的俄国男星亚历山大葛奇林（Aleksandr Gorchilin）长片首作。挑衅满满的镜头语言，爆发独有的生猛力道，光荣入围柏林影展泰迪熊奖！

在土耳其东部的一个城镇上，追求者们敲响了市长的门。他是三个美丽女儿的父亲，但他的女儿们却选择了走自己的路。

在土耳其东部的一个城镇上，追求者们敲响了市长的门。他是三个美丽女儿的父亲，但他的女儿们却选择了走自己的路。

"一个是亲生的儿子，一个是领养的儿子；一个是自己的骨肉，一个是杀死自己骨肉的凶手。身为母亲，她将如何化解丧子之痛，敞开胸怀去接纳和拥抱那个杀死自己儿子的儿子？这其间，她经历了什么？她又超越了什么？ 　　“我之所以选择宽恕和接纳你，不意味着我不爱我的儿子。相反的是，因为我对他的爱，所以我想把这份爱传递给你。事实是，他走了，你还活着。”—母亲黄品萱。" "One is her son, the other is her adopted son. One is her own flesh and blood, the other is the murderer of her own flesh and blood. As a mother, how could she alleviate the suffering and open her heart to accept the son who killed the other? What did she go through? 　　“I choose to forgive and accept you not because I don’t love my son. On the contrary, I want to convey my love to you because of my love for him. The fact is, you are still alive and he is not anymore,”said the mother Pinxuan Huang."

爱的悸动和性的冲动是生而为人必经的课题。来自不同家庭背景、有着不同性别认同和取向的青少年们，暗恋青梅竹马多年的派蒂，为已逝旧情所困的翁恩，初尝酸甜恋爱滋味的达猷，和以处子之身意外接下情欲片男主角的桐潭，同样都面对着性事和感情的焦虑和不安，这就是青春呀。

Open City Documentary Festival 2023 　　A tender 16mm portrait of the filmmaker Harold Hutter’s elderly mother and father, filmed over the course of 2 days in the small French village where they live. Horst Hutter is a retired university professor now suffering from advanced dementia, his wife Franciney Prévost is a poet whose moving writing accompanies the film. 　　The couple are filmed in the soft colours of their domestic interior as Horst struggles to remember his daily routine. Some habits seem lifelong, others newly formed by the intrusion of dementia. His memory is fading and his sight and hearing are almost completely lost. Amongst these scenes, recorded conversations between Horst and Franciney gather memories from their lives together and the moment they met and fell in love. 　　These quotidian moments are observed in long, still compositions as Hutter achieves the kind of intimacy that comes with familial closeness. The resulting film is not just a document of his father’s journey with dementia, but also the love story of his parents.

故事发生在北京某摇滚乐酒吧。老苍孙陪小尖果去看她前男友演出，为了表明心意，老苍孙替小尖果出气，结果却被前男友揍了。本来以为是个老少配爱情故事，他们之间的实际关系却没那么简单… 　　该片2019.7.12在北京电影学院首映获得好评并入围获奖多个短片电影节。

偌大酸云遮天蔽日，《伊朗荒唐九宫格》于戛纳首映后，阿里亚斯加尼回国即被软禁，视频遭没收。与世界隔绝，就以禁不住的想像自由，充公不了的脑内记忆，来一趟徜徉于现实与超现实梦幻之旅。飞越乌云密布的德黑兰，重温母亲的塔特波斯语，儿时仰望的星空与飞翔的美梦，还有姊妹未能到戏院观看自己作品的遗憾。深邃黑白光影是回忆的诗意也是压迫的沉重，即使群山湮没于石屎森林，城市变得如此陌生，创作灵魂仍可飞越末日阴霾，寻找心内的蓝天。

偌大酸云遮天蔽日，《伊朗荒唐九宫格》于戛纳首映后，阿里亚斯加尼回国即被软禁，视频遭没收。与世界隔绝，就以禁不住的想像自由，充公不了的脑内记忆，来一趟徜徉于现实与超现实梦幻之旅。飞越乌云密布的德黑兰，重温母亲的塔特波斯语，儿时仰望的星空与飞翔的美梦，还有姊妹未能到戏院观看自己作品的遗憾。深邃黑白光影是回忆的诗意也是压迫的沉重，即使群山湮没于石屎森林，城市变得如此陌生，创作灵魂仍可飞越末日阴霾，寻找心内的蓝天。