“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

“I would like to propose a film that contributes to the concept of work. That compares the work of a traditional society, like in Africa, in an early industrial society such as India, and in a highly developed industrial society, in Europe or Japan. The object of comparison is to be the work in building houses. Houses to live in.” 　　This was written in Harun Farocki’s exposé from 2003 for a documentary project. “After initial research (...) I had the idea of using the brick, its manufacture and its processing as the object of comparison, explains Farocki. “We were looking for a great variety of uses for bricks – and we were looking for manufacturing processes that would possibly do away with bricks.” In India he filmed a brickworks whose threading machine was from the 1930s when Gandhi was organizing the anti-colonialist protest. The installation in northern France was operated by Moroccans who housed in barracks like POWs or forced labourers. In Mumbai apartment houses were built much like they are in Europe. No hand touched the products that came out of the highly mechanized factories in Germany. In Burkina Faso Farocki followed the communal work on a hospital ward and a school building with his camera: “I’ve never in my life been able to observed such a strange process so closely.” 　　The film does without commentary; there are only indications of the places and a few explanations offered in subtitles.

猎户座阿尔法星恐龙人被宇宙邪恶势力屠魔兽杀害驱逐，屠魔兽霸占了阿尔法星。人类帮助恐龙人战胜了屠魔兽，流放屠魔兽到宇宙边缘，激战中，一艘恐龙人太空舱坠毁在地球，生物科学家凌飞利用恐龙人的残片基因复制出恐龙人罗拉，因基因重建过程中产生突变，罗拉具有超越恐龙人的能量风暴，因违反人类生物法律条款及对地球产生威胁，TOG火箭公司决定消灭恐龙人罗拉，屠魔兽冲出时空屏障来到地球，企图摧毁地球、消灭人类，罗拉和火箭试飞员宝宝将引爆地心的核弹运往月球……

猎户座阿尔法星恐龙人被宇宙邪恶势力屠魔兽杀害驱逐，屠魔兽霸占了阿尔法星。人类帮助恐龙人战胜了屠魔兽，流放屠魔兽到宇宙边缘，激战中，一艘恐龙人太空舱坠毁在地球，生物科学家凌飞利用恐龙人的残片基因复制出恐龙人罗拉，因基因重建过程中产生突变，罗拉具有超越恐龙人的能量风暴，因违反人类生物法律条款及对地球产生威胁，TOG火箭公司决定消灭恐龙人罗拉，屠魔兽冲出时空屏障来到地球，企图摧毁地球、消灭人类，罗拉和火箭试飞员宝宝将引爆地心的核弹运往月球……

古老的北京城，一座普通的四合院里住着三个活泼调皮的孩子。小女孩奇奇年仅4岁半，虽还爱玩布绒玩具，却一心想当妈妈（柳田 饰）；小胖子贝贝（陈晨 饰）贪吃又贪玩，鬼点子多还爱逞强，常闹笑话；年龄最大的宝宝（江以桢 饰）性格稳重正直，大人上班时就由他照顾奇奇和贝贝。 有一天，三个小伙伴一同前往故宫游玩，他们的欢声笑语惊醒了大殿里沉睡的玉龙。随后，玉龙幻化成小龙人（陈嘉男 饰）。在一个神秘声音的引导下，小龙人坚持认奇奇为妈妈。 自此，四个小伙伴充满奇幻色彩的旅程正式开启……

这部片子以小龙人找妈妈为线索。宝宝,贝贝,奇奇从故宫接回小龙人---在大杂院的生活。　　小龙人刚到大杂院时，是有尾巴、龙鳞和龙角的。为了让…

华子：华子和他女朋友分手了，原因是女友告诉他她发现自己喜欢同性，厌恨同性恋的华子愤怒地离开，并开始了一系列疯狂的举动和分裂的思想，后来他在一个音乐现场误认为女友和他分手的原因是她喜欢上了另一个高中电子音乐人罗三，其实她和他分手是因为喜欢上了个叫雷锋的大麻老板，于是他…… 　　罗三：高中生罗三过着一种与外界似乎不相干的生活：迷恋日本战后文学和摇滚乐，有窥视癖和交流障碍。他由于在一次窥视中看到了漂亮的华子前女友时被她发现，身份暴露的她立刻逃离开，他却不知道被窥视的她有被窥癖，于是她喜欢上了能给予她更大快感的罗三，后来在他的电子演出现场，罗三被她认出，并且向罗三吐露真心，罗三却没有那意思，于是跑开，并由此发生了一些事…… 　　 　　雷锋：雷锋是一个大麻老板，他最近交了个性格怪异的女朋友（华子的前女友），此女由于曾经被雷锋窥过而喜欢上雷锋，后来此女又喜欢上一个性格更怪异的窥视狂罗三而抛弃了雷锋，平时就苟延残喘的雷锋于是感到十分绝望，他于是选择了自杀，谁知…… 　　胖子：胖子是一个极其老实也经常被一帮流氓欺负的人，他暗恋他家隔壁的一个女孩，有一次那女孩被那帮流氓调戏，于是胖子决定一定要为她报仇，于是他傻呼呼地学了劣质双截棍武功，于是他找了流氓的，那几个流氓反倒被胖子制服，胖子战胜流氓后跑到练功的地方欢呼…… 　　本片为桂林独立电影社的处女座长片，由5个导演每个人拍摄一部短片，四部风格各异的短片组成一部长片，每部之间都有联系，由于资金有限、设备简陋、但也创意百出，因此拍摄出了此部CULT神作！！！！！！ 　　预告片：http://www.tudou.com/programs/view/3d17frGWXiw/ 　　正片观看地址：http://www.tudou.com/programs/view/oCD1oD8oN5M/# 　　桂林独立电影社小组：http://www.douban.com/group/63923/

华子：华子和他女朋友分手了，原因是女友告诉他她发现自己喜欢同性，厌恨同性恋的华子愤怒地离开，并开始了一系列疯狂的举动和分裂的思想，后来他在一个音乐现场误认为女友和他分手的原因是她喜欢上了另一个高中电子音乐人罗三，其实她和他分手是因为喜欢上了个叫雷锋的大麻老板，于是他…… 　　罗三：高中生罗三过着一种与外界似乎不相干的生活：迷恋日本战后文学和摇滚乐，有窥视癖和交流障碍。他由于在一次窥视中看到了漂亮的华子前女友时被她发现，身份暴露的她立刻逃离开，他却不知道被窥视的她有被窥癖，于是她喜欢上了能给予她更大快感的罗三，后来在他的电子演出现场，罗三被她认出，并且向罗三吐露真心，罗三却没有那意思，于是跑开，并由此发生了一些事…… 　　 　　雷锋：雷锋是一个大麻老板，他最近交了个性格怪异的女朋友（华子的前女友），此女由于曾经被雷锋窥过而喜欢上雷锋，后来此女又喜欢上一个性格更怪异的窥视狂罗三而抛弃了雷锋，平时就苟延残喘的雷锋于是感到十分绝望，他于是选择了自杀，谁知…… 　　胖子：胖子是一个极其老实也经常被一帮流氓欺负的人，他暗恋他家隔壁的一个女孩，有一次那女孩被那帮流氓调戏，于是胖子决定一定要为她报仇，于是他傻呼呼地学了劣质双截棍武功，于是他找了流氓的，那几个流氓反倒被胖子制服，胖子战胜流氓后跑到练功的地方欢呼…… 　　本片为桂林独立电影社的处女座长片，由5个导演每个人拍摄一部短片，四部风格各异的短片组成一部长片，每部之间都有联系，由于资金有限、设备简陋、但也创意百出，因此拍摄出了此部CULT神作！！！！！！ 　　预告片：http://www.tudou.com/programs/view/3d17frGWXiw/ 　　正片观看地址：http://www.tudou.com/programs/view/oCD1oD8oN5M/# 　　桂林独立电影社小组：http://www.douban.com/group/63923/

我穿越到平行世界，在破旧的伏羲观获得神级许愿系统，需攒够100万功德值才能位列仙班，否则将被抹杀。为吸引香客，我开启直播营销，却遭网友刷“骗子”弹幕，我反而觉得营销有戏。首位信徒李秀芬许愿求女儿结婚、抱外孙，愿望以女儿闪婚初恋（带双胞胎）的离谱方式实现，她怒而来讨说法，我以“许愿未限定方式”应对，并提醒其先还愿。人气主播林月月剪辑相关视频，让我直播间人气暴涨。