你曾遭逢困境吗？曾在多变的生活中，不知如何选择吗？你怎么利用冰箱内的剩菜，烹煮出可口的晚餐？又怎么说出一句从未说过的话？皮亚杰认为，当你面临全新状况而不知所措时，你会用的便是智能。然而，人类内在的心智活动到底怎么由此刻状态变成下一刻状态？大脑究竟如何使我们拥有心智活动？并使我们拥有智能以面对未知？难道我们大脑里真有一个小人，命令我们做出种种反应？或者，大脑不过是一部具有特定程式的机器？ 　　自从达尔文提出演化论，我们便了解到，神奇的事物也可能由简单的开端逐步衍生而来。由於达尔文过程，新物种在数千年中被雕塑出来；免疫系统在数星期内产生新抗体；那么，在快速的思想与行动时间尺度上，达尔文过程是不是也能塑造出种种複杂念头？ 　　本片不仅以心理学、动物行为学、演化生物学、语言学等角度，来探索人类的内在心智活动，更深入人类大脑皮层，将达尔文理论应用在大脑思考的神经机制上，而架构出一部会思考的达尔文机器，带领读者思考大脑如何思考。

在生命进化的进程中，人类在可怕的自然灾害中艰难前行。撼天动地的大地震、席卷一切的热带风暴、防不胜防的森林火灾、势不可当的火山喷发……在人类疲于应付的时候，动物们对自然灾害又有怎样的反应呢？科学家们研究发现，动物王国中似乎存在一种奇妙的”第六感”，让动物们能够在大灾难降临前提前感知到并及时避难。于是，科学家们希望能够透彻地研究并借用动物们的这种感知能力，并拯救更多人的生命。

算法是一种新型的数字物种，它已经在无形之中融入了我们的日常生活，为我们生活的方方面面带来了便捷。但是我们不禁要问：如果计算机的算法计算失误了，我们该怎么办？人类可以将重大的决定权转交给数据科学家口中“隐藏在数学里的观点”来处理吗？我们该如何防止算数上的失误、找出问题代码以及技术上的问题呢？人类是否可以比算法更准确、更先进呢？人类将如何在算法年代中努力获得生存？本片将带着这些质疑，观察人类将如何试图夺回控制权，并将算法应用于将世界变得更好，而不是朝着更糟的方向发展。

爱丽斯·罗伯茨教授身怀着她的第二个孩子，她想在他出生之前探索“人之为人”这个问题。人类基因中有99%的部分是与黑猩猩相同的；然而从出生的那一刻起，人类的生活就完全不一样。所以，人类是否仅仅是一个普通的物种，抑或人类有特殊之处？ 　　爱丽斯教授探索了我们的身体结构、我们的基因、以及最终我们的大脑，试图发现什么终究造就了人类。

MYSTERIES OF THE UNSEEN WORLD transports audiences to places on this planet that they have never been before, to see things that are beyond their normal vision, yet literally right in front of their eyes. Mysteries of the Unseen World reveals phenomena that can't be seen with the naked eye, taking audiences into earthly worlds secreted away in different dimensions of time and scale. Viewers experience events that unfold too slowly for human perception; They "see" the beauty, drama, and even humor of phenomena of that occur in the flash of a microsecond; They enter the microscopic world that was once reserved only for scientists, but that Mysteries of the Unseen World makes accessible to the rest of us; They begin to understand that what we actually see is only a fraction of what there is TO see on this Earth. High-speed and time-lapse photography, electron microscopy, and nanotechnology are just a few of the advancements in science that now allow us to see a whole new universe of things, events, creatures, and processes we never even knew existed and now give us new "super powers" to see beyond what is in front of us. Visually stunning and rooted in cutting-edge research, Mysteries of the Unseen World will leave audiences in complete thrall as they begin to understand the enormity of the world they can't see, a world that exists in the air they breathe, on their own bodies, and in all of the events that occur around them minute-by-minute, and nanosecond-by-nanosecond. And with this understanding comes a new appreciation of the wonder and possibilities of science.

Accomplished novelist Richard Sykes struggles to come up with a concept for a new book while trying to resolve his troubled marriage to Haley. In the process, he seeks out friends and colleagues to assist him in overcoming his personal demons that may servr to make him or break him.

和一群职业单板滑雪选手一起踏上环球征途，历经俄罗斯和加拿大的街道、日本的密林、印度和阿拉斯加的峭壁、阿尔卑斯的山峦以及格陵兰的秘境。这不仅是一项运动，更是一次旅行和一种生活态度。

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.

The film opens with Seoul’s “Freedom Center,” a formidable brutalist building that has become synonymous with South Korea’s anti-communist regime. Though largely abandoned today, its influence still endures. In democratic Korea, the civil war has morphed into a war of images, one that has forged an impregnable, unambiguous reality for its people. In this lyrical, insightful, and skillfully-edited essay, Kim Mooyoung analyzes a wealth of visual materials, intercutting newsreel footage with surprising, at times poignant, and often utterly absurd excerpts from South Korea’s distinguished film history, exposing the chasm between history and propaganda, and revealing how echoes of the past have been meticulously preserved and replicated in South Korea’s present. Accompanied by captivating commentary, all these elements fit together harmoniously, leaving us both astonished and unsettled by ideology’s terrifying ability to hit hardest when veiled.