Dead on Time is a 1983 British short film directed by Lyndall Hobbs and written by Richard Curtis and Rowan Atkinson. The film is a comedy which tells the story of Bernard Fripp (Rowan Atkinson) a man who, on attending a routine check-up, is diagnosed by his doctor (Nigel Hawthorne) as having a rare disease leaving him only 30 minutes to live. 　　By the time he leaves the surgery, he only has 24 minutes left, in which he attempts to live life to the full; taking out his life savings, trying to make peace with God (via Vicar (Jim Broadbent), attempting to learn about the significance of the Mona Lisa, reading the back cover of War and Peace to find out what happens in it, listening to Albinioni's Adagio in G minor and looking for true love. 　　The film features a large number of cameo parts for actors and actresses, often from the alternative comedy circuit, who would later star in their own comedy series, including Leslie Ash, Adrian Edmondson, Tim McInnerny and Nigel Planer. Richard Curtis makes a brief appearance as an angry cafe customer.

A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father. 　　Arturo Ripstein (born on December 13, 1943 in Mexico City) is a Mexican film director. Ripstein got his break into movies working as an uncredited assistant director for Luis Bunuel. In 1965, he directed his first feature, "Tiempo De Morir". Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. In 1997, Ripstein won the Mexican National Prize for the Arts, the second filmmaker after Bunuel to do so. 　　http://www.culturebase.net/artist.php?652

A man comes home after serving 18 years in jail for murder in this routine western. Although the man killed in self defense, rumors in town circulated that he murdered the victim in cold blood. The ex-con wants to get his life together, but the two sons of the slain man are gunning for the man who killed their father. 　　Arturo Ripstein (born on December 13, 1943 in Mexico City) is a Mexican film director. Ripstein got his break into movies working as an uncredited assistant director for Luis Bunuel. In 1965, he directed his first feature, "Tiempo De Morir". Written by Carlos Fuentes and Gabriel García Márquez, it began a tradition of making independent films written by high-profile Latin-American authors. In 1997, Ripstein won the Mexican National Prize for the Arts, the second filmmaker after Bunuel to do so. 　　http://www.culturebase.net/artist.php?652

经过数年备战，原本对未来生活有着无限憧憬的青年人崔以才（徐仁国 饰）在某大型企业的面试中铩羽而归，祸不单行，生活中接二连三的打击令他彻底失去了活下去的勇气，随后他走上楼顶，结束了短暂的一生。可是他死前的一番言论惹恼了坏脾气的女死神（朴素丹 饰），于是作为处罚，死神给了以才12次重生的机会。所谓重生，实则是附体在12个必死之人的身体上，充分体会着他们死前的痛苦。当然，如果以才能够逆天改命，那么就能以这个人的身份继续活下去。在此之后，他先后附体富二代、极限运动员、高中生废柴乃至小婴儿的身上，而不同的人生也给了以才前所未有的触动…… 　　该剧根据同名人气漫画改编。

在陪着女儿去参加明星的粉丝见面会时，李天发现自己获得了看到他人死亡倒计时的能力，李天看到见会面众人的头顶都出现了死亡倒计时和死因台风，李天告诉女儿台风要来了，结果女儿沉迷追星，不相信父亲的劝说，无奈之下，李天只能找绳子捆在女儿身上，，然而这一行为引起了女儿和明星吴千的厌恶，就在这时，台风呼啸而至，席卷整个见面会。李天拼命救下女儿，然而却被女儿怨恨为什么不救下明星吴千，结果，李天再次发现了新的死亡危机：乘坐房车的的人都会遭受车祸；然而李天说出死亡危机时，再次被众人嘲笑羞辱，殊不知一次次的死亡危机都在降临。最终，李天一次次的救援之下，女儿李媛终于明白了父亲对自己的父爱，也看清了明星吴千的真面目。

离乡多年的梁哲回到山西老家，准备参加爷爷的丧礼，可是回家的路，远比他想像中漫长。从县城前往村子的途中，他转乘了四种交通工具，碰到多年不见的长辈、开着运煤卡车的老同学，更重遇初恋女友，还捡了一头流浪小狗。算命师傅说他命硬，他来到人生的渡口，故乡恍如异乡，岁月的伤疤仍在隐 隐作痛。

离乡多年的梁哲（梁戟 饰）回到山西老家，准备参加爷爷的丧礼，可是回家的路，远比他想像中漫长。从县城前往村子的途中，他转乘了四种交通工具，碰到多年不见的长辈、开着运煤卡车的老同学，更重遇初恋女友，还捡了一头流浪小狗。算命师傅说他命硬，他来到人生的渡口，故乡恍如异乡，岁月的伤疤仍在隐 隐作痛。 　　本片荣获第6届平遥国际电影展费穆荣誉最佳影片。

身在澳门的潘义铭意外收到一份30年未见面的父亲的遗嘱，父亲留给他一笔巨额遗产，要求潘义铭参加葬礼才能继承，他遵守遗嘱回到了中国南方这座小城。在这…

本部影片讲述老妇人安吉拉（黛纽塔·辛波斯卡 Danuta Szaflarska饰）在临去世前几天与世隔绝的日常生活。这冷清孤单的世界里，既有她对死亡的恐惧，也有她记忆中曾经的幸福与梦想。与老人相伴的只有她唤作“Phlia”的小狗，安吉拉喃喃自语，自问自答。她一心挂念着自己的儿子，可最终也没能相见。在死亡悄然逼近的时候，安吉拉总是望向窗外的秋千，好像回到了从前的快乐日子。在宁静的摇曳着怀旧情怀的黑白光影里，影片默默地记录着老人最后的弥留时光。 　　影片荣获2007年波兰电影节观众奖、最佳女主角、最佳音响、影评人奖。

本部影片讲述老妇人安吉拉（黛纽塔·辛波斯卡 Danuta Szaflarska饰）在临去世前几天与世隔绝的日常生活。这冷清孤单的世界里，既有她对死亡的恐惧，也有她记忆中曾经的幸福与梦想。与老人相伴的只有她唤作“Phlia”的小狗，安吉拉喃喃自语，自问自答。她一心挂念着自己的儿子，可最终也没能相见。在死亡悄然逼近的时候，安吉拉总是望向窗外的秋千，好像回到了从前的快乐日子。在宁静的摇曳着怀旧情怀的黑白光影里，影片默默地记录着老人最后的弥留时光。 　　影片荣获2007年波兰电影节观众奖、最佳女主角、最佳音响、影评人奖。