二十三年前,惨遭丈夫背叛的顾芸生下了一个女儿,为了救自己的父母,她不得不将女儿送走，收养了一个男孩，取名顾寒辰。顾芸的女儿被拾荒者周海捡到，取名周小雨。二十三年后,周小雨和顾寒辰在会所意外相遇。顾寒辰觊觎周小雨的美色却不可得,对周小雨父女百般羞辱。顾芸误以为周小雨勾引自己的儿子,因此也和顾寒辰一起羞辱周小雨父女。在此之后，周小雨和周海相互守护,却被折磨得伤痕累累。

重生大戏即将上演！沉没多年古船离奇现世，男孩馒头意外闯入，却发现船上聚集着诸多亡魂.... 一场大雨过后，“蝼蚁”重生，命运会有改变吗？

重生大戏即将上演！沉没多年古船离奇现世，男孩馒头意外闯入，却发现船上聚集着诸多亡魂.... 一场大雨过后，“蝼蚁”重生，命运会有改变吗？

一隻魚的悲慘旅程從被釣起、送入市場,放進買菜籃,到廚房的料理檯上終結。本片以實體停格 動畫,從魚的口中吟唱出歌劇〈愛情靈藥〉中最著名的一首詠嘆調──「一顆偷偷落下的眼淚」。 導演獨自在家中廚房,一格格拍攝出這部魚之輓歌。 　　Requiem for a black bass who laments his pathetic fate, from his sale at the fish market to his final destination - the frying pan.

阴暗忧郁的小镇上，弥漫着颓废破败的死亡气息。醉卧街头的男子，排长队领取配给的女人们，他们的脸上无一例外满布着漠然。 　　一位老人坐在锡皮屋顶上发呆，他的身体渐渐向边缘滑去，接着整个身子甩在外面，双手死死扣住雨槽，危在旦夕。注意到这情景的人们仰头观看，警察、医生、消防员和殡仪人员也闻声赶到。这些人似乎并不打算拯救老人，他们只是等待，等待老人坠落的那一刻。 　　时间一点点流逝，老人仍迟迟不曾落下…… 　　本片荣获2000年捷克评论家奖最佳动画短片奖。

暴雨预警发布第17小时，我抬头望向窗外，看到暴雨已经开始肆虐，街道上积水成河，我们团队加班加点，最终以头发作为代价完成了这个设计，收工回家。这时外面已经淅淅沥沥的下起了小雨，我着急的走出公司，这鬼天气，随手叫了辆车回家，网约车的电台里还在播报着未来几天有强降雨的新闻，于是我让师傅把我送到了一家大型超市，我买了很多零食，还有蔬菜，外加两箱汽水和一箱矿泉水，这是我的癖好，家里一天没有汽水，我都撑不下去

事情最开始不对劲，是最近暴雨已经下了一个月了，而那些所谓的专家还在辟谣说只是罕见的气候现象，但航班停运、通信中断，全市停水停电和秩序崩塌，楼下邻居为一箱水打的头破血，我心一沉，知道天塌了，末世要来了吗？？？

Documenting the Turkana-Ngaremara community as they contend with prolonged drought, this visually stunning coming-of-age story follows a young, orphaned man’s journey to adapt to radically changing climate conditions in Northern Kenya. Kolei, the film’s primary subject, must grapple with personal tragedies alongside complex tribal conflicts brought on by environmental catastrophes in his pastoral region. With these mounting communal tensions and rapidly shifting culture, the threat of climate change is not just a looming notion but a present reality. 　　By threading interpersonal scenes with sweeping landscape cinematography, this documentary provides an intimate look at a vulnerable population fighting to bridge tradition with new circumstances. The visceral, near-consuming anxieties of the sensitive Kolei contextualize how global crisis affects individuals. Through this lens, the film lays a framework for a collective reckoning on how to strive with the ecological perils shaping the world and eventually facing us all. 　　源自：https://tribecafilm.com/films/between-the-rains-2023 　　---------------------- 　　This revealing, visually captivating film, shot over the course of a four-year drought in Northern Kenya, offers an original take on the conventional coming-of-age narrative. 　　‘The elders say that nature wasn’t always this angry at us.’ Between the Rains tells the story of Kolei, a young shepherd whose name translates as ‘living among the goats’. Unfolding over the course of a prolonged drought, we witness the boy’s inner conflict as he not only questions his own identity as a warrior – a path that was chosen for him – but the erosion of the culture that has shaped every aspect of his life. Filmed during record-low period of annual precipitation, Moses Thuranira and Andrew H. Brown’s feature collaboration with the Turkana-Ngaremara community seeks to understand the experience of achildhood within a traditional culture that is directly affected by climate change. 　　源自：https://sheffdocfest.com/film/between-rains 　　----------------------

습도가 높은 어느 불쾌한 여름날, 코로나로 인해 존폐 위기에 놓인 영세한 극장에서 퇴물 영화감독 이희준의 신작 시사회가 열린다. 극장 사장이 정부 정책을 핑계대며 에어컨 가동을 거부하자, 더위에 지친 관객들의 불평과 예상치 못한 진상들의 공격이 거세지면서 알바생 찰스의 인내심도 바닥나기 시작한다.

It’s a hot holiday season in the city and Alena is pretty much left to her own little self, fantasizing and running her personal daily rituals, keeping most people at a safe distance, yet trying to get male attention. After seeing a romantic scene on TV and meeting her military neighbour she starts flirting. When she finds out the soldier she fell in love with has other priorities, she realizes that maybe it’s too soon to grow up – and it’s alright for the summer to be over. There’s nothing wrong with rain.