At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

At 17:00 every day, Andrew, a middle-aged man, drives home from work through Melbourne’s outer suburbs in peak-hour traffic. Occasionally, he offers a lift home to a younger colleague, David. Over a year, their tentative small talk gives way to a warm friendship and open conversation within the confines of the vehicle, incrementally revealing their lives. 　　One may wonder what a three-hour film, set almost entirely in a car and shot with a fixed camera from the back, can deliver? The answer is an unexpectedly engaging and entertaining observation of the rhythms of daily life, and a catalogue of suburban worries. In sensorial terms, The Plains charts the passage of time as the seasons change. The pitter-patter of rain and the familiar cocoon of the car provide a sense of comfort and safety from the outside elements. The car is the liminal space between work and home, as the day is pondered, the night planned. Documentary elements exist beyond the windscreen, as a fiction courses through the vehicle. The Plains is a road movie unlike anything you have seen before.

该剧通过某市付市长的儿子钟小龙，经不起敌特机关女间谍穆倩云的金钱与美色的诱惑、走上盗窃党和国家秘密的罪恶之路，导致一个美满幸福家庭破裂的沉痛教训，展现了一幅新形势下和平演变与反和平演变，颠覆与反颠覆、窃密与反窃密的惊心动魄的斗争。故事生动，情节曲折、感染力强，在艺术上较之以前的保密教育片有所突破，看后发人深思，催人泪下

该剧通过某市付市长的儿子钟小龙，经不起敌特机关女间谍穆倩云的金钱与美色的诱惑、走上盗窃党和国家秘密的罪恶之路，导致一个美满幸福家庭破裂的沉痛教训，展现了一幅新形势下和平演变与反和平演变，颠覆与反颠覆、窃密与反窃密的惊心动魄的斗争。故事生动，情节曲折、感染力强，在艺术上较之以前的保密教育片有所突破，看后发人深思，催人泪下

极端低温天气来临时，我躺在沙发上吃着烤串，炉上的肉正滋滋冒着油花。我舒服地烤火喝茶，将在生死线挣扎的前男友和好闺蜜拉了个群，发了段视频。我笑眯眯地问他们:想吃吗?我发誓如果有来生，一定要他们付出代价.......

本片讲述了性格孤僻、垂垂老矣的魏大雪和她的狗生活在北京胡同的一个小四合院里，一切的起点和终结也都这里。日复一日的独居生活平静而乏味，魏大雪与人、与市井生活之间仿佛有一道透明的墙，触之冰冷。突然发生的一系列冲突打破了她本来平静的生活，在经历了 恐惧、痛苦、挣扎、释然的过程之后，一切仿佛又归于了平静。然而，此时所有事情的真相才真正展开……

本片讲述了性格孤僻、垂垂老矣的魏大雪和她的狗生活在北京胡同的一个小四合院里，一切的起点和终结也都这里。日复一日的独居生活平静而乏味，魏大雪与人、与市井生活之间仿佛有一道透明的墙，触之冰冷。突然发生的一系列冲突打破了她本来平静的生活，在经历了 恐惧、痛苦、挣扎、释然的过程之后，一切仿佛又归于了平静。然而，此时所有事情的真相才真正展开……

追随著名的黑豹党的领导人【休伊·P·牛顿】的一生。在《逍遥骑士》背后的好莱坞制片人伯特·施奈德（Bert Schneider）以及其他一些名人激进分子的帮助下，他逃到了古巴，以避免因谋杀罪被起诉。

在东北小城镇发生了一起水井藏尸案，刑侦副队长穆雪是本案的负责人。穆雪为寻找失踪母亲自愿从省城刑侦大队调往此地，但始终没有找到母亲的下落。直到水井藏尸案，穆雪从案件中发母亲下落的蛛丝马迹，所以尽管案件阻力重重仍然坚持调查。穆雪逐渐侦破水井藏尸案不仅仅是一起简单的买凶杀人案，在探寻藏尸案真相的过程中，穆雪与殡仪馆工作人员姜瑜相知相恋，但案件的种种谜点逐渐将犯罪嫌疑人锁定在姜瑜身上。面对真相和爱情，穆雪陷入两难的抉择.....

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.