饱受战争侵扰的叙利亚女性还遭受着延续世代的父权压迫和虐待，五个年轻的叙利亚女人在一间破败不堪的小屋，以匿名采访到的无数妇女故事为蓝本，编排一出关乎女性的戏剧。创作过程中考验重重：失业的危险、家庭的阻挠、成员内部的纷争，她们奋力冲破禁忌讨论女性的真实处境。本片曾入围第73届柏林国际电影节“全景纪录”单元。

饱受战争侵扰的叙利亚女性还遭受着延续世代的父权压迫和虐待，五个年轻的叙利亚女人在一间破败不堪的小屋，以匿名采访到的无数妇女故事为蓝本，编排一出关乎女性的戏剧。创作过程中考验重重：失业的危险、家庭的阻挠、成员内部的纷争，她们奋力冲破禁忌讨论女性的真实处境。本片曾入围第73届柏林国际电影节“全景纪录”单元。

两名伊朗飞行员受命去执行一项特殊的任务来拯救一座被极端分子包围的城市的居民，但他们在完成任务前要面临诸多挑战

Émilie Serri was born in Canada. She had only visited Syria, her father’s country, a few times prior to the start of the civil war. Following her grandmother’s death, a desire grew within her to form a stronger connection to this country of which she knew so little. Serri studied old family photos and films, interviewed members of her family and other Syrians forced to flee their homeland, and in this documentary mixes her own memories with theirs. For some, Syria remains as alive and present as the scent of jasmine, while others' memories have already faded. They don’t usually talk about it, wishing to spare their children the traumas of the past: “They must look to the future.” 　　Damascus Dreams is a record of a personal odyssey, yet this filmic essay also gives a broader view of the memories and dreams of the displaced. For people who had to leave so much behind, it sometimes seems easier to forget. In this way, Serri ties in the fate of refugees to her own dreamt homeland.

In her documentary, the Scottish-Syrian director tries to reconcile the two worlds in her head: her fond memories of visiting relatives in Damascus and what has happened in Syria since then. She confronts her cousin, who fled from there, with her recordings from then - and thus calls back memories that were buried under trauma.

In her documentary, the Scottish-Syrian director tries to reconcile the two worlds in her head: her fond memories of visiting relatives in Damascus and what has happened in Syria since then. She confronts her cousin, who fled from there, with her recordings from then - and thus calls back memories that were buried under trauma.

影片改编自霍华德·卡普兰1977年的同名小说，故事讲述一位间谍潜伏在叙利亚，试图将化学武器科学家及其家人护送出大马士革。

Live at Red Rocks: Under a Blood-Red Sky showcases U2 in a somewhat abbreviated concert video doing "Sunday Bloody Sunday," "Gloria," and others, all rather loud, but exciting and in a magnificent setting.

Live at Red Rocks: Under a Blood-Red Sky showcases U2 in a somewhat abbreviated concert video doing "Sunday Bloody Sunday," "Gloria," and others, all rather loud, but exciting and in a magnificent setting.

来自虔诚基督教家庭的连怀恩在一场激烈的演讲比赛中认识了林宇青，但是他没料到这场恋爱以及宇青的家庭，对他的影响会如此深远…… 　　两人相识不久，怀恩发现宇青大哥宇诚居然就是自己高中以来心目中的偶像，有一阵子朋友笑称有点分辨不出怀恩是看到妹妹还是看到哥哥比较兴奋。眾人并不知道热情的怀恩见到寡言的宇诚以后，心里还起了“较劲”的念头，他私心里觉得不是教友，没有信仰的宇诚都能不顾自己的私利放弃在都市有大好发展的医生前途，前往泰北、九二一灾区做社工，自己更应该当仁不让才对…… 　　怀恩自医学院毕业后顺利考上预官，但有一天，他忽然请父亲帮他报名到非洲服替役。宇青并不了解他为什么一定要离开她，到那么遥远的地方去当兵。到了非洲的怀恩，不停的从这个处境中吸收学习而日渐成熟、也不停的想要对这片土地和人群再多做一点事，同时也和在非洲当义工的法国女子夏荷成为好友，却拉远了她和宇青的距离。宇青在研究所的工作接触到最先进的基因工程，她认为怀恩在非洲并未人尽其用，总觉得“赶快结束，回来就好了”，因此怀恩和她渐渐产生了衝突与不谅解。同时在部落工作的宇诚却耐心的教导国小学生唸书写字。他的心愿是陪著罹患罕见疾病的女友度过人生最后的阶段。命运中的不平等在非洲和在资源贫乏的台湾山区部落一样令人感受深刻，但是即使是生活在同一个屋簷下的人，因为基因组成各异，往往也造成不同的性格、不同的命运。宇青的同母异父二哥宇强，一心追求成功以争取家人的认同，怀恩的好友郭仰生因为受不了良心的谴责而搬出热情收容他的连家 …… 　　透过错综複杂的人际关係，透过台湾和非洲的社会观察，本剧探讨容易受伤的一颗心是什么时候开始佈满伤痕的，并试图探寻救赎的可能。希望藉由它让人们了解 ：爱应该多勇敢？爱会有边界吗？