这部短片中的四个主角做着完全同步的事情。他们在街上和公园里抽烟，打哈欠，敲背，拿着木剑挥舞。他们严肃认真的态度和他们这些毫无意义的举动形成的强烈的对比，看似一出闹剧。杨福东想要通过这个短片表明，一些原有的民间习俗在天翻地覆的现代社会是没有任何实际意义的。

这部短片中的四个主角做着完全同步的事情。他们在街上和公园里抽烟，打哈欠，敲背，拿着木剑挥舞。他们严肃认真的态度和他们这些毫无意义的举动形成的强烈的对比，看似一出闹剧。杨福东想要通过这个短片表明，一些原有的民间习俗在天翻地覆的现代社会是没有任何实际意义的。

乳頭特工奉命深入按摩店，臥底調查火辣按摩師，有否違規讓客人「兩點」失守，卻情不自禁藉著「兩點」說愛你。

乳頭特工奉命深入按摩店，臥底調查火辣按摩師，有否違規讓客人「兩點」失守，卻情不自禁藉著「兩點」說愛你。

Amidst a thriving Baťa-esque town, nestled in the scenic foothills of the majestic Tatra mountains, stands a factory, whose young director is, for his day (it's 1937), pleasingly modern in approach. Yet, don’t be fooled, the film’s protagonist is actually his wife Helena (Eliška Křenková). The aspiring doctor is soon to give birth, yet her resolute gaze into her family’s rosy future is suddenly darkened by the discovery of the body of a newborn baby in the vibrant factory's courtyard. Helena’s innate empathy, intensified by her pregnancy, isn’t satisfied by the conspicuously prompt solution to the mystery. A stirring detective drama with a progressive and profoundly human perspective on a theme controversial not only shortly before the unexpected war, but also decades later. 　　源自：https://www.kviff.com/en/programme/film/63/40698-we-have-never-been-modern

Poland. With the absence and the distance, Pawel believed to be hardened. Believed ... Until this rainy afternoon. And this visitor he was not expecting.

该剧讲述了某一天首尔突然一个男人背着的旅行包里发现了一具尸体后发生的故事。前国科院法医成为了杀人嫌疑犯，案件陷入扑朔迷离，法医学者为何变成杀人犯？！为了了解原因，犯罪心理分析师开始展开调查。

该剧讲述了某一天首尔突然一个男人背着的旅行包里发现了一具尸体后发生的故事。前国科院法医成为了杀人嫌疑犯，案件陷入扑朔迷离，法医学者为何变成杀人犯？！为了了解原因，犯罪心理分析师开始展开调查。

Poland. With the absence and the distance, Pawel believed to be hardened. Believed ... Until this rainy afternoon. And this visitor he was not expecting.

Documentary focuses on 'Sona', the daughter of the director's brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea. Sona's upbringing is quite normal, but the special aspects within North Korean society make their presence known in a subtle way. By showing the process of the migratory people establishing their identities within North Korean society, North Korea becomes a region that shows a universal view of human society in general and not just a closed society. This approach is a special feature of Yang. She adds normalcy through her depiction of a family to 'North Korea'; a name that we have come to regard as something quite special.