马塞洛·德索萨是巴西潘帕的牛仔。他喜欢他的工作，喜欢骑马，喜欢用他们的名字亲切地称呼他的牛，喜欢喂养他的土地。当他无法阻止对牧场的恶毒袭击，导致他负责的一百头牛被偷后，一切都变了。他变得沮丧，放弃了工作。幸运的是，他有很好的朋友和很大的热情，在他的角色，作为一个在竞技表演仪式的主人开花。他鼓舞人心的说唱风格公告不仅向牛仔文化致敬，也向农村社区的团结致敬，因为农村社区对国家的政治领导层几乎没有信任。 　　在电影<Querência>中，导演Helvécio Marins展示了一个忧郁的英雄，他的生活混乱，但他仍然忠于自己。他明确的方向避免过于戏剧化，专注于创造一个特定生活方式的肖像。他在这方面如此成功，正是因为摄影作品捕捉到了孤独的时刻，正如竞技表演中喧闹的兴奋和沐浴在温暖光线中的广阔风景一样。 　　Marcelo de Sousa is a cowboy in the Brazilian pampa. He likes his job, the riding, the cattle, which he tenderly calls by their names, and the land that feeds him. After he’s unable to prevent a vicious raid on the ranch, which results in a hundred cattle in his charge being stolen, nothing is the same. He becomes depressed and gives up his job. Luckily, he has good friends and a big passion, blossoming in his role as the master of ceremonies at rodeo shows. His rousing rap-style announcements pay homage not only to the cowboy culture but also to the solidarity of the rural community, which has little trust in the country’s political leadership. 　　In Querência, director Helvécio Marins shows a melancholy hero whose life is in disarray, but who still remains true to himself. His sure direction refrains from being overly dramatic and concentrates on creating a portrait of a specific lifestyle. That he’s so successful at this is thanks to camerawork that captures the moments of loneliness just as precisely as the raucous excitement of the rodeo shows and the vastness of the landscape, bathed in warm light.

Valencia is a collaboration between a national community of queer filmmakers to adapt the underground classic memoir into a kaleidoscopic vision of San Francisco's Mission District in the early 90s during the rise of a punk lesbian diaspora told through the experiences of Michelle, a single rootless twenty-something searching for sex and love, drugs and adventure.

人们总是惧怕未知，但是又对莫名的力量充满着敬畏和憧憬；人们总是排斥着异类，但是又总是希冀着与众不同。 舍弃了自己名字，而用能力命名的“代码”背负着神秘的箱子来到唐海市，在深林中遭遇了一场完美的伏击。环环紧扣的圈套像是为他量身打造的一般，将他的“爪牙”束缚而被迫束手就擒。当天使团四女赶至的时候，一颗子弹堪堪射入代码的额叶。代码眼中只是定格了沉默寡言的默默关切的脸。 代码的失忆，箱子的失踪，在唐海市注定引起一场腥风血雨。

长相可人的折原优香（和久井映見 饰）却是一个患有轻度智障的女孩，好在上天还算公平，慷慨赐予优香卓越的艺术天赋。在无外界繁杂因素干扰的情况下，优香顾自沉迷在自己纯粹的艺术世界中。偶然机会，优香的堂弟神崎凉（高橋克典 饰）带着姐姐的作品参加比赛，结果竟让优香一举成名。她的母亲孝子（風吹ジュン 饰）担心女儿的智障会被当作热点话题炒作，于是尽全力进行保护。 　　泽渡彻（堤真一 饰）是一个郁郁不得志的记者，他因揭露一桩政治丑闻而被“发配”到娱乐版块。在报道天才少女优香的过程中，他慢慢知道事情背后的真相。而优香也适时为阿彻开启了一扇通往全新世界的大门……

黄昏六时正，东京山手线，每个星期一，都有一位女乘客被谋杀，行凶手法如出一辙，都是把毒针一下刺进受害者的头颈，大为头痛的日本警方请来有异能的女心理学家志在破案。女心理学家却发现嫌疑最大的竟然是是自己的旧情人：另一位在行内倍受争议的心理学家！ 　　此片被称为日本版的《沉默的羔羊》，音乐效果出色，山手线沿线车站的报时讯号仿佛是催命钟！

《光之天使》将镜头对准了阿富汗喀布尔一所学校的几名学生和老师，历时三年拍摄。导演詹姆斯·朗利带着深深的同理心，通过讲述这些师生的希望和恐惧，为仍在经受国家动荡的阿富汗人民绘制了一幅全面而生动的群像，并提出“阿富汗人民的未来将会是怎样的”的疑问。这部电影将阿富汗近代史与现代肖像交织在一起，亲密而细致地展现了一个战争阴影下的社会图景。

Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.

Bárbara, a French girl living in São Paulo, and two friends decide to transform a little apartment into a luxury bordello, "The Palace of Angels", securing money and success, but some problems as well.

故事改编自宋冈陵在副刊看到的小说《真象》,剧情讲述马来西亚华人企业家程永明的妻子生下一对双胞胎姐妹后去世，妹妹庭雨被姨母嫒嫦掳走直到6岁才和父亲及姐姐团圆，但她只爱姨母对父亲和姐姐只有怨恨。姐妹俩的性格更是天差地别:姐姐庭欢温柔婉约，总是牺牲自己成全别人;妹妹庭雨冶艳奔放，对于想要的一切不择手段，尤其是任何属于姐姐的东西，她眼中的姐姐只是个矫揉造作擅装优雅的女人，她竭尽所能抢姐姐的风头，但程家养子文彬和富少雅俊都倾心恬静的庭欢。庭雨厌恶自己和姐姐生一样的脸却只能是姐姐的影子，在一次意外事故后庭雨整容换了一张脸开始了对她姐姐男人的争夺

Beautiful, detached, laconic, consumptive Lily Brest is a streetwalker with few clients. She loves her idle boyfriend Raoul who gambles away what little she earns. The town's power broker, called the rich Jew, discovers she is a good listener, so she's soon busy. Raoul imagines grotesque sex scenes between Lily and the Jew; he leaves her for a man. Her parents, a bitter Fascist who is a cabaret singer in drag and her wheelchair-bound mother, offer no refuge. Even though all have a philosophical bent, the other whores reject Lily because she tolerates everyone, including men. She tires of her lonely life and looks for a way out. Even that act serves the local corrupt powers.