Sirinuan是Laantey Ayudhaya村长的女儿，她非常漂亮，在武术方面也很有天赋，这使得她有许多始终如一的追求者，其中一个是Saming。Lersun是一名军校学员，也是州长的儿子，假期的一天他来到Laantey旅行，偶然看到Sirinuan表演传统舞蹈，对她一见钟情。这份爱很快得到了回报，Lersun和Srinuan迷失在了爱与激情中。假期结束，Lersun不得不回去，在他离开之前，他向Sirinuan承诺会来娶她。不幸的是，在回程途中Lersun遇到一场事故失去记忆，完全忘记了Sirinuan。在曼谷，Lersun的母亲安排他和高官的女儿Sroipetch结婚。Sirinuan也前往曼谷与爱人见面，Lersun却表现得好像不认识她一样，于是她带着破碎的心回家。二十年过去了，Lersun成为副局长，并与妻子育有一女一子。同时Sirinuan也有一个女儿Dao，她和母亲一样漂亮和才华横溢。

Sirinuan是Laantey Ayudhaya村长的女儿，她非常漂亮，在武术方面也很有天赋，这使得她有许多始终如一的追求者，其中一个是Saming。Lersun是一名军校学员，也是州长的儿子，假期的一天他来到Laantey旅行，偶然看到Sirinuan表演传统舞蹈，对她一见钟情。这份爱很快得到了回报，Lersun和Srinuan迷失在了爱与激情中。假期结束，Lersun不得不回去，在他离开之前，他向Sirinuan承诺会来娶她。不幸的是，在回程途中Lersun遇到一场事故失去记忆，完全忘记了Sirinuan。在曼谷，Lersun的母亲安排他和高官的女儿Sroipetch结婚。Sirinuan也前往曼谷与爱人见面，Lersun却表现得好像不认识她一样，于是她带着破碎的心回家。二十年过去了，Lersun成为副局长，并与妻子育有一女一子。同时Sirinuan也有一个女儿Dao，她和母亲一样漂亮和才华横溢。

British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.

British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.

风光旖旎的加勒比岛国巴哈马，美丽的碧海蓝天下潜藏着根深蒂固的恐同暴力。虔诚的天主教徒莉娜（玛格丽特·劳瑞娜·肯普 Margaret Laurena Kemp 饰）未曾想到自己的牧师丈夫竟然是同志；年青的黑人男子罗密欧（斯蒂芬·蒂伦·威廉姆斯 Stephen Tyrone Williams 饰）无法向家人坦白自己的性取向；文秀的白人男孩强尼（约翰·费罗 Johnny Ferro 饰）渴望自己的绘画能和生活水乳交融。他们揣着不同目的搭上同一艘油轮，在美丽的小岛上交织出一段动人而惊心的故事...... 　　片名出自《圣经·约翰福音》。电影背景是2004年美国著名同志主持人罗丝·奥多娜发起的同志观光度假游。该活动在加勒比海掀起一场轩然大波，各方势力围绕同志话题展开激辩，其中不乏暴力流血冲突。巴哈马导演坎瑞姆·莫蒂默（Kareem Mortimer）以电影跨越宗教性别与种族，以个人命运记载社会变迁，寄托了他渴望宽容与和解的人文关怀。

风光旖旎的加勒比岛国巴哈马，美丽的碧海蓝天下潜藏着根深蒂固的恐同暴力。虔诚的天主教徒莉娜（玛格丽特·劳瑞娜·肯普 Margaret Laurena Kemp 饰）未曾想到自己的牧师丈夫竟然是同志；年青的黑人男子罗密欧（斯蒂芬·蒂伦·威廉姆斯 Stephen Tyrone Williams 饰）无法向家人坦白自己的性取向；文秀的白人男孩强尼（约翰·费罗 Johnny Ferro 饰）渴望自己的绘画能和生活水乳交融。他们揣着不同目的搭上同一艘油轮，在美丽的小岛上交织出一段动人而惊心的故事...... 　　片名出自《圣经·约翰福音》。电影背景是2004年美国著名同志主持人罗丝·奥多娜发起的同志观光度假游。该活动在加勒比海掀起一场轩然大波，各方势力围绕同志话题展开激辩，其中不乏暴力流血冲突。巴哈马导演坎瑞姆·莫蒂默（Kareem Mortimer）以电影跨越宗教性别与种族，以个人命运记载社会变迁，寄托了他渴望宽容与和解的人文关怀。

A poet Lee Yonghan happens to see a street cat in his neighborhood and gets interested in the cats. Since cats are a territorial animal, he meets them on the street very often. He takes pictures of their daily lives, and keeps their record in the pictures. He also calls the cats ‘Blacat’, ‘Snomeow’ and so on. His record is published as a book titled ““Hello, thanks cats””. I, a TV commercial director bump into his book at local library, and become interested in street cats. In my neighborhood, there are lots of street cats. 　　I take pictures of their daily routines. I name the ones I am familiar with ‘Sleepuss’, ‘Beauttie’, ‘Naughty’, etc. I even feed them with water and catfood; I feel changed. 　　Lee Yonghan takes one of the street cats to his house as he moves to Yangpyeong. And he meets a new cat there. As I take pictures of them, I notice unexpectedly many villagers take care of street cats, and I interview them.

A poet Lee Yonghan happens to see a street cat in his neighborhood and gets interested in the cats. Since cats are a territorial animal, he meets them on the street very often. He takes pictures of their daily lives, and keeps their record in the pictures. He also calls the cats ‘Blacat’, ‘Snomeow’ and so on. His record is published as a book titled ““Hello, thanks cats””. I, a TV commercial director bump into his book at local library, and become interested in street cats. In my neighborhood, there are lots of street cats. 　　I take pictures of their daily routines. I name the ones I am familiar with ‘Sleepuss’, ‘Beauttie’, ‘Naughty’, etc. I even feed them with water and catfood; I feel changed. 　　Lee Yonghan takes one of the street cats to his house as he moves to Yangpyeong. And he meets a new cat there. As I take pictures of them, I notice unexpectedly many villagers take care of street cats, and I interview them.