The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

伊万洁利亚的纪录片是白日梦般的电影诗篇。《朦胧的巴洛克》记录了一位在巴西颇有影响力的变性人，卢安娜穆尼斯的生活点滴。伊万洁利亚试图描绘一座城市的社会现状，是如何影响个体的追求与改变。笼罩在这座城市上方的是争论不休的极端主义、政治冲突，还有层出不穷的变装嘉年华。而在这片笼罩下的，是行走的变装小丑，是跳着巴西热舞的异装癖者，是夹缝生存的变性者。

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions. 　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

At the end of the 15th Century, Rome is ruled ruthlessly by power mad and sex hungry Cesare Borgia, the eldest son of Pope Alexander VI. Following the advice of his chief adviser Niccolo Macchiavelli, Cesare Borgia decides to attempt to unify the country in order to become even more powerful. To this end he needs his sister Lucrezia. Presently, the beautiful creature is married to the Count of Pesaro but she would be more useful if she was the wife of Alphonse of Aragon. Never mind, let the Count join his ancestors! And when the Duke of Aragon becomes useless, Cesare easily finds his replacement. Used as a pawn by her brother, Lucrezia eventually renounces happiness and becomes patron of the arts and the letters/ Written by Guy Bellinger

探讨西方世界的一些最伟大的艺术作品是如何诞生于暴力、强权政治和竞争的时代，查尔斯·丹斯将饰演米开朗基罗·博那罗蒂。BBC称，此剧集将“揭示文艺复兴不为人知的一面”，其中还将展出列奥纳多·达·芬奇、拉斐尔以及他们16世纪意大利赞助人的作品。

STATEMENT 　　Here and now 　　In the film Balkan Baroque, one has the impression that the character invents the past as she speaks, here and now. This past seems to have no reality outside the moment it is evoked with the force that is characteristic of film work. Here, in Balkan Baroque, it has become the present, the present of the film unwinding before the viewer's eyes. 　　What we see on the screen is in the process of happening-it is the very gesture that is given to us and not a report on it. The universe of the film is given in a perpetual present. In other words, this biography of Marina Abramovic, which implies a number of past things, is in process of unfolding before our eyes, here and now, as we watch Balkan Baroque. 'Elsewhere' and 'formerly' do not exist. There is no longer a true reality, inherent and external to the film, so there is no longer anything but the sole reality of the projected images. The film, the universe that it reveals, suffices by itself, at every instant, erasing itself as it goes along, within a loop that is literally never-ending. 　　We are therefore dealing with a subjective, mental unwinding. The work Balkan Baroque is not account of an exterior reality; it is its own reality. The only time to be considered for this biography is the projection time (63'). Balkan Baroque is pure fiction, an imaginary production in which Marina Abramovic plays different roles, including the role of the artist doing performances.

这是一个将艺术视为魔法的世界，每一年，星之森魔法艺术高中都会向世界各地输送大量具有魔法艺术家潜质的毕业生，他们会活跃在闪亮的舞台之上，给观众们带来快乐。爱咲小花（千本木彩花 配音）是学校里新来的转学生，盛大而重要的星之森夏日祭即将拉开序幕，初出茅庐的小花，竟然在误打误撞之中成为了祭典的实行委员。 　　外冷内热的一条寺帝歌（梅原裕一郎 配音）、特立独行沉浸在自己的世界里的墨之宫葵（大桥贤一郎 配音）、开朗元气的带刀凛太郎（小野友树 配音）、成熟圆滑的庵条瑠衣（羽多野涉 配音）、内向沉默的土笔茂音（苍井翔太 配音）、样貌可怕但内心却十分温柔的响奏音（江口拓也 配音），等待着小花的，是这六名有个各自独特风格的艺术家们，他们能够相处愉快吗？

《碧昂丝：文艺复兴》是一部2023年的美国纪录片音乐会电影，由碧昂丝编剧、导演和制作。这部电影记录了碧昂丝为支持她的第七张录音室专辑《Renaissance》而举行的文艺复兴世界巡演的开发和执行过程。