Nagaya Miho started out making private documentaries, but has since shifted to creating even more personally developed works. By layering different aspects of light, for example, lightning and blinking fluorescent lights, The Mercury leads introspective images to a release.

Nagaya Miho started out making private documentaries, but has since shifted to creating even more personally developed works. By layering different aspects of light, for example, lightning and blinking fluorescent lights, The Mercury leads introspective images to a release.

第一集《文明肇启》9月7日22:16播出，第二集《赳赳大秦》9月8日22:16播出，第三集《英雄时代》9月9日22:06播出，第四集《丝路佛光》9月11日22:06播出。 　　本片选取了具有代表性的史实作为切入点,穿插了一些国内学者专家的采访、情景再现等 ，纪录展现了伏羲文化、大地湾文化、秦早期文化、三国古战场文化、石窟文化等天水五大历史文化，同时兼顾了地方民俗、生态景观等内容。 　　该纪录片对于宣传推介天水市历史文化、树立塑造城市旅游形象、拉动提升文化旅游综合效益，具有重要的现实意义和积极的推动作用。

第一集《文明肇启》9月7日22:16播出，第二集《赳赳大秦》9月8日22:16播出，第三集《英雄时代》9月9日22:06播出，第四集《丝路佛光》9月11日22:06播出。 　　本片选取了具有代表性的史实作为切入点,穿插了一些国内学者专家的采访、情景再现等 ，纪录展现了伏羲文化、大地湾文化、秦早期文化、三国古战场文化、石窟文化等天水五大历史文化，同时兼顾了地方民俗、生态景观等内容。 　　该纪录片对于宣传推介天水市历史文化、树立塑造城市旅游形象、拉动提升文化旅游综合效益，具有重要的现实意义和积极的推动作用。

A troubled man runs away to Mexico and is recruited to join a paramilitary group of teens fighting the drug cartels. He proves himself to the group, but questions their motive.

Words of Mercury is, if nothing else, economical. It was shot on reversal film and is being screened as original. Its layers of superimpositions were all shot in the camera. Half of the many fades in the film were made by submerging the original film in a black liquid. The film is silent. The shooting ratio is low and there are areas which are unedited since taken from the camera. I generally shoot first and ask questions later, but I’m struck at the influences that I see in Words of Mercury because they reach back to the very first times that I saw great 16mm films in the early Sixties: Marie Menken, Gregory Markopolous, Stan Brakhage and my lifetime companion Nathaniel Dorsky.—Jerome Hiler

暂无剧情简介

Words of Mercury is, if nothing else, economical. It was shot on reversal film and is being screened as original. Its layers of superimpositions were all shot in the camera. Half of the many fades in the film were made by submerging the original film in a black liquid. The film is silent. The shooting ratio is low and there are areas which are unedited since taken from the camera. I generally shoot first and ask questions later, but I’m struck at the influences that I see in Words of Mercury because they reach back to the very first times that I saw great 16mm films in the early Sixties: Marie Menken, Gregory Markopolous, Stan Brakhage and my lifetime companion Nathaniel Dorsky.—Jerome Hiler

该片讲述了上世纪80年代末，农学专业毕业的大学生王永生，在三下乡中来到旱水村（化名），在了解到当地村民因缺水而引发的一系列故事后，决心与村民共同修建水渠的故事。

Three couples from Chicago vacation for a weekend at a lakeside cabin in Michigan. Over the course of three days in this comedy/drama, hidden tensions and secrets slowly come to the surface.