一座島嶼上三個女人與一個男人的故事，他們在森林、海灘漫步，彼此陪伴不需要任何語言，穿梭在極具滲透力而無所不在的孤獨感之中…全片以段落式情節呈現日常生活，詩意而絕美的大自然影像，讓人沉浸在森林的影像與環境音中，極簡而不流俗的敘事結構，讓觀影成為挑戰，卻同時趣味盎然，繼去年【寂靜之光】，再度為拉丁地區開啟全球電影新視窗。 　　The lives of four lonely people living through the routine and silence in the south. They meet to eat, walk through the beach, take the ferry or simply accompany each other without needing to say anything. In a way, they try to save themselves in a silent, furtive and extreme manner. They search for love, sex, inexistent family affection, and their own space and time, not only to distance themselves from the loneliness that intimately constitutes them, but, ultimately, to find themselves Written by Bettina Bettati

riko　　有6岁少女般纯洁灵魂的尹荷娜（张娜拉饰）很小的时候父母就离开人世，多年来她和小名叫Beatles的猫咪相依为命，总是呆在家里的荷娜，唯一能和其说话的朋友就是小提琴和Beatles。她拥有不可思议的超能力，不仅对数字过目不忘，而且一次听过的乐曲就能用小提琴一个调也不差地弹奏出来。　　遇见新朋友的荷娜，开始怀着忐忑的心情向陌生的外面世界迈进。　　荷娜的家搬来了新邻居，被父母抛弃的芭达（贤朱妮饰）个性坚强独立，热爱摇滚乐的她正在为大学里的乐队要停止活动而苦恼不已。　　自小在孤儿院长大的Pizaa店外卖送货员陈久（刘亚仁饰）因遭遇事故生活变得更加艰难，巧合的机缘下他发现荷娜对金钱的管理毫不警惕，陈久决定要骗荷娜的钱。不过与荷娜的相处中，他渐渐被其善良和纯真感染。　　三个各自有着不幸人生的人彼此安慰和鼓励，成为要好的朋友，不过分离的日子也一天天临近……

riko　　有6岁少女般纯洁灵魂的尹荷娜（张娜拉饰）很小的时候父母就离开人世，多年来她和小名叫Beatles的猫咪相依为命，总是呆在家里的荷娜，唯一能和其说话的朋友就是小提琴和Beatles。她拥有不可思议的超能力，不仅对数字过目不忘，而且一次听过的乐曲就能用小提琴一个调也不差地弹奏出来。　　遇见新朋友的荷娜，开始怀着忐忑的心情向陌生的外面世界迈进。　　荷娜的家搬来了新邻居，被父母抛弃的芭达（贤朱妮饰）个性坚强独立，热爱摇滚乐的她正在为大学里的乐队要停止活动而苦恼不已。　　自小在孤儿院长大的Pizaa店外卖送货员陈久（刘亚仁饰）因遭遇事故生活变得更加艰难，巧合的机缘下他发现荷娜对金钱的管理毫不警惕，陈久决定要骗荷娜的钱。不过与荷娜的相处中，他渐渐被其善良和纯真感染。　　三个各自有着不幸人生的人彼此安慰和鼓励，成为要好的朋友，不过分离的日子也一天天临近……

The annual festival trailer has been one of the Viennale's special features for quite some time now. It is not a commercial trailer as such, but rather a small, autonomous piece of cinema, standing on its own and for the festival alike. 　　In the case of James Benning's work this short trailer is a true action film. Benning shot the work process in a steelworks in the Ruhr area. On a kind of conveyor belt, a glowing piece of steel flits across the screen and disappears only to reappear again as a blazing, shining material. Finally, artificial rain falls onto the glowing metal, shrouding the whole image in a cloud of steam and making it disappear. 　　Created at the Viennale's invitation, James Benning's short film is both a simple and subtle piece of cinema. I took the steel rolling process that takes about ten minutes, as the filmmaker explains his approach, and condensed it down to one minute by cutting out portions and hiding the ellipses in time with dissolves. 　　Following previous years' Viennale trailer by Jean-Luc Godard, which turned out to be a small miracle of montage art, Benning's work is an equally fascinating cinematic poem about time and motion taking an industrial work process as an example. And it would not be James Benning, had he not chosen the title of an old hippie song by James Taylor as the title for his trailer: Fire and Rain. 　　The festival trailer Fire & Rain was screened from September 24 in more than one hundred selected Austrian cinemas and was shown repeatedly as part of the Viennale program from October 22 to November 4.

The annual festival trailer has been one of the Viennale's special features for quite some time now. It is not a commercial trailer as such, but rather a small, autonomous piece of cinema, standing on its own and for the festival alike. 　　In the case of James Benning's work this short trailer is a true action film. Benning shot the work process in a steelworks in the Ruhr area. On a kind of conveyor belt, a glowing piece of steel flits across the screen and disappears only to reappear again as a blazing, shining material. Finally, artificial rain falls onto the glowing metal, shrouding the whole image in a cloud of steam and making it disappear. 　　Created at the Viennale's invitation, James Benning's short film is both a simple and subtle piece of cinema. I took the steel rolling process that takes about ten minutes, as the filmmaker explains his approach, and condensed it down to one minute by cutting out portions and hiding the ellipses in time with dissolves. 　　Following previous years' Viennale trailer by Jean-Luc Godard, which turned out to be a small miracle of montage art, Benning's work is an equally fascinating cinematic poem about time and motion taking an industrial work process as an example. And it would not be James Benning, had he not chosen the title of an old hippie song by James Taylor as the title for his trailer: Fire and Rain. 　　The festival trailer Fire & Rain was screened from September 24 in more than one hundred selected Austrian cinemas and was shown repeatedly as part of the Viennale program from October 22 to November 4.

故事从李春赓担任凤阳公社新书记开始，在一片反对声中，他提出开挖黄河大堤，弃麦种稻。村民不解，干部反对，改革工作举步维艰。两次弃麦种稻都以失败告终，改革之路如何继续？15年中李春赓多次被免职，四上四下，屡次临危受命。面对误解和阻挠，李春赓始终没有放弃，不仅带领百姓脱贫致富，过上小康生活，更与时俱进，倡导发展绿色农业，带领群众走可持续发展之路。

故事从李春赓担任凤阳公社新书记开始，在一片反对声中，他提出开挖黄河大堤，弃麦种稻。村民不解，干部反对，改革工作举步维艰。两次弃麦种稻都以失败告终，改革之路如何继续？15年中李春赓多次被免职，四上四下，屡次临危受命。面对误解和阻挠，李春赓始终没有放弃，不仅带领百姓脱贫致富，过上小康生活，更与时俱进，倡导发展绿色农业，带领群众走可持续发展之路。

罗宾·怀特饰演的律师Edee Mathis满怀悲伤，决定把自己的痕迹从社会中抹去。咨询了网络上的求生专家后，她“消失”去了美国最人迹罕至的地带之一：怀俄明州的肖松尼族国家森林。Mathis住在木屋里，学习自己打猎、捕鱼、种植，对抗当地严寒的冬天和残酷的地貌，以及会杀人的野兽。此时，她遇到了印第安人Joseph，为此，她开始直面内心的恶魔，并惊讶地发现，自己的求生意志其实比想象的强烈。

罗宾·怀特饰演的律师Edee Mathis满怀悲伤，决定把自己的痕迹从社会中抹去。咨询了网络上的求生专家后，她“消失”去了美国最人迹罕至的地带之一：怀俄明…

改编自赛珍珠的普立兹奖小说，是好莱坞在三十年代开始注意东方题材的代表性作品。影片虽是描写中国农村夫妇的悲剧故事，但主角均由美国人扮演，导演悉尼．弗兰克林也采取西方古典电影的风格来处理，在制作上相当严谨认真。剧情描写保罗．茂尼与路易丝．莱娜本来是贫困的农民，面对饥荒的威胁甚至以烤土充饥。后来茂尼得到了一笔财富，竟整天花天酒地迷恋情妇，莱娜只有发挥贤妻的耐性期待丈夫浪子回头。今天看来类似故事已显得老套，但本片的拍摄与特技表现杰出，路易丝．莱娜亦获得奥斯卡最佳女主角奖。