小勇一个人在草地上玩模型飞机。玩着玩着，一只小狐狸走过来。 　　「好棒的飞机啊！小勇，这架飞机可以给我吗？」小狐狸问。 　　「不能给你啦。这可是我很重要的宝物呢！」 　　小勇这样回答后，小狐狸就说：「那我用我的宝物跟你换。」 　　小狐狸从口袋里拿出一颗天空色的种子，和小勇交换了他的飞机。 　　小勇回家后把种子埋在庭院的正中间，并且浇了很多水。 　　终于，天空色的种子长出了天空色的房子。 　　天空色的房子一点点长高、又长高、再长高······ 　　100个小孩，100只动物和100只小鸟都住进来了，大家唱啊跳啊，都很开心。 　　这时小狐狸看到美丽的房子，觉得自己的模型飞机一点儿也不好玩。 　　小狐狸说：「我不想换了，你们出来吧。」 　　大家都出来了，小狐狸一个人跑了进去，跑到最高的最高的窗户神气地看着大家。 　　这个时候，房子越来越大，越来越大，终于炸成了碎片，小狐狸也落到了地上。

A burglar who threats an old man happened to stuck in a remote island with him. The 　　burglar tries to escape the island, but it doesn’t work at all. When he loses all hope, the old man gives him enlightenment.

该片通过讲述中国种子的成长发展故事，解开种子背后不为人知的基因密码，揭密种质资源战略高地的创新博弈，记录种业振兴攻艰克难的时光足迹。

该片通过讲述中国种子的成长发展故事，解开种子背后不为人知的基因密码，揭密种质资源战略高地的创新博弈，记录种业振兴攻艰克难的时光足迹。

破烂废墟堆成的垃圾山，充满了神圣的仪式感。在垃圾山的最顶点，诡异地竖着一枚巨蛋。未过多久，巨蛋开始摇晃，一只模样怪异的黑鸟破壳而出。它警惕地扫视着周围的世界，随后用木棍在山顶搭起了房屋。另一座垃圾山山顶，青绿的苹果尖刺腐烂，可怕而恶心的尖刺滋生出来，最终诞生的是鸟的爪子。它也照例改好了木屋，并如前者那样配备了无线电系统。两个木屋相互发射着信号，演奏不知名的音乐，争夺电波唯一的接收者——收音机的控制权。为了占据绝对优势，大楼越造越高。 　　双方你来我往，从不停歇……

日本女導演河瀨直美為Miu Miu所拍攝的短片《種子》（Seed），講述了女孩（安藤櫻 Sakura Ando）走出風光迷人的奈良，奔向混沌多元的東京，以及路途中的各種奇遇。

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.