李济马从小就天资禀赋，但因自右身患疾病，便一心一意地学习医术，进而从医。由于李济马具有崇高的道德修养与才能，受到医院世家女儿芸蓉的倾慕。

李济马从小就天资禀赋，但因自右身患疾病，便一心一意地学习医术，进而从医。由于李济马具有崇高的道德修养与才能，受到医院世家女儿芸蓉的倾慕。

凌晨光（刘文治 饰）有一段悲惨的童年，长大之后，凌晨光遭到了国民党的迫害，所幸得到了名为绿娘（黄梅莹 饰）的女子的帮助。就在两人渐渐碰撞出爱情的火花之际，凌晨光遭到特务追捕无奈潜逃出国。一晃眼多年过去，凌晨光在国外名利双收，并且同绿娘重逢，两人携手步入了婚礼的殿堂。 　　1949年建国之后，为了报效祖国，凌晨光决定携家带口返回国内，哪知道刚刚回国没多久，就发生了文化大革命。凌晨光被扣上了反动派的帽子，一家人都遭到了非人的待遇。可即便如此，当凌晨光的女儿想要跟着男友离开祖国时，凌晨光还是反对了她的决定。

凌晨光（刘文治 饰）有一段悲惨的童年，长大之后，凌晨光遭到了国民党的迫害，所幸得到了名为绿娘（黄梅莹 饰）的女子的帮助。就在两人渐渐碰撞出爱情的火花之际，凌晨光遭到特务追捕无奈潜逃出国。一晃眼多年过去，凌晨光在国外名利双收，并且同绿娘重逢，两人携手步入了婚礼的殿堂。 　　1949年建国之后，为了报效祖国，凌晨光决定携家带口返回国内，哪知道刚刚回国没多久，就发生了文化大革命。凌晨光被扣上了反动派的帽子，一家人都遭到了非人的待遇。可即便如此，当凌晨光的女儿想要跟着男友离开祖国时，凌晨光还是反对了她的决定。

In 1994, a closeted teen struggles to part ways with his 4 high school drama friends at their final murder mystery party before they leave for college.

被切割的关于马的五个段落。

The Horse (1967) was a wide-screen spectacle; it conveyed a never-ending energetic variation of galloping with constant changes of mobile brush strokes. The feeling of excitement in the dashing animals was immediately transmitted to the audience and the experience proved unforgettable. It won a prize at the Cracow Film Festival "for its exceptionally interesting animation technique".

The story of the film is simple: A young girl in the countryside raises a young horse and develops a deep relationship to the animal. But the war is becoming part of life, so in the end she has to sacrifice her horse and sell it to the military. 　　The idea of propaganda film has been discussed by various scholars. Donald Keene mentioned that it only takes the ending of a film like uma to turn an overall innocent story into propaganda. The film was in 1941 officially supported and praised by the Japanese government. An official government statement commented: “Feel Gratitude in your hear and lend yourself to support the war effort” and Army Minister Tojo Hideki commented: “Only by means of the heartfelt affection of the breeders can fine horses – a mobile weapon that will become increasingly necessary in the future – be raised.” 　　A film about a teenager fond of horses, that turns into a propaganda film – so why should you be interested? Uma directed by Kajiro Yamamoto is often regarded as being the first film with a major involvement of Akira Kurosawa – who apart from his job as assistant director was said to have a love affair with the film’s teen aged star Takamine Hideko. Takamine herself was already one of the greatest stars of Japanese cinema, affectionately referred to as “Deko-chan” by her fans. After the war she would appear in many famous movies, most prominently in the works of Kinoshita and Naruse.