50年代西班牙经典的弗拉门戈电影之一，导演José María Forqué的处女作，主演是当时很有名的弗拉门戈舞蹈家Antonio和Xan das Bolas，另外还有著名女歌手María Dolores Pradera等人。与其他弗拉门戈电影相比，这片的特点在故事中加入了些超现实的元素，而不是纯粹的写实派。 　　Jose Maria Forque is a prolific director of Spanish feature films and television programs, he made his feature debut in 1951 with Niebla y Sol/Mist and Sun after making several state-sponsored documentaries for which he received no credit. Forqué founded his own production company, Orfeo Film, in 1967.

《太阳与蝴蝶》是一部极具细腻与温柔质感的青春校园剧，讲述了因旧仓库中尘封的秘密被一群好奇的男学生意外揭开后，引出的一段关于青春与成长的“群体回忆”。在多年后，蔡小小以实习老师的身份重返母校，她发现，尽管岁月更迭，但那些美好的校园记忆却如同老式录音机中的旋律，能够永远清晰地被镌刻在心底。

Burt 是一个变态。他在地下俱乐部目睹了一个灌肠过程，之后他做出了一个决定，他要为所有他光顾过的女人做“清洗”。他背着所需的器械开始了一场大清洗。先是他经常光顾的邻居，然后是一对双孪生姐妹，最后是来抓捕他的便衣女警……

史蒂文·斯皮尔伯格（Steven Spielberg）的安培林娱乐（Amblin Entertainment）将与《侏罗纪世界》导演科林·特雷沃罗（Colin Trevorrow）再度合作一部家庭动作冒险片，该片名为《发电站》（Powerhouse）。《发电站》是科林·特雷沃罗原创的故事，剧情尚未公布。独立电影人艾米丽·卡迈克尔（Emily Carmichael）将担任该片的编剧和导演。她此前仅拍摄过一些网剧和短片，但才华出众，就连漫威也有意邀请她执导某部电影。

斯皮尔伯格（Steven Spielberg）的安柏林娱乐（Amblin Entertainment）将和《侏罗纪世界》导演科林·特沃罗（Colin Trevorrow）再次合作一部家庭动作冒险片，而该片的名字叫做《发电站》（Powerhouse）。 《发电站》是科林·特沃罗原创的一个故事，剧情尚未披露。独立电影人Emily Carmichael将担任该片的编剧和导演，她此前仅拍过一些网剧和短片，不过才华横溢，就连漫威也打算邀请她执导某部电影。

斯皮尔伯格（Steven Spielberg）的安柏林娱乐（Amblin Entertainment）将和《侏罗纪世界》导演科林·特沃罗（Colin Trevorrow）再次合作一部家庭动作冒险片，而该片的名字叫做《发电站》（Powerhouse）。 　　《发电站》是科林·特沃罗原创的一个故事，剧情尚未披露。独立电影人Emily Carmichael将担任该片的编剧和导演，她此前仅拍过一些网剧和短片，不过才华横溢，就连漫威也打算邀请她执导某部电影。

斯皮尔伯格（Steven Spielberg）的安柏林娱乐（Amblin Entertainment）将和《侏罗纪世界》导演科林·特沃罗（Colin Trevorrow）再次合作一部家庭动作冒险片，而该片的名字叫做《发电站》（Powerhouse）。 　　《发电站》是科林·特沃罗原创的一个故事，剧情尚未披露。独立电影人Emily Carmichael将担任该片的编剧和导演，她此前仅拍过一些网剧和短片，不过才华横溢，就连漫威也打算邀请她执导某部电影。

As innovative as they are influential, Kraftwerk's contribution to the development of electronic music since their formation in 1970 remains unsurpassed. Having inspired everyone from Bowie to Coldplay, Siouxsie to Radiohead, this bizarre collective have also proven partly responsible for entire genres to develop - electronica, techno and synth-pop to name but three. This three hour long documentary reviews the career and music of Kraftwerk, from their inception in the late 1960s (as pre-Kraftwerk ensemble Organization), through their most celebrated period in the mid 1970s, and culminating with their resurgence during the 1980s with the popularity of synth-pop and techno.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.

For Aichi Triennale 2022, Weerasethakul collaborates with Japanese artists to create his first augmented and virtual reality performance and let visitors commune with invisible ghost-like presences, encounter sick and sleeping bodies, and experience time suspended in a circle. Weerasethakul, whose previous works have brought the invisible, inaudible and untouchable into our realm of the tangible, has greatly expanded the virtual space by making use of augmented and virtual reality. Fifteen audience members at a time are invited into a dark space to roam around, experiencing Weerasethakul’s visual poetry beyond the confines of language, soundscapes of silent waves by Sakamoto Ryuichi, and interactive particles of light floating through the air... They are invited into the depths of memory and existence in a dreamlike world where the origins of life and the afterlife coexist.