The film is set in a modern day ‘Berlin Republic’ liberated from all irrelevancies. It’s about artistic production, the creative industries and above all film and cinema – a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips. She’s no hippie broad, but rather a modern-day warrior, verbally sparring with legendary actress Hannelore Hoger, her ‘film mother’, about her hobby of urban gardening. After the relentless competition between curators over the funding for her exhibition ‘The Cinema! The Art’, for which Hannelore Hoger even whispers inaudible recommendations into the ear of the German President, Asta ultimately plumps for international backing from an Indian friend. He luckily happens to be with her out in the country when she bumps into her arch-enemy Ms Top Cultural Department Brass, a meeting with far-reaching consequences. The film is an entertaining dissection of the current state of the cultural industry, for which ‘left-wing’ and ‘right-wing’ are relevant, yet oddly obsolete categories. (Berlinale 2014)

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.

The film offers insight into the filmmaker's stay in hospital, where she repeatedly experiences absurd, funny moments between pain, homesickness, and disgust with her own body. Meanwhile, she tries to come to terms with the hospital's own procedures and hierarchies. An emotional trip through the long underground corridors of the hospital with lots of small talk and tubes.

Radu Jude has made a seven-minute self-portrait for the magazine report Kurzschluss (Short Circuit) by arte in cooperation with goEast Film Festival Wiesbaden (Germany). 　　Please also find an extensive Q&A with Radu Jude at the goEast website: filmfestival-goeast.de/en/goEast_online/online_in_discussion_with_radu_jude.php

Director Krzysztof Kieslowski gives a voice to a Polish whistleblower who revealed crimes and corruption involving local Communist Party leaders. During the 1950s, he was appointed manager of a leather factory in Silesia. There he came across shady practices such as selling stolen goods and claiming expenses for fictitious business trips. But the moment he started to investigate, he was accused of theft and fired, and subsequently even threatened with violence. Unbeknownst to him, he had become Public Enemy No. 1. All of this culminated in a nervous breakdown and his being committed to a psychiatric institution. Now, the only thing that matters to him is a clear conscience. Kieslowski’s seldom-screened documentary is the testimony of a man who eventually turned against the system he had initially been an enthusiastic part of. Kieslowski had great doubts about releasing the film, as he was afraid of putting the whistleblower in even greater danger. To protect him, he included the sound of a typewriter at the moments when people are named.

An ensemble comedy about the meaning of matrimony@HD1TJ

一位年轻的电影人偶然发现了自己尝试与某人共同拍摄但未完成的影像。 　　她独自在公寓中审视这些片段——它们仿佛记忆中巨大的断层，她探索的禁地，似乎潜藏着某个隐秘的事件，而这也正是那长久沉默的缘由。

在悲戚的童年走过来的明浩，守着唯一的姐姐和歌唱的梦想一步步的成长，追求音乐梦想的路上遇到了深爱一生的女人，有了短暂的幸福和快乐。当美好崩塌后，明浩隐瞒姐姐红梅选择了灯红酒绿的生活，在即将堕落深渊的那一刻，他幡然醒悟，游离的人生最终安定的停靠在了亲情和爱情的港湾。

在悲戚的童年走过来的明浩，守着唯一的姐姐和歌唱的梦想一步步的成长，追求音乐梦想的路上遇到了深爱一生的女人，有了短暂的幸福和快乐。当美好崩塌后，…