「人生を盛大にしくじった人から「しくじりの回避法」を学ぼう!」を基本理念に「しくじり先生」が自分と同じ失敗を他人が犯かさないように「自分の言動の問題点と教訓」を番組オリジナルの教科書を使って、生徒役のゲストや視聴者に授業という形でエピソードや教訓を披露する番組である。

「人生を盛大にしくじった人から「しくじりの回避法」を学ぼう!」を基本理念に「しくじり先生」が自分と同じ失敗を他人が犯かさないように「自分の言動の問題点と教訓」を番組オリジナルの教科書を使って、生徒役のゲストや視聴者に授業という形でエピソードや教訓を披露する番組である。

It's amazing how simple ideas have a greater capacity to engage audiences. That is if they are really simple with, at the same time, interesting (and many times rather complex) ideas behind them. This is one of those cases. As i write this, i don't know yet the prizes in Cinanima 2007 (where i got to see this short) but it wouldn't surprise me if this little piece got the public award. It's basically an exploration of the possibility to create different images out of similar shapes. The story moves on from the interaction of those images, based on the same pure shapes but which get antagonist meanings, as they pass from the left side of the screen (white) to the right side (black). The humor is born when the director plays with religion in an uncompromising harmless way. 　　Check this, it's a really good experience.

It's amazing how simple ideas have a greater capacity to engage audiences. That is if they are really simple with, at the same time, interesting (and many times rather complex) ideas behind them. This is one of those cases. As i write this, i don't know yet the prizes in Cinanima 2007 (where i got to see this short) but it wouldn't surprise me if this little piece got the public award. It's basically an exploration of the possibility to create different images out of similar shapes. The story moves on from the interaction of those images, based on the same pure shapes but which get antagonist meanings, as they pass from the left side of the screen (white) to the right side (black). The humor is born when the director plays with religion in an uncompromising harmless way. 　　Check this, it's a really good experience.

福柯原本在市中心的重点中学担任国学教师的职务，但因为一次意外事件，他被调往郊区支教。初来乍到的他面对着班里一群不务正业的少年伤透了脑筋，面对这些不听话的学生，他只能借助校规严厉的惩处他们。但渐渐的他似乎找到了解决问题的诀窍，他开始采用能引起学生兴趣的教学方式，并且开始毫不吝啬的夸赞他们，鼓励他们以增加他们的信心。不久之后，原本松散懈怠的班级因为福柯的这些政策开始改变，学生们的学习氛围开始被调动起来，而孩子们在不知不觉中改变的同时，也在心中默默感激着福柯这位人生导师。

福柯原本在市中心的重点中学担任国学教师的职务，但因为一次意外事件，他被调往郊区支教。初来乍到的他面对着班里一群不务正业的少年伤透了脑筋，面对这些不听话的学生，他只能借助校规严厉的惩处他们。但渐渐的他似乎找到了解决问题的诀窍，他开始采用能引起学生兴趣的教学方式，并且开始毫不吝啬的夸赞他们，鼓励他们以增加他们的信心。不久之后，原本松散懈怠的班级因为福柯的这些政策开始改变，学生们的学习氛围开始被调动起来，而孩子们在不知不觉中改变的同时，也在心中默默感激着福柯这位人生导师。

Inspired by true events, this powerful West Bank-set drama centres on a grieving schoolteacher who is attempting to keep a student out of trouble whilst engaging in his own acts of political resistance. 　　British-Palestinian Farah Nabulsi - who won a BAFTA for her short film The Present - returns to the West Bank for her powerful debut feature, inspired by true events. Saleh Bakri (Wajib, The Blue Caftan) plays Basem, a teacher whose student Adam (Muhammad Abed El Rahman) becomes bent on revenge. Whilst trying to keep Adam out of trouble with the help of volunteer worker Lisa (Imogen Poots), Basem is also engaged in a dangerous act of resistance. Nabulsi paints a portrait of the complex situation in the West Bank, showing that there are no easy answers. 　　源自：https://www.glasgowfilm.org/movie/the-teacher?date=2024-03-04#/movie/the-teacher

患有抽动秽语综合征的女主人公奈娜。经过无数次面试失败后，终于找到理想的工作，成为了一名中学老师。然而她被指派的班级学生却是全校最顽皮的学生。

1985年的南宿一中，苗宛秋 （ 于谦 饰）老师推自行车昂首走在校园，接受着人们艳羡的目光和纷至沓来的恭维。 桀傲不驯的洛小乙 （ 王广源 饰）、温婉可人的安静 （ 汤梦佳 饰）、新潮前卫的关婷婷 （ 秦鸣悦 饰）、大智若愚的脑袋、舞痴兄弟文明 （ 郝鹏飞 饰）建设 （ 郜玄铭 饰）、八婆海燕 （ 徐紫茵 饰）、奸商耗子 （ 孙艺杨 饰）……三班是一个永远也不缺故事的集体。 苗宛秋怎么也不会想到，他即将走进的这个三班将会成为他以及他身边这辆自行车的噩梦。三班的同学也没有想到，这位新来的老师改变了他们的一生 。

高三女生陈醒10岁时因父母离异影响情绪，在跳水比赛中失手，后来变得自暴自弃。体育老师季东齐为了保住学校游泳池、树立自己的地位，软硬兼施劝导陈醒，…