I grew up in Yangon. In February 2021, my dreams came to an end. My mother said: “Son, wake up. The military has taken over the country”. The days got darker. The window in my narrow room and the piece of sky I watched seemed to be the only freedom I had left. I wanted to say something about this new undercurrent in my life. I wrote things down, recorded my voice, and searched for images that might reflect my feelings and those of other young people. And now there is a film which conveys what it's like to lose the ground beneath your feet.

在百年的大冻结过后，耀眼的文明早已不复存在。人类的文明科技出现了长达几百年的断层。曾经辉煌的科学技术失传。大量城市的废墟，沙漠化的土地，幸存的人类花费了数百年的时间终于重新建立起新的家园。 　　然而好景不长，在神秘组织的阴谋下，人类爆发了长久的大规模战争。 　　帝国和教会都知道了强大力量“本源”的存在，对于这种可以改变战局的力量，两股势力为得到它的力量展开了新一轮的较量。他们纷纷开始投入异能者军团，希望借助着不属于人本身的力量，取得最终的胜利。

就学于天青学园的少年，龙崎阳羽。他因为出乎意料的原因得到了神秘的手机。 手机中有着超人气电子卡牌游戏「影之诗」。 与对手们相遇，挑战大赛，与同伴间的牵绊。 通过影之诗收获的东西，促成了希罗的「进化」。

本片为1970年黑泽明拍摄，于《电车狂》上映前数月播出的一部电视纪录片

本片为1970年黑泽明拍摄，于《电车狂》上映前数月播出的一部电视纪录片

This is a movie-poem with philosophic and lyric contemplations about the construction of Kakhovskaya hydroelectric power station, closure of the Dnieper, creation of Kakhovskoye Sea and also about human destinies involved in this great overturn of the region’s life. The action takes place in 1956-57. To the farm chairman’s call the people born in the village located near the Dniepr river that is to be flooded come to say good-buy to their birthplace. It is very hard for the senior generation to destroy their native houses and demolish the gardens as their memories of happy peaceful life and of the dreadful war are associated with them. The young people on the contrary smash down everything old with enthusiasm being sure that it brings nearer the bright future. Spring waters of the Dniepr are out and the Ukrainian village sinks to the bottom of the new Kakhovskoye Sea...

四国の石切場を舞台にした写真のみの構成による斬新な記録フィルム。「暗く執拗なリズムを持つこの＜映画詩＞は、石におしつぶされた人間の心のように脈打っており、J·プレヴェールの「悪魔が夜来る』のラストを彷彿とさせる。（J·サドゥール）

四国の石切場を舞台にした写真のみの構成による斬新な記録フィルム。「暗く執拗なリズムを持つこの＜映画詩＞は、石におしつぶされた人間の心のように脈打っており、J·プレヴェールの「悪魔が夜来る』のラストを彷彿とさせる。（J·サドゥール）