四对夫妇在一个危险和淫乱的游戏中产生新的性关系及各种情感组合。

This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinema is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. Cinema as a web that underlies the story of their exchanges and creates a space for imagination. “With cinema,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notable markers while erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.

Laura has been with Antonio forever and just when she begins to wonder if this is the life she truly wants, Sergio and Siena come onto the scene. Sergio is a former high school classmate and Siena is his millennial girlfriend who comes in turning everyone’s lives upside down. Laura, Raquel and Cris, close friends for years, convince their respective husbands to join in a party that Siena proposes: a key party. It consists of everyone putting their keys in a bowl, each person randomly chooses a set and then must spend the night with the owner of the keys. This party game will shake up the group of friends and their lives. It will make them discover who they are and what they really want. A comedy about long-term monogamy, self-fulfillment and pleasure. A story about four couples who are friends and who decide to be swingers with one another.

This film is a very personal account of moments lived by the director with her father. A personal account, yet told with the proper distance, in that cinema is ever-present between father and daughter: as a passion, a life choice, and a way of being in the world. Cinema as a web that underlies the story of their exchanges and creates a space for imagination. “With cinema,” the father says, “you can escape. With your own mind”. Images are sparked by memories and like memories amplify a few notable markers while erasing others. Spare images, where there is hardly anything other than the two of them, and the marker that is present always has something monstrous about it: large things are exceptionally large; distant things are incredibly far; sunbeams are ablaze; nearby things are much too close. As for the movie sets, however, everything is in excess: confusion, urgency, people, noise—and everything here is also amplified. In these sets is the thrill of communal life. The ones featured in the film are those of Pinocchio, built in the middle of nowhere in the barren countryside.

Laura has been with Antonio forever and just when she begins to wonder if this is the life she truly wants, Sergio and Siena come onto the scene. Sergio is a former high school classmate and Siena is his millennial girlfriend who comes in turning everyone’s lives upside down. Laura, Raquel and Cris, close friends for years, convince their respective husbands to join in a party that Siena proposes: a key party. It consists of everyone putting their keys in a bowl, each person randomly chooses a set and then must spend the night with the owner of the keys. This party game will shake up the group of friends and their lives. It will make them discover who they are and what they really want. A comedy about long-term monogamy, self-fulfillment and pleasure. A story about four couples who are friends and who decide to be swingers with one another.

一场宴会上，作曲人汉娜（朱诺·坦普尔 Juno Temple 饰）邂逅了名为西奥（西蒙·佩吉 Simon Pegg 饰）的制片人。西奥诙谐幽默的谈吐很快就吸引了汉娜的注意，两人决定合作一起搞点新花样出来。但很快，汉娜便发现，有时候西奥会表现得好像完全是另一个人一样，最终汉娜明白了，西奥患有精神分裂症，平日里全靠药物控制，一旦停药，西奥便会化身成为“恶魔版”的另一个自己。 　　精神疾病的折磨让西奥感到痛苦万分，甚至产生了离群索居的念头。在西奥发病的日子里，汉娜一直对他不离不弃，鼓励和照顾着这个绝望中的男人。不仅如此，汉娜还要兼顾自己的作曲事业。

一场宴会上，作曲人汉娜（朱诺·坦普尔 Juno Temple 饰）邂逅了名为西奥（西蒙·佩吉 Simon Pegg 饰）的制片人。西奥诙谐幽默的谈吐很快就吸引了汉娜的注意，两人决定合作一起搞点新花样出来。但很快，汉娜便发现，有时候西奥会表现得好像完全是另一个人一样，最终汉娜明白了，西奥患有精神分裂症，平日里全靠药物控制，一旦停药，西奥便会化身成为“恶魔版”的另一个自己。 　　精神疾病的折磨让西奥感到痛苦万分，甚至产生了离群索居的念头。在西奥发病的日子里，汉娜一直对他不离不弃，鼓励和照顾着这个绝望中的男人。不仅如此，汉娜还要兼顾自己的作曲事业。

A young cop, who works in a police control room, tries to solve the mysterious case of a kidnapped girl.

「週刊漫画アクション」で連載された柳沢きみおの同題TV業界コミックを約50分のOVA化。主人公の美人アナウンサー畑和世の役を、1987年にTBSに入社したキャスターの長峰由紀が演じていることが話題に。 　　春から晴れて国内テレビ局に新人採用された美人・畑和世。アナウンサーとしての第一歩を進む彼女はピュアな心を持つ一方で、その巨乳ボディが災いし、入社間もなく局内の男性たちから目をつけられてしまう。社長ジュニアの伊集院や同期の桑田だけでなく、スケベで悪名高いディレクターの油井に狙われた和世の運命は……。

海伦娜·伯翰·卡特饰演了一位对医疗机构制度不满的精神病人，她持续反抗，希望病人们的待遇得到改善。希拉里·斯万克饰演的律师偶然之下代理了这个案子，她没有想到的是，这个病人的坚韧和勇敢最终感染了自己，令这份只为交差的工作变成了她为之奋斗一生的事业。