自1964年1月结婚，狄迪恩和约翰共同度过了四十年时光。他们皆是有名的作家、撰稿人和编剧，每日在家工作，也就是说，他们差不多每天都呆在一起。生前的深切依恋，让狄迪恩在约翰去世后更加体会到“丧恸”的内涵。除了丈夫突然离世外，这段时间女儿金塔纳也罹患重症，长时间昏迷不醒。接下来的这一年，对她而言异常艰难。她开始被种种“奇想”裹挟而下，在不断的回忆、触发与后知后觉，当然还有新的认知、经验中寻求轨道。

自1964年1月结婚，狄迪恩和约翰共同度过了四十年时光。他们皆是有名的作家、撰稿人和编剧，每日在家工作，也就是说，他们差不多每天都呆在一起。生前的深切依恋，让狄迪恩在约翰去世后更加体会到“丧恸”的内涵。除了丈夫突然离世外，这段时间女儿金塔纳也罹患重症，长时间昏迷不醒。接下来的这一年，对她而言异常艰难。她开始被种种“奇想”裹挟而下，在不断的回忆、触发与后知后觉，当然还有新的认知、经验中寻求轨道。

In the future, technology will be able to make the lives of every kid easier. See what happens when childhood curiosity leads to chaos in Circuit Breakers, premiering November 11 on Apple TV+ .

In the future, technology will be able to make the lives of every kid easier. See what happens when childhood curiosity leads to chaos in Circuit Breakers, premiering November 11 on Apple TV+ .

Zoltan Huszárik graduation of the grotesque as an aesthetic quality, excellent film portrayal. Tells the story of an "artist" who made a pre-planned suicide but fails. The true purpose of preparing vizsgafilm but only for the degree

电影《至暴之年》影片讲述在20世纪80年代的纽约，一名野心勃勃的商人被迫与一家腐败的商业机构打交道的故事。

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

远离东京的地方小镇，15岁的岩崎银（萩原利久 饰）是一个正就读初三的棒球迷，平日里他经常和辍学的阿敏（影山树生弥 饰）和勇纪（中村圭太郎 饰）混在一起。某天，阿银意外收到了同班同学佐田成美（小川纱良 饰）的告白。令阿敏他们感到奇怪的是，阿银似乎对女孩子根本没半点兴趣。表白落空的成美回到家中，结果被母亲律子（宫地真绪 饰）告知不准升学，随后更被律子男朋友神林（木村知贵 饰）逼迫出卖身体。黑暗无望的家庭，逼迫成美想方设法逃离。与此同时，阿银的性取向被父亲（山本刚史 饰）获知，他也感到无形的压力。当成美决定跑到东京寻找父亲时，阿银亦表达了希望随之而去的想法。 　　两个追求幸福的少男少女，展开了他们15岁的秘密旅行……

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.

Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by beer and free crisps than by their arguments, Albert and Bruno will gradually integrate the movement without conviction, if not that of taking advantage of each action and each rebellion to schem and profit from it. Between ideological or suffered minimalism, between overconsumption and happy sobriety, we face the complex simplicity of our future, the oppositions and paradoxes of our time, in short, everything is fine.