一位常春藤盟校的新生Aaron爱上了一位年长的女士Linda，而她14岁的女儿Beth却对他产生了好感，这让Aaron得到了一次意料之外的教育。

30岁的里奇在青少年时期被监禁，最近刚刚获释，他正在努力应对出狱后生活的种种挑战，以及成年后第一次争取独立的复杂过程。

毕业后感到迷茫的启恒靠拍照打发时间，和姥爷的一番相处让他平淡的生活与历史产生了联系。 　　过去在悄然影响着他的未来...

此次升任社长的李瑞镇有望在纽约大学商学院毕业后进入餐饮管理领域。与过去在印度尼西亚和西班牙等美丽而充满异国情调的地方提供治愈和欢笑的尹食堂不同，新分店有望创造出更强烈的乐趣。作为真正的总裁接受新挑战的李瑞镇将展示什么样的菜单和管理方法受到关注。　　挑战一种叫做韩国快餐的街头食品。如果说“尹食堂”呈现的是烤肉和石锅拌饭等韩国传统美食，那么“Seojin's”则以更轻松、更友好的菜单吸引观众。

一个新婚的年轻警校学生，为了赚钱而答应晚上帮忙学长出任务，没想到一夜恐怖而残忍的行动直击，让他完全难以面对自己的将来。曼多萨以手持摄影和剧烈晃动的跟拍，彷彿模拟-真实发生的暴力事件，在道德的黑白界线间游走。大量直接、血腥的性爱与杀戮画面，令人不忍卒睹，让观众既考验观影极限，又饱受心灵震撼。影片在当年的坎城影展，备受争议地-夺下了最佳导演奖。

此次升任社长的李瑞镇有望在纽约大学商学院毕业后进入餐饮管理领域。与过去在印度尼西亚和西班牙等美丽而充满异国情调的地方提供治愈和欢笑的尹食堂不同，新分店有望创造出更强烈的乐趣。作为真正的总裁接受新挑战的李瑞镇将展示什么样的菜单和管理方法受到关注。　　挑战一种叫做韩国快餐的街头食品。如果说“尹食堂”呈现的是烤肉和石锅拌饭等韩国传统美食，那么“Seojin's”则以更轻松、更友好的菜单吸引观众。

The film chronicles three desperate days in a then impoverished lower Manhattan neighborhood, New York's skid row: the Bowery. It is the story of Ray (Ray Salyer), a railroad worker, who drifts on to the Bowery to have a drunken spree after a long bout of laying tracks and then falls in with a band of drunks who help him spend his money. 　　Ray, the "new guy on the Bowery," whose biceps still fill out his sleeves, looks preoccupied as he enters the "Confidence Bar & Grill". Surrounded by various alcoholics in advanced states of decay, he buys them rounds of drinks, then blacks out on his first night, and wakes up to discover that his suitcase has been stolen. 　　The thief (Gorman Hendricks) becomes the closest thing he has to a friend...and just like that, Ray embarks on a trip to hell, becoming part of the Bowery. In a series of Beckettian portraits, the protagonists, congregations of winos, listless listeners, blubber through numerous bar scenes, games of dominos around a flophouse stove, and a sermon at the Bowery Mission. Will Ray find his way out of this uncaring urban jungle?

一个扭曲的乌托邦徐徐展开，歌唱的小天使在腐朽之声中消融。这一切由未来的一台有感知能力的机器精心打造，它正揭开属于自己的那版天堂的面纱。

Katsura Funakoshi: Whispering Gaze observes the visionary sculptor Katsura Funakoshi as he quietly breathes life into camphor wood. Take a look as he works in his atelier, preps for exhibitions, and speaks at lectures. The simple, warm and gentle figures carved out by Funakoshi can be attributed to the harmony of precise calculations and accidental occurrences. His human-like sculptures draw in beholders with their distant marble gaze as if pondering philosophical thoughts and projecting subtle yet bold emotions.