唐既白小时候因父母的一起车祸而无家可归，东方获收养了他，从此唐既白和东方获的女儿东方廌结下了不解之缘。多年后，唐既白是功成名就的法学教授，东方廌是傲娇果敢的金牌律师。唐既白因偶然卷入了一起伤人案件锒铛入狱，对东方廌的态度也开始反常。为给唐既白洗清冤屈，东方廌不惜与全世界为敌。天竞律师事务所的少东家马则安与东方廌不打不相识，逐渐心生爱慕，大胆追求东方廌，东方廌却不为所动，一边受理案件，一边替唐既白洗清冤屈帮其出狱。出狱后的唐既白和东方廌时而联手时而对立，在调查自己父母之死背后的阴谋的同时，两人的感情也逐渐彼此坚定。

唐既白小时候因父母的一起车祸而无家可归，东方获收养了他。多年后，唐既白是功成名就的法学教授，而东方廌是傲娇果敢的金牌律师。唐既白因偶然卷入了一…

非常艺术化的一部电影。两位男女主角所要演绎出的是属于爱情它的进化论。由古至今，我们都常听说是缘分还有那奇妙的感觉把两个人拉在一起，然后爱恋，然后厮守。但是往往也是同样的一个感觉使的两个爱恋中的人分开。这部电影把爱情的感觉完全揭开。

非常艺术化的一部电影。两位男女主角所要演绎出的是属于爱情它的进化论。由古至今，我们都常听说是缘分还有那奇妙的感觉把两个人拉在一起，然后爱恋，然后厮守。但是往往也是同样的一个感觉使的两个爱恋中的人分开。这部电影把爱情的感觉完全揭开。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

讲述了成功企业家楚乔突遭变故，被诬陷猥亵少女林茶茶，面临身败名裂与牢狱之灾。在绝境中，律师叶可一挺身而出，为他辩护。法庭上，双方唇枪舌剑，证据交织，最终楚乔在叶可一的帮助下，成功洗清冤屈，重获自由。此役不仅让楚乔深刻反思过往，也让他与女儿楚颖的关系得到修复。楚颖目睹了父亲的坚韧与叶可一的正义，深受触动，立志成为像他们一样，能在关键时刻挺身而出，守护正义的“都市英雄”。

导演 Cheryl（张艾嘉）要拍一部关于初恋的电影，找到编剧（苏永康）讨论剧本。故事的起于一九七七年，女主角小柔（梁咏琪）十七岁，在女校读中学。浩君（金城武）十九岁，大学沒考上，在家自修。但他更喜欢弹吉他。浩君第一次遇见小柔是在一家音乐行的玻璃櫥窗边，浩君心动，撒谎而第二次见面。第三次見面是在一群玩音乐的男孩子练歌时，小柔主动和他说话。之后，两人一发不可收拾。小柔的好朋友陈莉（莫文蔚）是小柔倾诉的对象。一个夜晚，浩君和小柔只想一起共渡，穿着整齐相拥而眠。这一夜成为二人分手的起因。导演 Cheryl告诉编剧，陈莉向小柔示爱，小柔打了陈莉。多年后，二十五岁的浩君成为导游和翻译，在日本巧遇小柔，依然心动。小柔已是香港一家时装公司的采购员。当二人再走在一起，沒有任何考虑就做了当年沒有做的事。有一天，浩君回到香港，拿着戒指向小柔求婚，感情找到归宿。导演 Cheryl也在讲述的最后，找到自己真实的往事。