13岁的蒂姆·帕克和他朋友无意中发现了犯罪团伙逃跑时藏匿的一百万美元现金。几个孩子激动、兴奋之余想要找到一个大人帮我们把钱存进银行，幻想着以后可以过上无忧无虑的生活。他们找到了镇上的醉汉温斯顿，他整日无所事事只知道醉酒睡觉。蒂姆本想有了温斯顿的帮忙大家一定不会起疑心，但是没有想到的是温斯顿了解了事情的真相后狠狠地教育了几个孩子。而后犯罪团伙返回发现钱财丢失开始调查，几个孩子在金钱诱惑和危险的压迫中挣扎，到底应该如何抉择，成为摆在他们面前的一个重要的选择题。

ファンタジー作家・深沢美潮の大人気ノベルシリーズのテレビアニメ化。物語は「新フォーチュンクエスト」編を下敷きに自在な脚色で進行。スタッフは監督の渡部高志以下、テレビ版『スレイヤーズ』の布陣が中心。不幸な境遇でも明るさを失わない少女パステル。彼女と騎士クレイたち6人と1匹の仲間は冒険の旅を続けていた。やがて一同は成りゆきから、有名な盗賊団の家族トラップの家に泊まることになる。そこである事件が…。

93 min

喜爱探险，对神秘宝藏充满了憧憬的李登布罗克教授在无意之中发现了一张历史悠久的羊皮纸，羊皮纸上记载了一位名叫阿尔纳的男子曾经前往地心探险的路线图。欣喜若狂的李登布罗克教授当即决定重走趟充满了危险和未知的地心之旅。 　　尽管遭到了朋友们的强烈反对，李登布罗克教授还是带着侄子毅然决然地出发了。两人的旅途始于德国汉堡，之后，来自冰岛的汉斯成为了他们可靠的向导。三人来到了斯奈菲尔火山口，从此进入地表之下，在长达三个月的旅程中经历了种种光怪陆离的现象，遇见了无数千奇百怪的动植物，甚至邂逅了神秘的种族。

灾害科普达人俱乐部是一个全世界的发明者爱好俱乐部，被俱乐部除名的海盗兄弟为了报复，费尽手段妄图用偷盗来的超级钻探机制造混乱，谋取私利。小达人苏琳娜和平安大使乐乐熊，能阻止海盗的阴谋吗？

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.

In his efforts to connect with his Chinese heritage, a biracial man discovers challenges and complexities he may not have expected in James Michael Chiang’s remarkably deft blending of drama and comedy.

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.