When a young woman (Laura Paredes) wins a radio contest, her prize is four days in a hotel in Ostende, a seaside town by the Atlantic coast in the province of Buenos Aires. Only it's not high season, so the beach proves blustery, the hotel is pretty much empty and she doesn't have much to do while she waits for her boyfriend to join her. So she listens to the stories of a friendly local waiter and watches the comings and goings of an older man and the two women who appear to be with him. From El Pampero Cine, the company responsible for Mariano Llinás' Extraordinary Stories and Alejo Moguillansky's Castro (LFF 2009) comes a playful study of voyeurism and the power of storytelling inflected through a feminist sensibility. Laura Paredes gives an assured performance as the outsider whose imagination goes into overdrive when faced with the reality of the sleepy spa resort. Laura Citarella may have described Ostende as a very small feature, but the mischievous nods to Hitchcock and Rohmer and the film's marked focus on ways of seeing actually render this a visually arresting and highly individual debut. 　　Maria Delgado

When a young woman (Laura Paredes) wins a radio contest, her prize is four days in a hotel in Ostende, a seaside town by the Atlantic coast in the province of Buenos Aires. Only it's not high season, so the beach proves blustery, the hotel is pretty much empty and she doesn't have much to do while she waits for her boyfriend to join her. So she listens to the stories of a friendly local waiter and watches the comings and goings of an older man and the two women who appear to be with him. From El Pampero Cine, the company responsible for Mariano Llinás' Extraordinary Stories and Alejo Moguillansky's Castro (LFF 2009) comes a playful study of voyeurism and the power of storytelling inflected through a feminist sensibility. Laura Paredes gives an assured performance as the outsider whose imagination goes into overdrive when faced with the reality of the sleepy spa resort. Laura Citarella may have described Ostende as a very small feature, but the mischievous nods to Hitchcock and Rohmer and the film's marked focus on ways of seeing actually render this a visually arresting and highly individual debut. 　　Maria Delgado

如果國家不愛我，為國爭光又有何意義？1936年，柏林，德國首辦奧運，種族滅絕亦如火如荼。體育打開始跟政治勾結，女子撐竿跳世界第一Gretel是個德國猶太人，美國揚言若德國打壓猶太人，便杯葛奧運，更點名要Gretel出賽。流亡英國的Gretel頓成納粹黨一枚棋子，雖被急召回國集訓，但國家機器施以種種心身夾擊，更派男扮女裝的Marie挑戰她的代表地位，沒料到敵對關係日久生情。奧運迷看點：撐竿跳古賽制、從前奧運飛船飄升的大場面。兩主角的真身曾在萊芬斯坦的《奧林匹克》亮相。

如果國家不愛我，為國爭光又有何意義？1936年，柏林，德國首辦奧運，種族滅絕亦如火如荼。體育打開始跟政治勾結，女子撐竿跳世界第一Gretel是個德國猶太人，美國揚言若德國打壓猶太人，便杯葛奧運，更點名要Gretel出賽。流亡英國的Gretel頓成納粹黨一枚棋子，雖被急召回國集訓，但國家機器施以種種心身夾擊，更派男扮女裝的Marie挑戰她的代表地位，沒料到敵對關係日久生情。奧運迷看點：撐竿跳古賽制、從前奧運飛船飄升的大場面。兩主角的真身曾在萊芬斯坦的《奧林匹克》亮相。

《暗红1936》讲述了在1936年的古城西安，在中统、军统、中共特科、日本人、中央军、东北军、西北军各方生死博弈的错综复杂环境中，年轻的陕西省党部新生英负责华清池警戒，不料意外发现了引发西安事变的绝密手谕情报……

《暗红1936》讲述了在1936年的古城西安，在中统、军统、中共特科、日本人、中央军、东北军、西北军各方生死博弈的错综复杂环境中，年轻的陕西省党部新生英负责华清池警戒，不料意外发现了引发西安事变的绝密手谕情报……

该片被列为云南省重点影视创作项目。以全新的角度、生动鲜活的故事，歌颂老一辈无产阶级革命家长征过云南的丰功伟绩，深切缅怀伟大长征中壮烈牺牲的革命先烈，着力表现工农红军与各族群众的鱼水深情，小故事，大情怀，生动展现了人性的光辉和老一辈无产阶级革命家深情浪漫的革命情怀。该片被列为“中国校园健康行动”爱国主义公益电影。

1936年陕甘宁地区，红军物资面临缺乏。刘达志为解决困局与马帮头领萧关相识，之后浪迹天涯的萧关有感于红军的大仁大义加入队伍，并一步步成长为一位坚定…

SYNOPSIS 　　Oh Soo-bi reads her husband's secret diary on the Tantra religion when he fails to return to Seoul from his lectures at University of Gangneung for three weeks. She finds out that her husband has gone missing and she leaves to Gangneung to solve the mystery of her husband's secret life. There, she hears news of her first love Seung-il who has been living alone unable to forget her. She meets him again and is tormented by memories of the love. A woman named Guru who has come to meet her husband from Tibet informs Soo-bi that her husband is on an ascetic journey. Soo-bi sets out to find her husband and is helped along the way by a young man named Dong-yeob. She finds the Tantra tent where her husband was but finds out that he has already left. Soo-bi learns about the freedom of sex through Dong-yeob and becomes convinced that her husband will return to her one day. She returns to her place back in the home. 　　故事 　　Ohsubi我没有在江陵的丈夫大学的历史学教授达3周看偷写卡巴拉被烧毁驱动暗中迷恋日记meantime've。收到来自她丈夫的失踪呼叫然后丈夫是解决防守下这个国家的神秘面纱。听说seungil初恋的新闻在那里，只存在珍惜消耗少失去了一切的回忆和满足生活seungil在斗争遗憾防守罢工想起了美丽的回忆带着他。卫冕谁在冲突中遭受丈夫从一个女人来找西藏丈夫树木被进一步做所以现在听到一个故事riraneun很快离去了更多的理解下决心发现她的丈夫。随着dongyeop伊朗青年的帮助，但他发现她的丈夫投幕驾驶员携带她的丈夫已经离开那里。但是防御是通过免费性实现dongyeop另一种是相信她的丈夫有一个5里拉某个时候回来。并返回到自己的位置防守。