When a young woman (Laura Paredes) wins a radio contest, her prize is four days in a hotel in Ostende, a seaside town by the Atlantic coast in the province of Buenos Aires. Only it's not high season, so the beach proves blustery, the hotel is pretty much empty and she doesn't have much to do while she waits for her boyfriend to join her. So she listens to the stories of a friendly local waiter and watches the comings and goings of an older man and the two women who appear to be with him. From El Pampero Cine, the company responsible for Mariano Llinás' Extraordinary Stories and Alejo Moguillansky's Castro (LFF 2009) comes a playful study of voyeurism and the power of storytelling inflected through a feminist sensibility. Laura Paredes gives an assured performance as the outsider whose imagination goes into overdrive when faced with the reality of the sleepy spa resort. Laura Citarella may have described Ostende as a very small feature, but the mischievous nods to Hitchcock and Rohmer and the film's marked focus on ways of seeing actually render this a visually arresting and highly individual debut. 　　Maria Delgado

When a young woman (Laura Paredes) wins a radio contest, her prize is four days in a hotel in Ostende, a seaside town by the Atlantic coast in the province of Buenos Aires. Only it's not high season, so the beach proves blustery, the hotel is pretty much empty and she doesn't have much to do while she waits for her boyfriend to join her. So she listens to the stories of a friendly local waiter and watches the comings and goings of an older man and the two women who appear to be with him. From El Pampero Cine, the company responsible for Mariano Llinás' Extraordinary Stories and Alejo Moguillansky's Castro (LFF 2009) comes a playful study of voyeurism and the power of storytelling inflected through a feminist sensibility. Laura Paredes gives an assured performance as the outsider whose imagination goes into overdrive when faced with the reality of the sleepy spa resort. Laura Citarella may have described Ostende as a very small feature, but the mischievous nods to Hitchcock and Rohmer and the film's marked focus on ways of seeing actually render this a visually arresting and highly individual debut. 　　Maria Delgado

SYNOPSIS 　　Oh Soo-bi reads her husband's secret diary on the Tantra religion when he fails to return to Seoul from his lectures at University of Gangneung for three weeks. She finds out that her husband has gone missing and she leaves to Gangneung to solve the mystery of her husband's secret life. There, she hears news of her first love Seung-il who has been living alone unable to forget her. She meets him again and is tormented by memories of the love. A woman named Guru who has come to meet her husband from Tibet informs Soo-bi that her husband is on an ascetic journey. Soo-bi sets out to find her husband and is helped along the way by a young man named Dong-yeob. She finds the Tantra tent where her husband was but finds out that he has already left. Soo-bi learns about the freedom of sex through Dong-yeob and becomes convinced that her husband will return to her one day. She returns to her place back in the home. 　　故事 　　Ohsubi我没有在江陵的丈夫大学的历史学教授达3周看偷写卡巴拉被烧毁驱动暗中迷恋日记meantime've。收到来自她丈夫的失踪呼叫然后丈夫是解决防守下这个国家的神秘面纱。听说seungil初恋的新闻在那里，只存在珍惜消耗少失去了一切的回忆和满足生活seungil在斗争遗憾防守罢工想起了美丽的回忆带着他。卫冕谁在冲突中遭受丈夫从一个女人来找西藏丈夫树木被进一步做所以现在听到一个故事riraneun很快离去了更多的理解下决心发现她的丈夫。随着dongyeop伊朗青年的帮助，但他发现她的丈夫投幕驾驶员携带她的丈夫已经离开那里。但是防御是通过免费性实现dongyeop另一种是相信她的丈夫有一个5里拉某个时候回来。并返回到自己的位置防守。

Recounts the true-life, previously secret, back-channel negotiations in the development of the pivotal 1990s Oslo Peace Accords between Israel…

Recounts the true-life, previously secret, back-channel negotiations in the development of the pivotal 1990s Oslo Peace Accords between Israel and the Palestinian Liberation Organization. 　　影片叙述了以色列和巴勒斯坦解放组织在制定1990年代奥斯陆关键和平协定过程中的真实生活，以前是秘密的后通道谈判。

本片讲述发生在19世纪西西里的五个故事： 　　另一个孩子：一位母亲时刻等待着远在他乡的两个儿子的来信，却对身边另一个儿子视而不见，因为那是她被抢盗强暴后生下的孩子…… 　　迷月症：一个男人疯狂地爱上了月亮，每当圆月升起之时，他便陷入迷狂状态，激动之时甚至对月嘶吼。他的怪异举动吓坏了自己的妻子…… 　　坛子：富有的农场主请来手艺高超的工匠修补他的坛子，而工匠却不慎掉了进去…… 　　安魂曲：村民们联合起来，要求地主安葬他们的遗体…… 　　与母亲的对话：作家Luigi Pirandello向母亲讲述了一个他构思许久却迟迟无从下笔的故事。

本片讲述发生在19世纪西西里的五个故事： 　　另一个孩子：一位母亲时刻等待着远在他乡的两个儿子的来信，却对身边另一个儿子视而不见，因为那是她被抢盗强暴后生下的孩子…… 　　迷月症：一个男人疯狂地爱上了月亮，每当圆月升起之时，他便陷入迷狂状态，激动之时甚至对月嘶吼。他的怪异举动吓坏了自己的妻子…… 　　坛子：富有的农场主请来手艺高超的工匠修补他的坛子，而工匠却不慎掉了进去…… 　　安魂曲：村民们联合起来，要求地主安葬他们的遗体…… 　　与母亲的对话：作家Luigi Pirandello向母亲讲述了一个他构思许久却迟迟无从下笔的故事。

本片由帕索里尼原著小说改编，讲述了五个社会边缘的年轻人，有一天遇到了一位命运和他们同样悲惨的陌生女子——奥斯提亚。就这样，一段奇特和畸形的关系在他们之间展开。

神经质的商人必须为他怀孕的女儿找到合适的男人，但这事有点复杂。