SYNOPSIS 　　Rose Club is the name for a gathering of women who stake their claims on a new generation of feminine power. Novelist Eun-ha, designer Chanel Jeong and actress Min-kyung make up this club. The women of this club work passionately to be the best in their fields; Eun-ha, in the name of research for her subject matters, seduces and destroys successful men of different fields, Chanel begins an affair with her new assistant Cody Park and Min-kyung tries numerously but unsuccessfully to seduce Lee, a film director. But Min-kyung realizes what true love is through her make-up artist, Woo-suk. 　　故事 　　小说家银河，香奈儿设计师Jung和民不愿透露姓名的女演员将组织一个俱乐部起立要求新一代女性的力量。在该杂志银河男人成功在各自的领域在结束劳动，发现所述材料的连载小说进入万劫不复之地被他英俊的外表和精湛的诱惑抱怨后，一种全新的信息。国家bodeon natnatyi通过望远镜这些星系的隐私被无情地临近星系的样子，但beonbeonyi该杂志部门沮丧。同时，香奈儿和英镑在科米晚上心理战与就业女性的情绪改变卖场的气氛开始一场秘密恋爱，玩，和民间有抱负的明星是电影业的车轮主教公开访问，但未能成功。但闵是通过bunjangsa知道真正的爱情的又石不断地观察自己。

SYNOPSIS 　　Rose Club is the name for a gathering of women who stake their claims on a new generation of feminine power. Novelist Eun-ha, designer Chanel Jeong and actress Min-kyung make up this club. The women of this club work passionately to be the best in their fields; Eun-ha, in the name of research for her subject matters, seduces and destroys successful men of different fields, Chanel begins an affair with her new assistant Cody Park and Min-kyung tries numerously but unsuccessfully to seduce Lee, a film director. But Min-kyung realizes what true love is through her make-up artist, Woo-suk. 　　故事 　　小说家银河，香奈儿设计师Jung和民不愿透露姓名的女演员将组织一个俱乐部起立要求新一代女性的力量。在该杂志银河男人成功在各自的领域在结束劳动，发现所述材料的连载小说进入万劫不复之地被他英俊的外表和精湛的诱惑抱怨后，一种全新的信息。国家bodeon natnatyi通过望远镜这些星系的隐私被无情地临近星系的样子，但beonbeonyi该杂志部门沮丧。同时，香奈儿和英镑在科米晚上心理战与就业女性的情绪改变卖场的气氛开始一场秘密恋爱，玩，和民间有抱负的明星是电影业的车轮主教公开访问，但未能成功。但闵是通过bunjangsa知道真正的爱情的又石不断地观察自己。

金基德的影片一直以粗粝彪悍的力量感而著称，然而《阿里郎》呈现的却是一个脆弱、陷入失败的导演形象。在一间简陋的山间小屋中，金基德为自己准备了一顶帐篷，吃着最简单食物，取雪为水，唯一能够证明他身份的是一溜摆放在柜子上的荣誉奖章，其中包括柏林的银熊奖和威尼斯的金狮奖。他人格分裂般地扮演质问者、回答者和旁观者，并在痛哭流涕中说出了无法拍片的原因——2008年，他遭受了双重的打击。首先，拍摄电影《悲梦》(Dream)时，由于女演员出了意外而导致他对电影意义的质疑；其次，两位助理导演离他而去，让他尝到了背叛的感觉。 　　因为《阿里郎》是金基德患社交恐惧症后的第一部电影，因此得到了很大的关注，而金基德则称：“我之前一直在睡觉，是戛纳让我醒来。”影片之所以名为《阿里郎》，因为在金基德看来，这是“韩国人在悲伤、迷茫时会唱的一首歌”。

An in-depth examination of labor-management issues in Korea, the film was barred by the government from entering any domestic or international film festivals.

An in-depth examination of labor-management issues in Korea, the film was barred by the government from entering any domestic or international film festivals.

Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. 　　This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

阿里曾是一位年轻的教师，他辞去了工作，却被父亲无情地赶出了家门。在感到迷茫和孤独之际，他重新找到了旧友，这一举动触发了他一段深刻的自我探索之旅。

阿里曾是一位年轻的教师，他辞去了工作，却被父亲无情地赶出了家门。在感到迷茫和孤独之际，他重新找到了旧友，这一举动触发了他一段深刻的自我探索之旅。

在一个沿海小镇，女性被禁止歌唱。一名少年为了争取搬到城市的机会，决定参加一场歌唱比赛。然而，为了隐藏自己的真实声音，他采取了一种阴暗而诡异的方式。这场比赛不仅成为他追求自由的契机，也揭开了小镇背后深藏的秘密。

在一个沿海小镇，女性被禁止歌唱。一名少年为了争取搬到城市的机会，决定参加一场歌唱比赛。然而，为了隐藏自己的真实声音，他采取了一种阴暗而诡异的方式。这场比赛不仅成为他追求自由的契机，也揭开了小镇背后深藏的秘密。