因为一段放不下的往事，青年男女决定对拾荒老人的家闯空门。

因为一段放不下的往事，青年男女决定对拾荒老人的家闯空门。

打工人贺清清和总裁严景淮一起被江水欢打死。贺清清意外得到重生机会和碰谁谁穷的强大能力，为了摆脱这该死的穷命，她必须嫁给一个富二代破除能力，直到她再次遇见了严景淮。实际上严景淮也是重生的，能力是读心术，严景淮看着贺清清在自己面前装小白兔，但心里疯狂吐槽自己。两个人相爱相杀，并逐渐勾起过往的记忆，原来两个人很早以前就认识。

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

田月容重生了，前世她为了改嫁陈秀才。作天作地作儿女，害的孩子一个个惨死，她自己也死的凄涼。重生后，她意外被系统选中，成了桃花源景区的一名保洁，月薪两百。为了在灾年让一大家子人活下去，田月容撸起袖子当起了保洁。当保洁好呀，垃圾桶里捡吃捡喝还能捡到宝。月底发了薪水，可以在景区超市买吃的喝的用的。她在景区给大儿子买种子年产三万吨，帮二女儿读书考功名，给三儿子拜师学武艺，给小儿子买好吃好喝养的白白胖胖。就这样，田月容靠着当保洁，让全家从饿死边缘逆袭成当地首富，赶她出门的韩家哭着求原谅，儿子们建功立业给她挣诰命，改变前世悲惨命运。

好消息，侦测到您的职业为隐藏职业。 坏消息，您的隐藏职业是万中无一的“垃圾”。 您，即将转职为…… “拾荒者Scavenger” 叶轻看到眼前的结果只觉得眼前一白，这么多年的努力全都打了水漂。 借高利贷炒股赔光，被债主扔进进私猎团打黑工还债。 在击败了不可能杀死的怪物之后，那一瞬间经验值涌入让叶轻从0级升到了1级，叶轻触发了人生唯一一次转职的机会…… 但意外的是，他觉醒的职业是全球万中无一的隐藏职业——“拾荒者” 所有的天赋树都是围绕“捡垃圾”展开的奇葩职业。

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.