Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

狄仁杰奉命巡查江南各道，途径临安城时被卷入一起神秘的少女失踪案，经过深入调查他发现与当地的邪教有关，案件疑云密布错综复杂，背后妖僧的身影若隐若现，狄仁杰以非凡的才智抽丝剥茧，一步步逼近真相，开启了一场正义与邪恶碰撞的探案之旅…...

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

穷游旅行冒险家谢小运出走八年终于返乡归来，途径醉仙楼正在找一个接班人，他意外接手了这家百年老店，本打算变卖换钱，却卷入了江湖风波，对门还有一个他未过门的未婚妻豆腐西施，也结交了各种各样性格迥异的江湖朋友，几位伙伴的帮助下，谢小运利用醉仙楼保护了会稽女侠花蝴蝶，劝说了锦衣卫都指挥使李四重新为国效命，抓获了制造假黄酒的奸商阿九，收留了无家可归的孤儿小树苗，与日本浪人在天姥山比剑决斗，于大佛寺和游历讲学的圣贤王阳明先生谈天论地……形形色色的客官们带来五花八门的传奇经历，醉仙楼帮助一众客人找回自我的同时也经历了一次次成长和自我疗愈。在此刻，被宁王的造反风波殃及，他是会再次选择逃避，还是勇敢面对

2012年5月，为了完成奶奶的愿望，也为了在年底当兵前给自己一个礼物，从台北出发，历时28天完成环岛1200多公里的骑行。通过“邀人上车”的方式，即兴搭载陌生的国中学生、茶农、铁哥们、大陆游客、自行车车友、鳄鱼大王、乡村捕鼠人、莲雾果农、海产法医、民宿老板、盐田农妇等搭车。

讲述了长乐公主叶竹惜因身份束缚与茶道先生顾寒寻之间的跨越时空的爱情故事。 南越国长乐公主叶竹惜被父皇当做巩固朝政的工具，下嫁给权臣，为了讨好驸马，父皇特聘茶道先生顾寒寻进宫为公主教学。两人一见钟情，却碍于礼法不可言说，只得将所有的情感倾注于茶道上，后自成一派。婚期将至，皇帝发现两人的情愫，勃然大怒。最终，皇帝暗杀顾寒寻，叶竹惜意外获得长生陷入沉睡，被皇室视为祥瑞，顾叶两家也从此结仇。千年后叶竹惜苏醒，曾经淡泊名利的顾寒寻转世成为冷血的绫城首富顾珩，两人一步步解开误会，化解家族仇恨，饶过障碍最终再续前缘。

节目将通过“车载空间”绘就一幅“人欢畅、城和乐、业兴旺”的现代都市生活图景。打车已经成为现代都市中的一种日常生活方式，“哈哈专车”将在长沙CBD、著名旅游景点、年轻人聚集地等不同地点随机接送路人前往目的地。两位嘉宾一位负责开车，一位负责与乘客互动完成快问快答、你画我猜等答题挑战和接歌词、倒放猜歌等音乐挑战，充分利用都市人群熟悉的“车载空间”营造节日假期的欢乐氛围。

五十年前，江湖突然被 “混沌”入侵，慕容穹组建魔教对抗，艰难苦战不得胜利。神使易枝花降临，教会众人妖化功法成功战胜混沌。可神使离开，妖化功法传入江湖后失控，慕容穹失望退隐。他的手下余化冰趁机上位，改良妖化功法，竟创造出朋克真气时代，让江湖欣欣向荣，但代价就是江湖客们都变成了“上功怪”。有着赤子心的少年东方胜，找到了归隐在向西饭店的慕容穹，想靠他恢复昔日江湖荣光，啼笑皆非的故事自此拉开帷幕……

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