Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926). 　　Yoso means "esoteric priest" which implies "sorcerer." For such a rarely screened film, it seems to have attracted an unwieldy number of English titles: The Sorcerer, Ghostly Priest, Bronze Magician, Phantom Priest, & on the subtitled 35 mm print the only fully apropos title, Priest & Empress, not to be confused with another Raizo Ichikawa film called The Priest & the Beauty (Anchin to Kyohima, 1960). 　　Japan of the Nara Era had a sovereign female emperor or Mikado, Koken-Shotoku Tenno, who fell under the sway of a Buddhist priest named Dokyo. His influence over her proved so untoward that Empress Koken-Shotoku gave him titles which implied the imperial line might actually pass to him should the Empress die, despite that the imperial line had been preserved as a single dynasty back into prehistory. 　　The crisis engendered by Dokyo led to the banning of women ever again becoming Mikado, a decision periodically revisited including in our own generation when there stood a strong threat of no authentic male heir. 　　The film takes this historical reality & makes of it a believable though tough & very odd love story. Dokyo, who has indeed been called "the Japanese Rasputin," is here played by Raizo Ichikawa. Though Dokyo clearly uses the affections of the Empress (played by the ethereally beautiful Yukiko Fuji) for personal gain & power, his intense devotion to Shotoku is nevertheless no falsehood. When it comes time for his assassination, it is very much Rasputin-like, as he is damnably difficult to kill. It's portrayed quite horrifically but it remains simultaneously sorrowful because his love of Shotoku was no pose.

狄仁杰奉命巡查江南各道，途径临安城时被卷入一起神秘的少女失踪案，经过深入调查他发现与当地的邪教有关，案件疑云密布错综复杂，背后妖僧的身影若隐若现，狄仁杰以非凡的才智抽丝剥茧，一步步逼近真相，开启了一场正义与邪恶碰撞的探案之旅…...

狄仁杰奉命巡查江南各道，途径临安城时被卷入一起神秘的少女失踪案，经过深入调查发现与当地的淫词邪教有关，案件疑云密布错综复杂，背后妖僧的身影若隐若现，狄仁杰以非凡才智抽丝剥茧，一步步逼近真相，开启了一场正义与邪恶碰撞的探案之旅…

当一位年轻僧人接触到“博阿健身房”的健美运动员时，他重新连接到了自己身体的力量，引发了一场彻底的转变。

穷游旅行冒险家谢小运出走八年终于返乡归来，途径醉仙楼正在找一个接班人，他意外接手了这家百年老店，本打算变卖换钱，却卷入了江湖风波，对门还有一个他未过门的未婚妻豆腐西施，也结交了各种各样性格迥异的江湖朋友，几位伙伴的帮助下，谢小运利用醉仙楼保护了会稽女侠花蝴蝶，劝说了锦衣卫都指挥使李四重新为国效命，抓获了制造假黄酒的奸商阿九，收留了无家可归的孤儿小树苗，与日本浪人在天姥山比剑决斗，于大佛寺和游历讲学的圣贤王阳明先生谈天论地……形形色色的客官们带来五花八门的传奇经历，醉仙楼帮助一众客人找回自我的同时也经历了一次次成长和自我疗愈。在此刻，被宁王的造反风波殃及，他是会再次选择逃避，还是勇敢面对

2012年5月，为了完成奶奶的愿望，也为了在年底当兵前给自己一个礼物，从台北出发，历时28天完成环岛1200多公里的骑行。通过“邀人上车”的方式，即兴搭载陌生的国中学生、茶农、铁哥们、大陆游客、自行车车友、鳄鱼大王、乡村捕鼠人、莲雾果农、海产法医、民宿老板、盐田农妇等搭车。

2012年5月，为了完成奶奶的愿望，也为了在年底当兵前给自己一个礼物，从台北出发，历时28天完成环岛1200多公里的骑行。通过“邀人上车”的方式，即兴搭载陌生的国中学生、茶农、铁哥们、大陆游客、自行车车友、鳄鱼大王、乡村捕鼠人、莲雾果农、海产法医、民宿老板、盐田农妇等搭车。

本剧主要讲述的是明代绍兴府一家百年老酒馆里的六位伙计在经营黄酒生意的过程中，通过接待形形色色的客人们发扬了乐善好施、团结互助、嫉恶如仇、维护正义的精神，最后成功截获叛军情报，守护了一方百姓的故事。

由好六超级工作室制作的户外互动文化类综艺《哈哈！请上车》今晚开播，7月17日起每周四19:30湖南卫视、芒果TV同步播出。新生代喜剧人徐浩伦和谭湘文组成“哈哈兄弟”，将担任“哈哈专车”司机，一辆普通的网约车就是舞台，徐浩伦和谭湘文两兄弟用真诚和幽默，将为大家呈现欢笑喜乐的城市漫游体验。 　　川流不息的城市街道，每一刻都有故事发生。徐浩伦和谭湘文的“哈哈专车”上，各种不同身份背景、性格习惯的人都有可能出现。首期节目中，“哈哈兄弟”遇到了热情奔放的乌干达兄妹，回国探亲的高颜值夫妻，也遇到了上夜班的护士和疲惫归家的打工人……每一次短暂的相处中有欢笑喜悦，也会有感动和共鸣，“哈哈专车”的故事因为这些际遇而生动。 　　在小小的移动空间里，人和人的距离被拉近，乘客可以敞开心扉，展现出自己真实鲜活的一面。镜头捕捉到城市人群多样的状态，大家会被不同的生活情绪感染，也收集到那些平凡中的新趣味。 　　“哈哈兄弟”用一段段车程，拼凑城市地图，在长沙这座兼具深厚历史文化底蕴和现代活力的城市畅行。透过车窗，会看到城市的地标建筑、街边的老店和来来往往的车辆……长沙容纳了来自天南地北、五湖四海的人，也包容了各种动人的风光。在车内，时不时一句方言、一个本地梗，两个土生土长的“长沙伢子”让观众用不一样的视角感受这座城市独有的烟火气。